Sinfonia is a play in which older people of the local community take to the stage to share fragments of their lives. We may not often stop to imagine what growing old will feel like. Will we become trapped within bodies that no longer move as they once did? Will everyday tasks become more difficult? Will we lose the energy and freedom of youth? Sinfonia does not answer these questions directly but gently invites us to reflect on them.
A week ago today, the winner of the 2026 Ibsen International Award was announced by the Norwegian...
Rocks and rolling, in a most literal sense, is probably the closest it gets to describing the...
Adapted from the Booker Prize–winning novel by Irish author Paul Lynch, Prophet Song is staged by...
In nearly all productions of Brecht’s The Threepenny Opera I had seen up to this one, I was struck...
An Interview with Ana Ristoska Trpenoska, a playwright, dramaturg, Vienna/Skopje, Austria/R.N....
Tove Ditlevsen was a Danish working-class poet, novelist and feminist icon. Her memoir The...
Sonne, los jetzt!, Elfriede Jelinek’s new theater piece, is imperative with an unknown addressee....
This year’s theatre Biennale (7 to 21 June), with Willem Dafoe at the helm, has the intriguing...
Juan Mayorga began writing El jardín quemado (The Scorched Garden) in 1996, completing it the...
Since he started out as an actor, 20 years ago, Tiago Rodrigues has always looked at theater as a...
An interview with Mrs. Gabriela Abrasowicz (Slavist, translator, and theatre scholar, Poland)....
Somewhat on the fringes of the Poland-Romania Cultural Season, the 2025 Between.Pomiędzy Festival...
The interview took place on January 17, 2026. Maxim, do you remember your first...
Theatre for broadly understood young audiences (0-16 years) is one of the most important cultural...
How do forgiveness and reconciliation projects help heal a country’s collective trauma and...
An Interview with Mr. Ivica Matičević, president of the Fellowship Miroslav Krleza Fund, literary...
The interview took place on January 17, 2026. Maxim, do you remember your first...
STONE DESIGN Architects – Authors of the project No Man’s Land (2015/2016). Connected by a...
![Between Life And Death: A Festival’s Journey Through Tragedy [Part II]](https://thetheatretimes.com/wp-content/uploads/2025/07/Picture7-e1752848456230-627x376.jpg)
To read PART I of this report, go to this link. Two “in yr face” Tragedies: Double...
![Between Life And Death: A Festival’s Journey Through Tragedy [Part I]](https://thetheatretimes.com/wp-content/uploads/2025/07/Picture4-1-150x150.jpg)
Nina Plavanjac’s The Aquarium, produced by the Subotica National Theatre in Serbia and presented...
Theatre for broadly understood young audiences (0-16 years) is one of the most important cultural...
There was something almost suspiciously neat about the programming. MİTEM opened with Richard III...
The 10th MITEM Theatre Festival continues to showcase the theatre achievements of Hungarian...
Moldovan playwright and director Nicoleta Esinencu is known for her provocative monologue FUCK...
In nearly all productions of Brecht’s The Threepenny Opera I had seen up to this one, I was struck...
Read MoreSinfonia is a play in which older people of the local community take to the stage to share fragments of their lives. We may not often stop to imagine what growing old will feel like. Will we become trapped within bodies that no longer move as they once did? Will everyday tasks become more difficult? Will we lose the energy and freedom of youth? Sinfonia does not answer these questions directly but gently invites us to reflect on them.
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For the last full production of his first season as artistic director of Packhaustheater in...
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STONE DESIGN Architects – Authors of the project No Man’s Land (2015/2016). Connected by a...
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Seats have long been sold out for this production of Shakespeare’s The Tempest, which brings...
Read MoreThis year’s theatre Biennale (7 to 21 June), with Willem Dafoe at the helm, has the intriguing...
Read More
This year’s theatre Biennale (7 to 21 June), with Willem Dafoe at the helm, has the intriguing...
Read More
An interview with Mrs. Gabriela Abrasowicz (Slavist, translator, and theatre scholar, Poland)....
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Klaus Mann’s novel Mephisto, published in 1936, deals with the opportunistic rise of its main...
