From Lawyer to Lyricist/Librettist: An Artist Profile of Jill Ohayon
Jill Ohayon grew up believing there were only two respectable career paths: doctor or lawyer. And...
by Morgan Skolnik | Feb 7, 2025 | China, Directing, Musical Theatre, United States of America, Worldwide | 0
Jill Ohayon grew up believing there were only two respectable career paths: doctor or lawyer. And...
by Barbara Gabriel | Oct 19, 2024 | Canada, China, Review, Theatre and Politics | 0
by Ilinca Todoruţ | Dec 31, 2024 | Immersive Theatre, Indonesia, Japan, Kyoto Experiment 2024, Review | 0
Ocean Cage engulfs its audience for almost two hours in a multi-sensorial, immersive performative...
by Ilinca Todoruţ | Dec 12, 2024 | Indonesia, Italy, Japan, Kyoto Experiment 2024, Review | 0
by Kuan-Ting Lin | Feb 14, 2025 | Essay, News, Playwriting, Taiwan | 0
Playwriting awards have always been a promised land for playwrights. For emerging storytellers,...
by Ilinca Todoruţ | Dec 19, 2024 | Japan, Kyoto Experiment 2024, LGBTQ+ Theatre, Review, Taiwan | 0
by Kuan-Ting Lin | Nov 25, 2024 | Festivals, News, Taiwan | 0
by François Audet, Alexandre P. Bédard, and Caroline Coulombe | Nov 17, 2020 | Cambodia, Essay, Theatre and Art | 0
Even though history has seen different disasters and humanitarian crises, one fact remains: we try...
by Walter Byongsok Chon | Oct 9, 2024 | Adaptation, Festivals, Interview, Singapore | 0
The 6th biennial Singapore Literature Festival is held in New York City on October 19 and 20,...
by Yana Meerzon | Jul 23, 2017 | Festivals, France, Vietnam | 0
In Saigon, Caroline Guiela Nguyen has created a four-hour theatrical tale based on the history of...
by May Tran | Apr 10, 2017 | Australia, Musical Theatre, Theatre and Politics, Vietnam | 0
by Shilpa Anandraj | Jul 20, 2024 | Festivals, India, News | 0
Four plays will be staged on July 20 as part of SmaranniK Theatre Festival 2024. “The plays will...
by Charumathi Supraja | Jun 23, 2024 | Acting, India, Review | 0
by Suganthy Krishnamachari | Apr 30, 2024 | India, Playwriting, Review | 0
by The Theatre Times | Feb 12, 2017 | Bangladesh, Directing, Interview | 0
Showing Kunti’s first born in a different light, young Bangladeshi director Jayita Mahahlanobish...
by Ilinca Todoruţ | Dec 31, 2024 | Immersive Theatre, Indonesia, Japan, Kyoto Experiment 2024, Review | 0
Ocean Cage engulfs its audience for almost two hours in a multi-sensorial, immersive performative...
by Ilinca Todoruţ | Dec 19, 2024 | Japan, Kyoto Experiment 2024, LGBTQ+ Theatre, Review, Taiwan | 0
by Ilinca Todoruţ | Dec 13, 2024 | France, Japan, Kyoto Experiment 2024, Review | 0
by Ilinca Todoruţ | Dec 12, 2024 | Indonesia, Italy, Japan, Kyoto Experiment 2024, Review | 0
by Walter Byongsok Chon | Jul 22, 2024 | Canada, Lebanon, Review, South Korea, Theatre and Politics | 0
Sejong Center for the Performing Arts (artistic director, Sun-Woong Koh) staged the play Littoral...
by Hansol Oh | Mar 21, 2024 | Musical Theatre, Review, South Korea | 0
by Diana Fathi | Mar 3, 2025 | Books, Iran, Playwriting, Translation | 0
In November, the American Society for Theatre Research (ASTR) awarded the 2024 Translation Prize...
by Milad Azarm | Oct 1, 2024 | Iran, News, Theatre and Gender | 0
by Ali Mansouri | Sep 25, 2024 | Essay, Iran, Theatre and Politics | 0
by Ani Harutyunyan | Mar 31, 2017 | Armenia, Management | 0
The development of independent theatres in Yerevan has become an important topic for discussion as...
