Julia Masli, Please Let Me In Your Cult
I don’t know how she did it, but by the end of Julia Masli’s ha ha ha ha ha ha ha, performed at...
Europe
The 2026 International Ibsen Award: A Reflection On The Winner By The Committee
A week ago today, the winner of the 2026 Ibsen International Award was announced by the Norwegian...
“Chroniques” by Peeping Tom at Østre Gasværk Teater Copenhagen
Rocks and rolling, in a most literal sense, is probably the closest it gets to describing the...
When It Comes For Us: “Prophet Song”
Adapted from the Booker Prize–winning novel by Irish author Paul Lynch, Prophet Song is staged by...
Staatstheater Oldenburg’s “Art And Democracy” Season Scores With A Revival Of “Cabaret”
It has been a long-established tradition for many theatres in Germany to place their seasons and...
![Avignon 2019: Seeking Truth: On History, Memory and Fiction in Alexandra Badea’s Points de Non-Retour [Quais de Seine]](https://thetheatretimes.com/wp-content/uploads/2019/07/quais-440x264.jpg)
“Tired” Of Consuming Postdramatic Theatre (Contemporary Theatre Often Lacks Strong Dialogue)
An Interview with Ana Ristoska Trpenoska, a playwright, dramaturg, Vienna/Skopje, Austria/R.N....
Benedict Andrews’s “Electra/Persona” at the National Theatre: This Study In Ambiguity And Contradiction Is Pointless As Well As Gripping
“What if?” is a really provocative question. What if Greek tragedy is really about mental illness?...
Monumental Environment For 9-Hour Celebration Of Goethe’s “Faust” At The Goetheanum
Rudolf Steiner (1861-1925) is recognized internationally as the founder of anthroposophy, which,...
Dancing With Bob: Visual Arts And Dance In Dialogue With Each Other
On 11 and 12 July, in Spoleto (Italy), there was the European premiere of a significant...
Historical Memory On the Stage: Juan Mayorga’s “El Jardín Quemado” (The Scorched Garden)
Juan Mayorga began writing El jardín quemado (The Scorched Garden) in 1996, completing it the...
Artists’ Entry: Tiago Rodrigues
Since he started out as an actor, 20 years ago, Tiago Rodrigues has always looked at theater as a...
“Translators As The Most Attentive And Analytical Readers: Knowing Every Corner, Strength, And Weakness Of A Text”
An interview with Mrs. Gabriela Abrasowicz (Slavist, translator, and theatre scholar, Poland)....
“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland
Somewhat on the fringes of the Poland-Romania Cultural Season, the 2025 Between.Pomiędzy Festival...
Maxim Sukhanov – About The “Brew” Of A Performance, Krymov Rehearsals, “Dramatic Provocations” And The “Hope For The Good”.
The interview took place on January 17, 2026. Maxim, do you remember your first...
It Takes Artistry to Make Theatre for Young Audiences: New Theatre for Children Festival, Wrocław 2024
Theatre for broadly understood young audiences (0-16 years) is one of the most important cultural...
Truth and Reconciliation in “Under the Shade of a Tree I Sat and Wept” – Kosovo
How do forgiveness and reconciliation projects help heal a country’s collective trauma and...
“Today, Krleža Would Go Straight For The Throat Of Project-Based Logic”
An Interview with Mr. Ivica Matičević, president of the Fellowship Miroslav Krleza Fund, literary...
Maxim Sukhanov – About The “Brew” Of A Performance, Krymov Rehearsals, “Dramatic Provocations” And The “Hope For The Good”.
The interview took place on January 17, 2026. Maxim, do you remember your first...
Artistic Production Belongs To The Changing World Of Things
An Interview with remarkable Mr. Velimir Abramović (Belgrade, Serbia), a Tesla scholar and an...
![Between Life And Death: A Festival’s Journey Through Tragedy [Part II]](https://thetheatretimes.com/wp-content/uploads/2025/07/Picture7-e1752848456230-627x376.jpg)
Between Life And Death: A Festival’s Journey Through Tragedy [Part II]
To read PART I of this report, go to this link. Two “in yr face” Tragedies: Double...
![Between Life And Death: A Festival’s Journey Through Tragedy [Part I]](https://thetheatretimes.com/wp-content/uploads/2025/07/Picture4-1-150x150.jpg)
Artistic Production Belongs To The Changing World Of Things
An Interview with remarkable Mr. Velimir Abramović (Belgrade, Serbia), a Tesla scholar and an...
It Takes Artistry to Make Theatre for Young Audiences: New Theatre for Children Festival, Wrocław 2024
Theatre for broadly understood young audiences (0-16 years) is one of the most important cultural...
Richard III at MITEM: When the Monster Is Not Alone
There was something almost suspiciously neat about the programming. MİTEM opened with Richard III...
“The Overcoat:” A Balaganza of Absurdity and Travesty.
The 10th MITEM Theatre Festival continues to showcase the theatre achievements of Hungarian...
