Presence Is The Lingua Franca
Chris Salter is an artist and theoretician based in Montreal, Canada. In his artistic work, he...
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Interview
Working With a Cultural Consultant When Writing an International Play: Interview With U.S. Playwright Gabriel Jason Dean and Humaira Ghilzai, an Afghan Expert
The playwright “I spring from ministers, murderers, rebels, addicts, closeted queens, soldiers,...
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Theatre of Inquiry: Matei Vișniec’s “Richard III” Takes Place in Tehran – Interview With Rūhollah J’afarī
About this performance and its director also read Self-Censorship Is a Castration of Ideas: A...
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Co-Translating Hanoch Levin, The “Beckett of Israel”: A Conversation With Jessica Cohen & Evan Fallenberg
Although Hanoch Levin (1943–1999) is arguably Israel’s most important playwright, his work is...
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On The Magic of Cirque du Soleil: Conversation With the Members of “Corteo”
To audiences around the world, Cirque du Soleil is a must-see entertainment with mesmerizing...
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Director Annie Tippe on Directing “Octet,” a Musical About Online Addiction
Annie Tippe is currently directing the World Premiere of Dave Malloy’s Octet at the...
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“An Enemy Is Someone Whose Story You Don’t Know”: Interview with Arab Israeli Playwright Ibrahim Miari About His Drama “In Between”
Ibrahim Miari, son of a Palestinian Muslim father and Jewish Israeli mother, grew up in Israel,...
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“Tale of the Lion King” at Disney California Adventure Park – An Interview with Creative Director, Susana Tubert
Visitors to Disney California Adventure Park should be sure to check their schedules and make time...
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Interview with Marina Montefusco, Le Clan des Songes
Before leaving for New York for the presentation of Bout à Bout, Marina Montefusco, founder of the...
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On Improvisation, Soundpainting, and Artistic Community: A Conversation with Leese Walker, the Founder of the Strike Anywhere Performance Ensemble
Established in 1997 by Leese Walker, the Strike Anywhere Performance Ensemble is an...
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“Dreams in Black Major”: Nia Farrell and Talia Paulette Oliveras on Afrofuturism and Creating Black Spaces
In anticipation of their Afrofuturist event, Dreams in Black Major, being performed at the Ars...
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Actress Holley Fain on the Art of Having Fierce Womanly Support in Broadway’s ”The Ferryman”
Holley Fain is no stranger to Broadway, having appeared in Present Laughter and Harvey in recent...
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“The Modern on Stage / The Dream of the House”: An Interview with Jan Pappelbaum, Set Designer at the Schaubühne, Berlin
Jan Pappelbaum is one of the most inventive and internationally renowned set designers, from the...
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Interview with Saviana Stănescu: “One could say that I am a 17-year-old American playwright”
A well-known poet and journalist, Saviana Stănescu left Romania for the US thanks to a Fulbright...
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Self-Censorship Is a Castration of Ideas: A Conversation with Ruhollah J’afari, Dramaturg and Director of the Play Richard III Will Not Take Place
Also, about this production, read “Russia Meets Iran: J’afari, Vișniec, and Meyerhold,...
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Interview With Sasha Marianna Salzmann: The Playwright
When asked about her background, she tends to respond, “I come from the theatre:” playwright and...
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Jayachandran Palazhy on Contemporary Art Forms
International movement artist Jayachandran Palazhy feels that despite their so-called abstract...
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Designing for Site-Specific Theatre: An Interview with Designer Susan Tsu on her Costumes for “King Lear” at Quantum Theatre
Susan Tsu is an advocate for educating costume designers and devotes much of her time to her...
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The Non-Hierarchical Theatre Of Rebecca Wright
Rebecca Wright is a director and devisor based in Philadelphia. She is the co-founder and artistic...
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“Art Tells Truth That Truth Itself Can’t”: A Glimpse Into The Multimedia Mind Of Andrew Schneider
Andrew Schneider, a Milwaukee native, is an OBIE Award-winning, Drama Desk-nominated performer,...
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