Hustling at the Bottom of the Stand-Up Pyramid
All the rage in Bejing’s stand-up circuit, Pazilye Parhat says much of comedy stems from genuine...
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Interview
“The Doctor” Diagnoses Society’s Afflictions
After its premiere at north London’s Almeida Theatre in 2019, Robert Icke’s The Doctor earned...
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Rena Matsui Tackles Shakespeare in an All-Female “Julius Caesar”
Rena Matsui always knew she wanted to enter the acting world, and launching her career by...
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Stage Russia Expands Its Repertoire as It Continues to Offer Unprecedented Access to Contemporary Russian Theatre on a Big Screen
This Fall, the international Theatre HD company Stage Russia enters its fifth season. With a...
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RE: Encuentro: Interview with “Paletas de Coco” Playwright Franky D. Gonzalez
In 2014, the Latino Theater Company (LTC) re-ignited the Latinx theatre festival tradition, a...
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“Arbeit”: Theatre as Work, Work as Theatre
The dance performance Arbeit by Šimun Stankov, Una Štalcar-Furač and Espi Tomičić takes...
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One Actor, One Audience Member: Innovations in the Time of COVID
‘The pandemic did interesting things for creativity, forcing us to sequester ourselves and finish works that we hadn’t yet finished. It gave us an opportunity to really hanker down. We’re glad that some of the writers we have been working with a gonna present some of their material here, at Theatre For One.’
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Interview with Choreographer-Director Aguibou Bougobali Sanou
Aguibou Bougobali Sanou (known as Bougobali) is a choreographer, performer, and director of the...
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Towards Fairer Contractual Practices for Freelance Dramaturgs: A Conversation Facilitated by Catriona Craig
On 21 June 2021, the Dramaturgs Network (a volunteer arts organization by and for dramaturgs...
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Lance Weiler on the Future of Storytelling and the Film “The Last Broadcast”
A connoisseur of new art forms and emergent technology, Lance Weiler is a highly sought-after...
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Campania Teatro Festival 21: A Conversation with Ruggero Cappuccio at the Real Bosco di Capodimonte
The Real Bosco di Capodimonte is more than a public park in Naples: it is a Paradise, not far from...
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Family Drama Hits Close to Home for Keito Okamoto
When Keito Okamoto was offered the title role in French dramatist Florian Zeller’s latest work,...
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If You See a Dragon Coming, You Pull a Sword: Interview with Robert Wilson
He supports the Freeszfe Association and condemns the curtailment of artistic freedom. We asked...
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Yuri Ng Has Big Plans for Contemporary Dance in Hong Kong
It’s hard to think of a more awkward time for Yuri Ng to have become the City Contemporary Dance...
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FIRE THEATRE Mime Company: On a Quest for Fire Drama
The Isle of Youth 2021 was a two-day (PhD) student conference held on 11-12 May 2021 as part of...
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Interview with Ellen Pearlman about AIBO, an “Emotionally Intelligent” Artificial Intelligent Brainwave Opera. Part 2.
This is PART 2 of the interview. To read PART 1, click here. AB: What questions were you exploring...
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Interview with Ellen Pearlman about AIBO, an “Emotionally Intelligent” Artificial Intelligent Brainwave Opera. Part 1.
Conducted 2/17/20 by Allison Berkoy, Assistant Professor City Tech, CUNY New York. This interview...
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Cry Havoc Theater Company Lets Slip the Dogs of War
In the midst of the vibrant Dallas theatre scene, there lies a company of prize-winning political...
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Designing for Tuacahn Amphitheater (A Three Part Series): Part Three – An Interview With Lighting Designer Cory Pattak
This is PART 3 of the series. To read PART 1 and PART 2, click the links. I complete my three-part...
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Interview with Ayham Majid Agha: On Shifting From Interactive Theater at Home into Creating a New Performing Form in Exile
Ayham Majid Agha is a Syrian actor, dramaturge, and director. After studying theater arts at...
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