The Wooster Group’s “Nayatt School Redux” at the Coronet Theatre: Made-Over Experimental Classic Marks A Great Comeback
At a time when, in the post-Brexit years, British theatre is increasingly insular, a visit by the...
Europe
The 2026 International Ibsen Award: A Reflection On The Winner By The Committee
A week ago today, the winner of the 2026 Ibsen International Award was announced by the Norwegian...
Chekhov’s “Uncle Vanja”, directed by Yana Ross at the Royal Theatre, Copenhagen
Already active across a number of north European theatre contexts – from her base in Lithuania to...
When It Comes For Us: “Prophet Song”
Adapted from the Booker Prize–winning novel by Irish author Paul Lynch, Prophet Song is staged by...
A Successfully Funny Perspective On Life Aspirations In State Theatre Oldenburg’s Production Of “Bondy Beach”
Bondi Beach was premiered on the 7th of October 2023 at the municipal theatre in Ingolstadt....
![Avignon 2019: Seeking Truth: On History, Memory and Fiction in Alexandra Badea’s Points de Non-Retour [Quais de Seine]](https://thetheatretimes.com/wp-content/uploads/2019/07/quais-440x264.jpg)
“Tired” Of Consuming Postdramatic Theatre (Contemporary Theatre Often Lacks Strong Dialogue)
An Interview with Ana Ristoska Trpenoska, a playwright, dramaturg, Vienna/Skopje, Austria/R.N....
“German Autumn” At The Uppsala Stadsteater
In the Lilla scenen of Uppsala Stadsteater (City Theatre), a haunting echo of the past emerged,...
“Sonne, los jetzt!”: Elfriede Jelinek’s Reversed Heliotropism for the End Times
Sonne, los jetzt!, Elfriede Jelinek’s new theater piece, is imperative with an unknown addressee....
“Frankenstein (History Of Hate)”
Milan’s international festival, FOG, continues with productions from Italy and many parts of the...
Sibling love and loss: Alfredo Sanzól’s new play at Madrid’s Teatro María Guerrero
For his newest play, La última noche con mi hermano (The Last Night With My Brother), Alfredo...
Artists’ Entry: Tiago Rodrigues
Since he started out as an actor, 20 years ago, Tiago Rodrigues has always looked at theater as a...
“Figures In Extinction:” A Dance Trilogy Report
In February 2025, after completing The Geography of the Theatre Imagination: The Case of...
“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland
Somewhat on the fringes of the Poland-Romania Cultural Season, the 2025 Between.Pomiędzy Festival...
Black and White. Aleksandr Volodin’s “Five Evenings,” directed by Eduard Tolokonnikov, produced by Polina Belkina, in New York City (March 20-30, May 28-June 15, 2025)
Soviet nonconformist art was emerged in the 1950s when artists dared to transcend the official...
It Takes Artistry to Make Theatre for Young Audiences: New Theatre for Children Festival, Wrocław 2024
Theatre for broadly understood young audiences (0-16 years) is one of the most important cultural...
Truth and Reconciliation in “Under the Shade of a Tree I Sat and Wept” – Kosovo
How do forgiveness and reconciliation projects help heal a country’s collective trauma and...
I Am Not Afraid For The Future Of The Theatre
An Interview with Ms. Zeljka Turcinovic – dramaturg, editor of magazines: Croatian Theatre and...
“Zinc (Zn)”: The Element That is Necessary for Life Becomes an Element of Death
A Wounded Soldier pushes pawns across a chess board while a Mother tells Svetlana the story of her...
Everything In Programming Matters To Cultivate The Spectator`S Free Will
An Interview with Mr. Hassane Kassi Kouyaté, Chair of the International Artistic Committee of MASA...
![Between Life And Death: A Festival’s Journey Through Tragedy [Part II]](https://thetheatretimes.com/wp-content/uploads/2025/07/Picture7-e1752848456230-627x376.jpg)
Between Life And Death: A Festival’s Journey Through Tragedy [Part II]
To read PART I of this report, go to this link. Two “in yr face” Tragedies: Double...
![Between Life And Death: A Festival’s Journey Through Tragedy [Part I]](https://thetheatretimes.com/wp-content/uploads/2025/07/Picture4-1-150x150.jpg)
3sisters at the Novi Sad Theatre
Before the audience of the play 3sisters, with their eyes wide open, a music box, the girls on...
It Takes Artistry to Make Theatre for Young Audiences: New Theatre for Children Festival, Wrocław 2024
Theatre for broadly understood young audiences (0-16 years) is one of the most important cultural...
From Richard To Richard: MITEM 2026 And a Europe in a State of Alarm
MITEM (Madách International Theatre Meeting), held annually at the National Theatre in Budapest,...
“The Overcoat:” A Balaganza of Absurdity and Travesty.
The 10th MITEM Theatre Festival continues to showcase the theatre achievements of Hungarian...