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This year’s theatre Biennale (7 to 21 June), with Willem Dafoe at the helm, has the intriguing...
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The Finborough Theatre is one of the smallest in London, yet it has a great track record in...
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The stage, designed by Thomas Rupert, was vast and predominantly empty, the floor mainly even and...
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Juan Mayorga began writing El jardín quemado (The Scorched Garden) in 1996, completing it the...
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When Florian Battermann founded the Komödie am Altstadtmarkt in Braunschweig in 2003 at the age of...
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An Interview with Mr. Ivica Matičević, president of the Fellowship Miroslav Krleza Fund, literary...
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In his biography of Federico García Lorca, Ian Gibson observes that the writer’s assassination...
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Spirit and the Dust is a play by American dramatist Noah Haidle. The world premiere of the play,...
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Rocks and rolling, in a most literal sense, is probably the closest it gets to describing the...
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Annie Baker’s Circle Mirror Transformation is currently enjoying a highly acclaimed tour to major...
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An Interview with Žaneta Vangeli, visual artist, professor, and set designer for the theatre...
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Belarus Free Theatre, which currently operates in exile in London, recently presented its...
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The latest production in Dirk Böhling’s inaugural season as artistic director of the...
Read MoreThere was something almost suspiciously neat about the programming. MİTEM opened with Richard III...
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An Interview with Lenerson Polonini, theatre director (Companhia Nova de Teatro, Sau Paulo,...
Read MoreTove Ditlevsen was a Danish working-class poet, novelist and feminist icon. Her memoir The...
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Nikolai Kolyada’s The Cherry Orchard begins after loss has already become the furniture of the...
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There are productions that do not so much tell a biography as listen to it and Sardar Tagirovsky’s...
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Marta Górnicka’s choral theatre has been wowing Europe for the last 15 years. At the age of 51,...
Read MoreNina Plavanjac’s The Aquarium, produced by the Subotica National Theatre in Serbia and presented...
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Davide Iodice’s Pinocchio. What Is a Person?, created with Scuola Elementare del Teatro /...
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Ferdinand von Schirach was born in 1964, studied law and became a noted criminal defense lawyer....
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There are ballets about death, betrayal and ghosts. Then there is Don Quixote, where people clap,...
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It’s been six years since the end of Managed Approach, a project in Holbeck, Leeds, which...
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The interview took place on January 17, 2026. Maxim, do you remember your first...
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At a time when, in the post-Brexit years, British theatre is increasingly insular, a visit by the...
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Milan’s international festival, FOG, continues with productions from Italy and many parts of the...
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Outside, mid-April in Basingstoke was all drizzle and grey light. Inside The Haymarket, Art of...
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In March, FOG – Milan’s annual performing arts festival – hosted Handle with Care, a...
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Bondi Beach was premiered on the 7th of October 2023 at the municipal theatre in Ingolstadt....
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Already active across a number of north European theatre contexts – from her base in Lithuania to...
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Every day, for many weeks, we keep hearing about nuclear weapons. Part of the reason for the...
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MITEM (Madách International Theatre Meeting), held annually at the National Theatre in Budapest,...
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David Safier was born in Bremen in 1966. He trained as a journalist, worked as radio and TV...
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An Interview with Mr. Denni Dennis, internationally renowned dancer, performer, educator-trainer...
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Okay, this is odd. The original novel, Les Liaisons dangereuses, first published in 1782, features...
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In 2016, Austrian director Christian Krönes and colleagues launched their two-hour documentary...
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An Interview with Mr. Hassane Kassi Kouyaté, Chair of the International Artistic Committee of MASA...
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Falk Richter was born in 1969. He studied linguistics, philosophy and theatre directing at the...
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Who better to breathe new life into Shakespeare’s Tempest than Tim Crouch – a magician...
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A week ago today, the winner of the 2026 Ibsen International Award was announced by the Norwegian...
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![Avignon 2019: Seeking Truth: On History, Memory and Fiction in Alexandra Badea’s Points de Non-Retour [Quais de Seine]](https://thetheatretimes.com/wp-content/uploads/2019/07/quais-440x264.jpg)
