Beyond the Velvet Ropes: Inside Lincoln Center’s Next Act
For Lincoln Center for the Performing Arts, home to the New York Philharmonic, the Metropolitan...
Read MorePosted by Alexander Fatouros | 28th Aug 2026 | Interview, New York, Transmedia
For Lincoln Center for the Performing Arts, home to the New York Philharmonic, the Metropolitan...
Read MorePosted by Kuan-Ting Lin | 26th Aug 2026 | Interview, Playwriting, Taiwan, Transcultural Collaborations
Even with solid training in xiqu, or Chinese opera, Yu-Hsuan Chou tried to leave traditions behind...
Read MorePosted by Ivanka Apostolova Baskar | 26th Aug 2026 | Algeria, Interview, Macedonia, Theatre for Young Audiences
An interview with Laouni Bellil, a gentle and inspiring Algerian storyteller and theatre maker....
Read MorePosted by Ivanka Apostolova Baskar | 24th Aug 2026 | Interview, Macedonia, Theatre and Film, United Kingdom
An Interview with deeply inspiring Tanja Tzarovska – musician, singer (for film/theatre projects),...
Read MorePosted by Lisa Monde | 12th Aug 2026 | Interview, Musical Theatre, New York
Dedicated to the 45th anniversary of the world premiere of the musical “Cats” The concept...
Read MorePosted by Yi-Ming Chen | 21st Jul 2026 | Acting, Directing, Interview, Malaysia, Playwriting, Taiwan, Theatre and Art
(Read the first part of the interview here.) Chen: In your plays, or the ways you answer...
Read MorePosted by Yi-Ming Chen | 20th Jul 2026 | Acting, Directing, Interview, Malaysia, Playwriting, Taiwan, Theatre and Art
(Read the second part of the interview here.) Outside the bright, modern meeting room on the 10th...
Read MorePosted by Kuan-Ting Lin | 13th Jul 2026 | Interview, Playwriting, Taiwan, Theatre and Dance, Theatre and Politics, Theatre for Young Audiences, Translation
Cheng-Chun Lee was an underperforming student in his high school composition classes. It was...
Read MorePosted by Kuan-Ting Lin | 9th Jul 2026 | Interview, Playwriting, Taiwan, Theatre and Politics
Taiwanese playwright Chien-Cheng Chen is set to release A Chronicle of Consciousness, his second...
Read MorePosted by Ivanka Apostolova Baskar | 6th Jul 2026 | Interview, Macedonia, Theatre and Politics
STONE DESIGN Architects – Authors of the project No Man’s Land (2015/2016). Connected by a...
Read MorePosted by Fadi Fayad Skeiker | 26th Jun 2026 | Interview, Musical Theatre, Theatre and Politics, United States of America
Anissa Naji is a Moroccan-German multilingual actor, comedian, singer, writer, and teaching artist...
Read MorePosted by Ivanka Apostolova Baskar | 26th Jun 2026 | Interview, Macedonia, Poland, Translation
An interview with Mrs. Gabriela Abrasowicz (Slavist, translator, and theatre scholar, Poland)....
Read MorePosted by Ivanka Apostolova Baskar | 5th Jun 2026 | Croatia, Interview, Macedonia, Playwriting
An Interview with Mr. Ivica Matičević, president of the Fellowship Miroslav Krleza Fund, literary...
Read MorePosted by Ivanka Apostolova Baskar | 23rd May 2026 | Interview, Macedonia, Theatre and Art
An Interview with Žaneta Vangeli, visual artist, professor, and set designer for the theatre...
Read MorePosted by Lisa Monde | 20th May 2026 | Interview, Musical Theatre, Transcultural Collaborations, United States of America
Dedicated to the 40th anniversary of the world premiere The idea for the musical Chess belongs to...
Read MorePosted by Ivanka Apostolova Baskar | 16th May 2026 | Brazil, Directing, Interview, Macedonia
An Interview with Lenerson Polonini, theatre director (Companhia Nova de Teatro, Sau Paulo,...
Read MoreThe interview took place on January 17, 2026. Maxim, do you remember your first...
Read MorePosted by Ivanka Apostolova Baskar | 8th Apr 2026 | Denmark, Interview, Kazakhstan, Theatre and Dance
An Interview with Mr. Denni Dennis, internationally renowned dancer, performer, educator-trainer...
Read MorePosted by Marcina Zaccaria | 7th Apr 2026 | Interview, New York, Playwriting
was a student of Lee Strasburg in his private class. I was directing around town, off-off Broadway, and in other areas in New York. I was invited to go to his Directors Unit at The Actors Studio for my first play that I was going to direct. I actually sat down and wrote a play, a one act play. When my play was acted at The Actors Studio, Cheryl Crawford brought in a financial man to hopefully give money to the Studio. He was so moved by the play that he gave $50,000 to the actual Studio. Lee Strasburg, who doesn’t show much emotion, was deeply moved by the play, and he encouraged me to really continue writing plays.
Read MorePosted by Ivanka Apostolova Baskar | 7th Apr 2026 | Côte d'Ivoire, Interview, Macedonia, Management
An Interview with Mr. Hassane Kassi Kouyaté, Chair of the International Artistic Committee of MASA...
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