by Ani Harutyunyan | Dec 31, 2016 | Armenia, Asia, Essay, Management | 0
by Ani Harutyunyan | Sep 30, 2016 | Armenia, Directing, Essay | 0
by Fan Yiying | May 27, 2024 | China, Interview, Israel | 0
In the new stage adaptation of the iconic 1934 novel The Border Town, Israeli director Ruth Kanner...
by Najwa Kondakji | Aug 11, 2021 | Dramaturgy, Germany, Interview, Syria | 0
Ayham Majid Agha is a Syrian actor, dramaturge, and director. After studying theater arts at...
by Amir Al-Azraki | Dec 31, 2024 | Essay, Iraq, Theatre and Politics | 0
Theatre in Iraq has some deep roots in ancient Mesopotamia, but its formal development was delayed...
by Amir Al-Azraki | Nov 9, 2024 | Interview, Iraq, Theatre and Politics | 1
by Ahram Online | Aug 3, 2023 | Festivals, Jordan, News | 0
Egypt is represented by one play and a jury member at the second edition of Jordan’s...
by Tim Hamilton | Apr 10, 2023 | Chicago, Palestine, Review, Theatre and Decolonization, Theatre and Politics, United States of America | 0
Hummus is not appropriated hipster dip, it’s Palestinian food. So argues Wally, a...
by Ahram Online | Jul 20, 2020 | News, Saudi Arabia, Theatre and Art | 0
Saudi Arabia’s Minister of Culture, Badr bin Abdullah bin Mohammed bin Farhan Al Saud,...
by Ahram Online | Mar 19, 2021 | Management, News, United Arab Emirates | 0
Held under the theme “The Cultural Economy and the Economy of Culture” the Culture...
by Ivanka Apostolova Baskar | Mar 4, 2025 | Interview, Theatre and Politics, Turkey
Interview with Handan Salta – co-founder of the Istanbul Theatre Showcase – TheatreIST, theatre...
Read Moreby Diana Fathi | Mar 3, 2025 | Books, Iran, Playwriting, Translation
In November, the American Society for Theatre Research (ASTR) awarded the 2024 Translation Prize...
Read Moreby Kuan-Ting Lin | Feb 14, 2025 | Essay, News, Playwriting, Taiwan
Playwriting awards have always been a promised land for playwrights. For emerging storytellers,...
Read Moreby Morgan Skolnik | Feb 7, 2025 | China, Directing, Musical Theatre, United States of America, Worldwide
Jill Ohayon grew up believing there were only two respectable career paths: doctor or lawyer. And...
Read Moreby Amir Al-Azraki | Dec 31, 2024 | Essay, Iraq, Theatre and Politics
Theatre in Iraq has some deep roots in ancient Mesopotamia, but its formal development was delayed...
Read Moreby Ilinca Todoruţ | Dec 31, 2024 | Immersive Theatre, Indonesia, Japan, Kyoto Experiment 2024, Review
Ocean Cage engulfs its audience for almost two hours in a multi-sensorial, immersive performative...
Read Moreby Ilinca Todoruţ | Dec 23, 2024 | Japan, Kyoto Experiment 2024, Review
How does a coming-of-age story look like today, at a time of a global ecological catastrophe and...
Read Moreby Ilinca Todoruţ | Dec 19, 2024 | Japan, Kyoto Experiment 2024, LGBTQ+ Theatre, Review, Taiwan
As part of Kyoto Experiment, I watched at the black box of Theatre E9 two performers interact with...
Read Moreby Ilinca Todoruţ | Dec 13, 2024 | France, Japan, Kyoto Experiment 2024, Review
The enthusiastic applause and standing ovations received by Room with a View from the large...
Read Moreby Ilinca Todoruţ | Dec 12, 2024 | Indonesia, Italy, Japan, Kyoto Experiment 2024, Review
Indonesian performance artist Melati Suryodarmo and Italian choreographer Alessandro Sciarroni...
Read Moreby Ilinca Todoruţ | Dec 5, 2024 | Festivals, Japan, Kyoto Experiment 2024, Management, News
The interdisciplinary theatre, dance, and performance art festival Kyoto Experiment (KEX) wowed me...
Read Moreby Milad Azarm | Dec 4, 2024 | Interview, Iran, Poland, Transcultural Collaborations
Milad Azarm in conversation with Mohammadreza Khaki Peter J. Chelkowski, an esteemed scholar and...