Nicoleta Esinencu: On Making Enemies and Creating Communities
Moldovan playwright and director Nicoleta Esinencu is known for her provocative monologue FUCK...
READ ALL FROM EUROPE
The Wooster Group’s “Nayatt School Redux” at the Coronet Theatre: Made-Over Experimental Classic Marks A Great Comeback
At a time when, in the post-Brexit years, British theatre is increasingly insular, a visit by the...
Read More“Frankenstein (History Of Hate)”
Milan’s international festival, FOG, continues with productions from Italy and many parts of the...
Read More
“Art Of Andalucia:” Rain Outside, Fire Within. Daniel Martinez Flamenco Company at The Haymarket, Basingstoke, Hampshire.
Outside, mid-April in Basingstoke was all drizzle and grey light. Inside The Haymarket, Art of...
Read More
“Handle With Care” At Milan’s FOG Festival
In March, FOG – Milan’s annual performing arts festival – hosted Handle with Care, a...
Read MoreA Successfully Funny Perspective On Life Aspirations In State Theatre Oldenburg’s Production Of “Bondy Beach”
Bondi Beach was premiered on the 7th of October 2023 at the municipal theatre in Ingolstadt....
Read MoreChekhov’s “Uncle Vanja”, directed by Yana Ross at the Royal Theatre, Copenhagen
Already active across a number of north European theatre contexts – from her base in Lithuania to...
Read More
Michael Frayn’s “Copenhagen” at the Hampstead Theatre: Excellent Revival Of Iconic Play About The Ethics Of The Atom Bomb
Every day, for many weeks, we keep hearing about nuclear weapons. Part of the reason for the...
Read More
From Richard To Richard: MITEM 2026 And a Europe in a State of Alarm
MITEM (Madách International Theatre Meeting), held annually at the National Theatre in Budapest,...
Read More
Adaptations On The German Stage (3): Theater Bremen Is Keen On The Long Haul
David Safier was born in Bremen in 1966. He trained as a journalist, worked as radio and TV...
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GPS M S Biomechanics System Vs. Narcissism: “Shouting, Making Faces, And Being Crazy Is NOT Enough To Be A Clown”
An Interview with Mr. Denni Dennis, internationally renowned dancer, performer, educator-trainer...
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Christopher Hampton’s “Les Liaisons Dangereuses” at The National Theatre: Busy Highly Stylized Revival Is All Spectacle And No Emotion
Okay, this is odd. The original novel, Les Liaisons dangereuses, first published in 1782, features...
Read More
Memories Of And Acting In Old Age Are Central To “Ein Deutsches Leben”
In 2016, Austrian director Christian Krönes and colleagues launched their two-hour documentary...
Read MoreEverything In Programming Matters To Cultivate The Spectator`S Free Will
An Interview with Mr. Hassane Kassi Kouyaté, Chair of the International Artistic Committee of MASA...
Read More
The Auto-fictional Mode As A Variation Of Biographical Material In The Theatre
Falk Richter was born in 1969. He studied linguistics, philosophy and theatre directing at the...
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Tim Crouch’s “The Tempest” at The Globe
Who better to breathe new life into Shakespeare’s Tempest than Tim Crouch – a magician...
Read More
The 2026 International Ibsen Award: A Reflection On The Winner By The Committee
A week ago today, the winner of the 2026 Ibsen International Award was announced by the Norwegian...
Read MoreSibling love and loss: Alfredo Sanzól’s new play at Madrid’s Teatro María Guerrero
For his newest play, La última noche con mi hermano (The Last Night With My Brother), Alfredo...
Read More
Moving Emphasis On Tolerance And Courage In “Nasser # 7 Leben” At The Schnürschuh Theater Bremen
The Schnürschuh-Theater in Bremen was founded in 1976 and has been at its current location since...
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From Shakespeare To Contemporary Montenegrin Authors, I Aim To Connect With Society Through The Works I Choose
An Interview with theatre director and theatre festival manager Zoran Rakocevic,...
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To speak out or not to speak out?: Claudio Tolcachir directs “Mejor no decirlo/You Shouldn’t Have Said So” at Barcelona’s Teatre Goya
What does it mean to be honest with your partner? This is the premise that governs Salomé...
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Poetry: The Realm Where Unrealized Ambitions Find Aesthetic Sublimation
An Interview with Mr. Muanis Sinanovic (Slovenia), poet, writer, essayist, and critic. Muanis...
Read More“Figures In Extinction:” A Dance Trilogy Report
In February 2025, after completing The Geography of the Theatre Imagination: The Case of...
Read More
When It Comes For Us: “Prophet Song”
Adapted from the Booker Prize–winning novel by Irish author Paul Lynch, Prophet Song is staged by...
Read More
Fassbinder Takes The Stage At The Schaubühne
I first saw Rainer Werner Fassbinder’s Film, The Marriage of Maria Braun not long after it first...