Nicoleta Esinencu: On Making Enemies and Creating Communities
Moldovan playwright and director Nicoleta Esinencu is known for her provocative monologue FUCK...
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A Festival of Imported Importance: BIAF 2026 and the Provincialism of Prestige
There are at least two ways for an international arts festival to be provincial. The first is...
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Staatstheater Oldenburg’s “Art And Democracy” Season Scores With A Revival Of “Cabaret”
It has been a long-established tradition for many theatres in Germany to place their seasons and...
Read More
Artistic Production Belongs To The Changing World Of Things
An Interview with remarkable Mr. Velimir Abramović (Belgrade, Serbia), a Tesla scholar and an...
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German Summer Festival Theatre (4): An Open-Air “Midsummer Night’s Dream” By The Bremer Shakespeare Company
The bremer shakespeare company was founded in Bremen in 1983 by a collective of nine theatre...
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Julia Masli, Please Let Me In Your Cult
I don’t know how she did it, but by the end of Julia Masli’s ha ha ha ha ha ha ha, performed at...
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Michaela Coel’s “Chewing Gum Dreams” at Theatre 503: Revival Of 2012 Contemporary Classic Is Terrific
Some monologues are so personal you can’t imagine another actor doing them. Right? Wrong! I’ve...
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Crime On The German Stage (1): Comedy
On German TV, each channel has its set of regular crime drama. For example, there is the...
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Ntozake Shange’s “for colored girls who have considered suicide / when the rainbow is enuf” at The Yard Theatre: Legendary 1970s Choreopoem Finally Arrives In London
Some legendary shows are rarely revived, rarely seen in London: one of these is surely Ntozake...
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Rosalind Adler and Lea Sellers’s “Holy Fool” at Park Theatre: The Life Of Shostakovich Gets The Bio-Drama Treatment
Okay, it’s a very familiar problem: how do you create drama out of an artist’s life? Most great...
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Benedict Andrews’s “Electra/Persona” at the National Theatre: This Study In Ambiguity And Contradiction Is Pointless As Well As Gripping
“What if?” is a really provocative question. What if Greek tragedy is really about mental illness?...
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German Summer Festival Theatre (3): An Open Air “The Cherry Orchard”
Theater Poetenpack was founded in 1998 by Andreas Hueck, who has continued as its artistic manager...
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In the Mind’s Eye: Collective Imagination at the Edinburgh Fringe 2026
I started my Edinburgh Fringe 2026 lying down. On a white bunk bed – a middle height one of a...
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From Bacon to Bananas: Edinburgh Festival Fringe 2026 in 24 Shows
With more than 4,200 shows making up this year’s Edinburgh Festival Fringe, twenty-four...
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Most Importantly, The Child Should Experience How Theatre Can Make Kindness, Patience, Courage And Curiosity Matter
An interview with Laouni Bellil, a gentle and inspiring Algerian storyteller and theatre maker....
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Monumental Environment For 9-Hour Celebration Of Goethe’s “Faust” At The Goetheanum
Rudolf Steiner (1861-1925) is recognized internationally as the founder of anthroposophy, which,...
Read More
Confidence Is A Rollercoaster – Don’t Ever Pay Money To Become Famous
An Interview with deeply inspiring Tanja Tzarovska – musician, singer (for film/theatre projects),...
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Dancing With Bob: Visual Arts And Dance In Dialogue With Each Other
On 11 and 12 July, in Spoleto (Italy), there was the European premiere of a significant...
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“Low German” Theatre in Bremerhaven: “The Physicists” by Dürrenmatt
In terms of linguistics, Low German (Plattdeutsch) is a language of its own, not a dialect, and...
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Alan Ayckbourn’s “How the Other Half Loves” at the Old Vic: Technically Brilliant if Rather Overlong and Old-Fashioned West End Farce
Is there a crisis in British new writing? The comparative paucity of new work in mainstream...
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Harsh And Relentless Social Criticism In Kosky’s Production Of Brecht’s “Threepenny Opera” At The Berliner Ensemble
In nearly all productions of Brecht’s The Threepenny Opera I had seen up to this one, I was struck...
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“Sinfonia”: Stories from Harrogate
Sinfonia is a play in which older people of the local community take to the stage to share fragments of their lives. We may not often stop to imagine what growing old will feel like. Will we become trapped within bodies that no longer move as they once did? Will everyday tasks become more difficult? Will we lose the energy and freedom of youth? Sinfonia does not answer these questions directly but gently invites us to reflect on them.
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A Celebration Of Bremen Past And Present: “Schnoor-Geschichten Mit Heini Holtenbeen – Bremen In 90 Minuten” At The Packhaustheater Bremen
For the last full production of his first season as artistic director of Packhaustheater in...
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“No Man’s Land:” Architecture As Collective Enactment – From Scenography Toward Activated Space
STONE DESIGN Architects – Authors of the project No Man’s Land (2015/2016). Connected by a...
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A Magical “Tempest” In Stratford-Upon-Avon
Seats have long been sold out for this production of Shakespeare’s The Tempest, which brings...