Read Moreby Gonca Yalçın | Dec 2, 2024 | Edinburgh 2024, Festivals, Review, Turkey, United Kingdom
Based on a well-loved Turkish novel by Latife Tekin, Dear Shameless Death – Dirmit by Tiyatro...
Read Moreby Kuan-Ting Lin | Nov 25, 2024 | Festivals, News, Taiwan
Staged readings are a liminal period for new plays in development. For rough ideas, they can be a...
Read Moreby Amir Al-Azraki | Nov 9, 2024 | Interview, Iraq, Theatre and Politics
Dr. Samir Talib is an Iraqi scholar specializing in Shakespeare and Renaissance studies. He earned...
Read Moreby Deniz Bașar | Oct 31, 2024 | Review, Theatre and Politics, Turkey
It is the 24th of September 2024 in İstanbul, and I’m finding my way through the curvy streets of...
Read Moreby Mika Eglinton | Oct 23, 2024 | Japan, Review, Theatre and Gender, United Kingdom
Tattooer is a playful yet critical adaptation of Junichiro Tanizaki’s (1886-1965) debut short...
Read Moreby Barbara Gabriel | Oct 19, 2024 | Canada, China, Review, Theatre and Politics
“My head feels like a bridge that all of Beijing has been walking over.” The stage is...
Read Moreby Walter Byongsok Chon | Oct 9, 2024 | Adaptation, Festivals, Interview, Singapore
The 6th biennial Singapore Literature Festival is held in New York City on October 19 and 20,...
Read Moreby Milad Azarm | Oct 1, 2024 | Iran, News, Theatre and Gender
Pari Saberi, an influential Iranian playwright, director, novelist, translator, and actress, was...
Read Moreby Ali Mansouri | Sep 25, 2024 | Essay, Iran, Theatre and Politics
For many Iranians, the contemporary history of the country is divided into before and after...
Read Moreby Amir Al-Azraki | Sep 11, 2024 | Interview, Iraq, Theatre and Gender
Awatif Naeem is an award-winning TV and theatre actress, director, playwright, and critic. She...
Read Moreby Xunnan Li | Aug 30, 2024 | China, Review, Theatre and Politics
In 2024, National Theatre of China in Beijing showcased an experimental avant-garde theatre work “Apple Tree” to talk about the tension in the contemporary marriage between a young Chinese couple. Their tension in the marriage was reflected when the wife is suffering from the unexpected miscarriage.The play is such a transnational one. The director Feng was educated in France when he was young, with established exposure to the French film and theatre. In this play and his previous productions, there are huge amount of Roland’s style of using montage and space changing.
Read Moreby Xunnan Li | Aug 28, 2024 | China, Chinese Theatre Abroad, Edinburgh 2024, Review
Adapted from Lu Xun’s novel, the play takes the same name, “Zhu Jian” (Forging the Swords), and has become one of the most popular productions at the Edinburgh Festival Fringe 2024. The work was brought to Edinburgh by a group of student actors from the Central Academy of Drama in China. Director Fengrui Yang is currently pursuing his doctoral training at the Academy. The play is notable for its re-examination of the theme of vengeance, a central idea in Lu Xun’s novel. Lu Xun is one of the most influential authors in modern China featured with his social criticism writing style in the 1920s.
Read Moreby Xunnan Li | Aug 28, 2024 | China, Chinese Theatre Abroad, Edinburgh 2024, Interview
UK-China Performing Arts (UKCPA), one of the UK’s most prominent Chinese performing arts organizations, plays a crucial role in bridging Chinese and British performing arts cultures. Joanna Hangyu Zhou, the founder of UKCPA and a former national-level dancer with a permanent position at China National Opera & Dance Drama Theater, has emerged as a leading international dance artist in the UK. Following her graduation with a master’s degree from the University of Roehampton in 2016, where she specialized in dance studies, Joanna embarked on a journey of exploring innovations in intercultural Chinese and British performing arts through artistic practice and education.
Read Moreby Walter Byongsok Chon | Jul 22, 2024 | Canada, Lebanon, Review, South Korea, Theatre and Politics
Sejong Center for the Performing Arts (artistic director, Sun-Woong Koh) staged the play Littoral...