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Romeo Castellucci “Believing In Masks” At Milan’s Fog Festival
FOG, Milan’s performing arts festival, is back with some rare treats for theatregoers keen to...
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“Last Call” Brings Us Closer To Bernstein And Von Karajan
Plays about famous people have always held special attraction to dramatists, theatres and...
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“Is Love Energy Or Matter?” An Interview With Rok Vilcnik, Slovenian Playwright, Author, Musician, Poet
Rok Vilčnik (b. 1968), also known as rokgre, is a prominent Slovenian author, poet, playwright,...
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The Piccolo Theatro’s “Miracle In Milan”
On the opening night of Miracle in Milan at the Piccolo Teatro Strehler, the excitement of the...
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“An Enemy Of The People:” An Oblique Look At Democracy From Schaubühne Berlin
An Enemy of the People was first introduced to Greek audiences in 1902 by the pioneering “New...
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“Digital Access To The Performing Arts” Released Open Access
The newly published book Digital Access to the Performing Arts: A Comparative Study of Legal and...
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Dea Loher’s New Play “Frau Yamamoto Ist Noch Da” In Bremen And Osnabrück
Dea Loher (b. 1964), has been a prominent German dramatist since the world premiere of her first...
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Picasso’s “Barber” At The Spanish National Theatre
Balding men are often precious about their hair. Pablo Picasso (1881-1973) was no exception. First...
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Olga Braga’s “Donbas” at Theatre 503: Complex Account Of The Start Of The Ukraine War Is Deeply Humanistic
Today, in Geneva, there are tentative peace talks between Ukraine and Russia; today, in London,...
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Terence Rattigan’s “Man and Boy” at the National Theatre: Rare 1960s Rattigan Play Gets A Meta-Theatrical Revival
Terence Rattigan is a posh playwright whose work encapsulates the emotional restraint of the...
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“Hamlet²” (“Amleto²”)
In late January and early February, Filippo Timi’s Hamlet² played to full houses at the 500-seater...
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“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland
Somewhat on the fringes of the Poland-Romania Cultural Season, the 2025 Between.Pomiędzy Festival...
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Frantic Assembly’s “Lost Atoms” at the Lyric Hammersmith: 30th Anniversary Show Is About Love But Its Story Is Predictable And Bland
Some shows have great moments, but somehow just don’t work — the whole is less than the sum of its...
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The “Screen / Stage” Programme At The Between.Pomiędzy Festival 2025
The “Screen / Stage” program was created as a space for shared viewing, discussion, and reflection...
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In Oldenburg’s “The Tempest,” Trusting The Text Pays Off
For this production of Shakespeare’s play, Oldenburgisches Staatstheateer used the 2007...
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Enzo Moscato. “I Can’t Tell The Story Of My Life” (“Non Posso Narrare La Mia Vita”)
Neapolitan poet and dramatist Enzo Moscato passed away in 2024 at the age of 75. Together with...
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“A Place Of Safety, A Journey In The Central Mediterranean”
A Place of Safety, A Journey in the Central Mediterranean, produced by the Kepler-452 Company...
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“Before The Storm” (“Prima Del Temporale”) At Milan’s Piccolo Teatro
Before the Storm is set in a rather dilapidated dressing room where an elderly actor waits to go...
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Martin Crimp’s Version Of “The Seagull” Makes It To The German Stage
Many, especially prestigious, new productions of Chekhov’s The Seagull in the UK and USA...
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Sharing Crafts, Or Laboratory Space
The “Sharing Crafts” Performative Laboratory took place on 19–22 May 2025 as part of...
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For Bremen’s Re-Launched Packhaustheater, The Emphasis Shifts From Local Topics To Local Acting Celebrities
Bremen’s Packhaustheater set its agenda with a focus on the local, so as not to compete with the...
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Alan Ayckbourn’s Woman in Mind at the Duke of York’s Theatre: Starry West End Staging Is More Visually Delightful Than Emotionally Compelling
New Year, new line up of West End stars. This time it’s the turn of Olivier-Award-winner Sheridan...
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“With Ruby and I” – review – more McDonagh than Robinson
“So high you can kiss the sky” is one of the many iconic lines from With Ruby and I, a debut show...
Read MoreTruth and Reconciliation in “Under the Shade of a Tree I Sat and Wept” – Kosovo
How do forgiveness and reconciliation projects help heal a country’s collective trauma and...
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Thought-Provoking Crime Drama And Star Vehicle: “Nebenan” At The Renaissance Theater, Berlin
The play Nebenan was premiered at Burgtheater Wien in 2022, based on the film of the same title...
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Learning To Listen, Struggling To Hear: Katie Mitchell’s “Cow / Deer”
There are directors who have gotten us accustomed to treading on unconventional paths. They have...
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