Tianjiao Li and Xuexi Li On The Pandemic And Post-Pandemic Theatre
Tianjiao Li and Xuexi Li from Quirky Moth Theatre – China’s leading theatre company – respond to...
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Interview
In Conversation with Deniz Başar: “Wine&Halva – A Play That Tests The Limits of Friendship Within Canadian Institutional Racism (part III)
In April 2020 Wine&Halva, a play by Turkish playwright and theater researcher Deniz Başar,...
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In Conversation with Deniz Başar: “Wine & Halva” – A Play That Tests The Limits of Friendship Within Canadian Institutional Racism (part II)
In April 2020 Wine&Halva, a play by Turkish playwright and theatre researcher Deniz Başar,...
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In Conversation With Deniz Başar: “Wine&Halva” – A Play That Tests The Limits Of Friendship Within Canadian Institutional Racism (Part I)
In April 2020 Wine&Halva, a play by Turkish playwright and theater researcher Deniz Başar,...
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Interview With Davide Bombana, The Newly Appointed Director Of The Corps De Ballet Of Teatro Massimo In Palermo
Dancer and choreographer of international reputation, David Bombana is required to bridge...
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William Kentridge On The Pandemic And Post-Pandemic Theatre
William Kentridge – a South African interdisciplinary artist and the founder of The Centre for the...
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How The Anthropologists Theatre Engage With Historical Figures To Promote Pro-Social Action Today
Relevant, engaging, creative, and action-inciting work is always being produced at The...
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English Playwright Alan Bennett’s “The Habit Of Art” Online
The play imagines an encounter between composer, Benjamin Britten, and poet, WH Auden. Picturing a...
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Grzegorz Jarzyna On The Pandemic And Post-Pandemic Theatre
Grzegorz Jarzyna – the head and artistic director of TR Warszawa (Poland)– responds to Boris...
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“Family Album”: With Artistic Director Stas Zhyrkov And Director Matteo Spiazzi
Artistic and Financial Director, Stas Zhyrkov and Director, Matteo Spiazzi, give their take on...
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Battle Of The Sexes In The Midst Of A Refugee Crisis In Korea: “Big Love” By Ets (Eye To Soul)
The Korean theatre company ETS, which is an acronym for Eye To Soul, staged Charles Mee’s Big Love...
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Adapting Traditional Chinese Theater For The Modern Day: An Interview With Xuexi Li And Tianjiao Liu
This interview with Xuexi Li and Tianjiao Li was conducted by Xunnan Li. Both interviewees are...
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Red Polka Productions’ English Play ‘Chitraa’ Based On Rabindranath Tagore’s Work Goes Viral
Red Polka Productions’ English play Chitraa, based on Rabindranath Tagore’s Chitrangada,...
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Boris Yukhananov On The Pandemic And Post-Pandemic Theatre
Boris Yukhananov – the Artistic Director of the Stanislavsky Electrotheatre, Moscow –...
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Inside David Winitsky: Thoughts On Theatre, The Upcoming Fall Season At Kitchen, And Beyond
The world has changed significantly not only in the last four months but more largely since the...
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Zimbabwean Theatre After Lockdown: What’s The Way Forward?
The coronavirus pandemic has completely reconfigured society’s world over. Health experts say the...
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Michelle Memran on Maria Irene Fornes and “The Rest I Make Up”
Michelle Memran is the documentarian behind The Rest I Make Up (2018), a touchingly candid...
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Angella Emurwon: Writing For Me Is Like Breathing
Angella Emurwon is a playwright, theatre director and filmmaker. The name ‘Emurwon’ means seer,...
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Lloyd Lutara: The Ugandan Artist Who Refuses to Box a Story
Lloyd Lutara (LL) is a multi-form storyteller writing and producing theatre, film, fiction and...
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Jonathan Pitches on Physical Theatre’s Ability to Transform Written Text
Jonathan Pitches is a Professor of Theater and Performance at the University of Leeds. He is the...
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“XXX Neon Sign” Review: Embodied… 31st October 2019 
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