“The Legend of the Waitress & the Robber”: World Premiere of NYC-Seoul Collaboration Inspired by Schiller and Hong Gildong
The Legend of The Waitress & The Robber is a collaboration between the Korean theatre...
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Interview
“Theater Now Is Important, It Gives People the Feeling that They Are Not Alone”: An Interview with the Ukrainian Playwright Andriy Bondarenko
Andriy Bondarenko is the dramaturg of the Puppet Theater in Lviv, Ukraine, where he lives, but he...
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Gregg Mozgala, Broadway Actor Organizes Festival Celebrating Deaf/Disabled Artists
Actor Gregg Mozgala describes himself as a “Triple Threat: “Actor, Writer, Cripple.” The...
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“Russia Is My Country, Who Better Than Me to Clean Up the Ruins of Our Humanity:” Interview with Elena Kovalskaya – Part II
This is Part II of the two-part interview. To read Part I, click here. Yana Meerzon: Should we...
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“Russia Is My Country, Who Better Than Me to Clean Up the Ruins of Our Humanity”: Interview with Elena Kovalskaya – Part I
Russia is my country, who better than me to clean up the ruins of our humanity. – Elena...
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Egyptian Playwright Rasha Abd Elmonem: A Passion for Theatre
Rasha Abd Elmonem — a playwright, independent theatre activist, and head of the training program...
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The Revolution of Tragedies: An Interview with Romanian Director Andrei Majeri
During the very agonic and snail-slow, first foggy year under COVID of 2020, I met theater...
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Honesty and Experience: Interview with Deirdre V. Lyons, Actress, VR-Actress and Producer
Deirdre V. Lyons is currently living in Los Angeles and has been in over 75 Film and Theatrical...
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The First Cabaret Theater in the Slavic World: An Interview with Lafayette
Belgrade and Serbia have a three-century-long history of theatre. Along with the development of...
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Independent Theatre in Romania: “You Can’t Change the System from the Inside”
Founded in 2015, Theatre Arts Group (TAG) is an independent theatre company in Romania that trains...
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Under the Water – The Journey between Taipei and Copenhagen
“We began with looking for the differences between us, but at some point we came to realize that...
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ProEnglish Theatre in Kyiv: It’s Important that Art Doesn’t Stop during War
On the first day of the Russian invasion, the ProEnglish Theatre in Kyiv, the only...
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Musical Theatre Actors of Ukraine in War
Kiev National Academic Operetta’s Theater actors are speaking from the epicenter of war in...
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Mariana Bodnar from Ukrainian Musical Theatre: We Woke Up in the New Reality
This conversation with Mariana Bodnar – Ukrainian singer (soprano), musical theater...
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Nicoleta Esinencu: On Making Enemies and Creating Communities
Moldovan playwright and director Nicoleta Esinencu is known for her provocative monologue FUCK...
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Bonnie Marranca: “The Divisiveness of Contemporary American Society Impacts All Aspects of Theatre”
CM: Your new book, Timelines. writings and conversations, maps out recent developments in American...
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“Moving Beyond the Box”: A Triumph Of Dance And Togetherness In An Era Of Isolation
In March 2020, when we were all quarantined at home, director/choreographer Christie Kerr looked...
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Artist Entrance: Moya Michael
Every month, Etcetera gazes into the soul of a performing artist. We choose artistic interest over...
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Sin Muros: Interview with Lupe Mendez
Sin Muros: A Borderless Teatro Festival returns to Stages in Houston February 17-20, 2022. Now in...
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“Final Curtain Call:” Theatre, Home, and Determination
These past two years have proven how much of a home the theatre is, something many only realized...
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