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Venice Theatre Biennale 2026 – “Memorandum”
This year’s theatre Biennale (7 to 21 June), with Willem Dafoe at the helm, has the intriguing...
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Venice Theatre Biennale 2026 – A Japanese “Othello”
This year’s theatre Biennale (7 to 21 June), with Willem Dafoe at the helm, has the intriguing...
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“Translators As The Most Attentive And Analytical Readers: Knowing Every Corner, Strength, And Weakness Of A Text”
An interview with Mrs. Gabriela Abrasowicz (Slavist, translator, and theatre scholar, Poland)....
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Oldenburg’s Production Of “Mephisto” Continues And Expands The Important Debate Of The Artistic Response To Adverse Political Circumstances
Klaus Mann’s novel Mephisto, published in 1936, deals with the opportunistic rise of its main...
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Venice Theatre Biennale 2026 – Mario Banushi’s “Romance Familiare”
This year’s theatre Biennale (7 to 21 June), with Willem Dafoe at the helm, has the intriguing...
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Itai Erdal’s Soldiers of Tomorrow at the Finborough Theatre: An Uninhibited Account Of The Conflict Between Israel And The Palestinians
The Finborough Theatre is one of the smallest in London, yet it has a great track record in...
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Sadness And Mourning Dominate Theater Bremen’s “Hamlet”
The stage, designed by Thomas Rupert, was vast and predominantly empty, the floor mainly even and...
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Historical Memory On the Stage: Juan Mayorga’s “El Jardín Quemado” (The Scorched Garden)
Juan Mayorga began writing El jardín quemado (The Scorched Garden) in 1996, completing it the...
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Now In Its 23rd Year, “Komödie Am Altstadtmarkt” In Braunschweig Is Still Going Strong
When Florian Battermann founded the Komödie am Altstadtmarkt in Braunschweig in 2003 at the age of...
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“Today, Krleža Would Go Straight For The Throat Of Project-Based Logic”
An Interview with Mr. Ivica Matičević, president of the Fellowship Miroslav Krleza Fund, literary...
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Me+Lorca: Juan Diego Botto’s Mesmeric “Una noche sin luna” (A Moonless Night)
In his biography of Federico García Lorca, Ian Gibson observes that the writer’s assassination...
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Corinna Harfouch’s Showpiece Of The Art Of Acting In Haidle’s “Spirit And The Dust”
Spirit and the Dust is a play by American dramatist Noah Haidle. The world premiere of the play,...
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“Chroniques” by Peeping Tom at Østre Gasværk Teater Copenhagen
Rocks and rolling, in a most literal sense, is probably the closest it gets to describing the...
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“Circle Mirror Transformation”
Annie Baker’s Circle Mirror Transformation is currently enjoying a highly acclaimed tour to major...
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A Theatre Like Society In The Fundamentalist Capitalism Could Not Survive Without Self-Curated Neomania
An Interview with Žaneta Vangeli, visual artist, professor, and set designer for the theatre...
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From A Basketball Athlete To A Political Dissident
Belarus Free Theatre, which currently operates in exile in London, recently presented its...
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Bremen’s Packhaustheater Turns To Artist Paula Modernsohn-Becker
The latest production in Dirk Böhling’s inaugural season as artistic director of the...
Read MoreRichard III at MITEM: When the Monster Is Not Alone
There was something almost suspiciously neat about the programming. MİTEM opened with Richard III...
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Theatre – Creating Conditions For What Has Been Silenced To Emerge
An Interview with Lenerson Polonini, theatre director (Companhia Nova de Teatro, Sau Paulo,...
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“The Copenhagen Trilogy” by Tove Ditlevsen, adapted by Tom Silkeberg, directed by Anja Suša at Malmö City Theatre
Tove Ditlevsen was a Danish working-class poet, novelist and feminist icon. Her memoir The...
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“The Cherry Orchard”: The Comedy Of Ruins
Nikolai Kolyada’s The Cherry Orchard begins after loss has already become the furniture of the...
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“Broken Melody” at MITEM: A Music That Finds Its Way Home
There are productions that do not so much tell a biography as listen to it and Sardar Tagirovsky’s...
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“Mothers: A Song for Wartime” by Marta Górnicka at Gothenburg City Theatre
Marta Górnicka’s choral theatre has been wowing Europe for the last 15 years. At the age of 51,...
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In “The Aquarium” Nina Plavanjac Turns Family Memory Into a Transparent Cage
Nina Plavanjac’s The Aquarium, produced by the Subotica National Theatre in Serbia and presented...
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Pinocchio. What Is a Person? at MITEM: Who Gets to Be Seen as Fully Human?
Davide Iodice’s Pinocchio. What Is a Person?, created with Scuola Elementare del Teatro /...
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At The Düsseldorfer Schauspielhaus, “Gott ‘By Ferdinand Von Schirach Presents Its Tough Ethical Dilemma For The Audience To Vote On
Ferdinand von Schirach was born in 1964, studied law and became a noted criminal defense lawyer....
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