Leading with Risk, Trust, and Intuition: An Exclusive Interview with Director Charles Newell on Berlin’s Rehearsal Room
A towering figure in Chicago theatre, Charles Newell—former Marilyn F. Vitale Artistic Director of...
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Interview
Writing Across Taiwan and Macau: An Interview with Taiwanese Playwright Chiao-Jung Chen
It’s very hard to define Chiao-Jung Chen as one kind of artist, for she is someone who works...
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Inside Chicago Court Theatre’s “Berlin”–Turning a Graphic Novel into Live Theatre: An Exclusive Interview with Playwright Mickle Maher
Praised by the Houston Chronicle as “one of the most original voices in American theater today,”...
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Thriving in an Either-Or World: An Interview with Taiwan-based Pangcah Theatre Artist Ihot Sinlay Cihek
Ihot Sinlay Cihek is a Taiwan-based Pangcah theatre artist whose work confronts the intersecting...
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International Project – Dramaturgy Lab: Exploring West Balkan Plays – “Big Deal” By Mia Efremova
Collective interview with Amy Sze (Theatre maker and arts producer, London, UK-Hong Kong), Mia...
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Theatre Is A University, A Lifelong Study Of Human Nature
Interview with Sandra Gribovska Ilievska, theatre actress, Bitola, R. Macedonia Sandra Gribovska...
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Unbound Curation – The Freedom Of Programming Without Frames
An Interview with Mr. Guy Coolen, art director, producer, manager, Antwerp, Belgium/Rotterdam,...
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“Tired” Of Consuming Postdramatic Theatre (Contemporary Theatre Often Lacks Strong Dialogue)
An Interview with Ana Ristoska Trpenoska, a playwright, dramaturg, Vienna/Skopje, Austria/R.N....
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To Embrace Vulnerability As One Of My Greatest Strengths (Stronger, Braver, Vulnerable)
An Interview with wonderful talented actresses Jovana Miladinova, Skopje, R.N. Macedonia....
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I Hold On To The Beautiful Side Of Theatre
Interview with theatre director Tamara Stojanoska, Skopje/Prilep, R.N. Macedonia. Interviewer...
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“Pirates! The Penzance Musical.” An Exclusive Interview with Ramin Karimloo – The “glorious” Pirate King.
Dedicated to the 145th anniversary of Gilbert and Sullivan’s comic opera “The Pirates of Penzance;...
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Annie Jin Wang on Opera Dramaturgy
Dramaturgy is all about being able to facilitate a line of communication between artists and audience.
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Rock Opera and Musical Theatre. An exclusive interview with Lenny Kaye
Dedicated to the 40th Anniversary of World Rock Day and the 71st Anniversary of World Rock and...
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“The Gilded Age” Season 3 Casting Secrets
Step into the opulent 1880s New York evoked by The Gilded Age, Julian Fellowes’ Emmy-winning HBO...
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Exploring a Global Vision in the Sinosphere: An Interview with Katherine Chou, Chair of the World Sinophone Drama Competition for Young Playwrights
The World Sinophone Drama Competition for Young Playwrights is the largest playwriting contest in...
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On Creativity, Labor, and Uncertainty: An Interview with Taiwanese Playwright Yu-Chia Wei
Yu-Chia Wei is a Taiwanese playwright whose work has earned numerous accolades. Her two plays, A...
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Pandora`s Ritual: To “Kill My Darlings” On The Brink Of An Individual Existential Revolution
An interview with Wichi, a theatre director and actor, Athens, Greece Wichi was born in...
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Ubu Is The Symbol Of Rebellion Tyranny And Stupidity/Budget Cuts In Culture – A Serious Threat
An Interview with Chantal Boiron, editor-in-chief for UBU Scenes d`Europe/European Stages, Paris,...
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“The Pillars of the Earth”: Bestseller and Musical. An Exclusive Interview with Ken Follett. Part II
For the first part of the interview go here. From the earliest musicals, one can trace the...
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Do Not Get Your Acting Degree So That You Can Become Part Of The Payroll, Only To Satisfy Your Appetites
An Interview with Mr.Bajrus Mjaku – one of the most remarkable theatre character actors from...
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