Read Moreby Shilpa Anandraj | Jul 20, 2024 | Festivals, India, News
Four plays will be staged on July 20 as part of SmaranniK Theatre Festival 2024. “The plays will...
Read Moreby Molly Grogan Zolima CityMag | Jul 19, 2024 | Hong Kong, Interview, Musical Theatre
Is Jordan Cheng for real? The 37-year-old actor, singer, and composer is everywhere these days....
Read Moreby Molly Grogan Zolima CityMag | Jul 17, 2024 | Hong Kong, Review, Theatre and Politics
Amy Ng has a problem. The Hong Kong-raised, London-based playwright is holed up in a Causeway Bay...
Read Moreby Kuan-Ting Lin | Jul 11, 2024 | Dramaturgy, News, Playwriting, Taiwan
New writing stretches the boundaries of theatre arts. Though writing may seem a solitary...
Read Moreby The Prologue Center for New Plays | Jul 11, 2024 | News, Playwriting, Taiwan
To read PART I of this essay, go to this link. Prologue Center for New Plays Having worked...
Read Moreby Praveen Sudevan | Jun 27, 2024 | India, Interview, Transcultural Collaborations
Last Page Collective’s The Earthquake, directed by Samragni Dasgupta, explores the impact of...
Read Moreby Charumathi Supraja | Jun 23, 2024 | Acting, India, Review
Multifaceted in the true sense, Padmavati Rao approaches every character with humility and...
Read Moreby Molly Grogan Zolima CityMag | Jun 21, 2024 | Hong Kong, Review, Theatre and Art
Liu Xiaoyi is a man on a mission. His juice is an imagined world where artists are in the driver’s...
Read Moreby Eylül Fidan Akıncı | Jun 20, 2024 | Iran, Review, Theatre and Politics
“Can we fundamentally give a dancer an order to stop moving? […] Is dance not defined as the...
Read Moreby Molly Grogan Zolima CityMag | Jun 19, 2024 | Directing, Hong Kong, Interview, Singapore
Liu Xiaoyi is a man on a mission. His juice is an imagined world where artists are in the driver’s...
Read Moreby Fan Yiying | May 27, 2024 | China, Interview, Israel
In the new stage adaptation of the iconic 1934 novel The Border Town, Israeli director Ruth Kanner...
Read Moreby Molly Grogan Zolima CityMag | May 19, 2024 | Hong Kong, Review, Theatre and Art
Someone once said that after God made France so beautiful, he created the French to even the...
Read Moreby Deniz Bașar | May 15, 2024 | Essay, Theatre and Decolonization, Turkey
TiyatroTem (2001-2017) was established by Şehsuvar Aktaş (b. 1964) and Ayşe Selen (1955-2017) in...
Read Moreby Molly Grogan Zolima CityMag | May 1, 2024 | France, Hong Kong, Transcultural Collaborations
Last May, three Hong Kong actors took part in a role playing exercise that felt more like boot...
Read Moreby Suganthy Krishnamachari | Apr 30, 2024 | India, Playwriting, Review
Tiruchiyai Meetta Sundarapandiyan and Blackout — two plays with different plots were presented...
Read Moreby Zolima Citymag | Apr 10, 2024 | Hong Kong, Interview, Transmedia
AUTHOR: Christie Lee Wong Kit-yi has always been fascinated with myths. Her previous works have...
Read Moreby Teodora Medeleanu | Mar 25, 2024 | India, Review, Theatre and Gender
The question of universality faces entire series of utterly new answers, but not all of them find...
Read Moreby Hansol Oh | Mar 21, 2024 | Musical Theatre, Review, South Korea
It is 1930s Kyeongseong (what Seoul was called during the Japanese occupation), and the colonial...
Read Moreby Parshathy J. Nath | Mar 11, 2024 | India, News, Theatre and Science
The man moved through the trees like an evening breeze. He mumbled chants to the leaves. His...
Read Moreby Amir Al-Azraki | Jan 7, 2024 | Essay, Iraq, Playwriting, Theatre and Gender
Upon the release of Contemporary Plays from Iraq in 2017, my focus shifted to translating works...
Read Moreby Guo Chenzi | Dec 16, 2023 | China, Essay
With countless adaptations, The Peony Pavilion is China’s answer to Swan Lake. But recent attempts...
Read Moreby Girish Shrivastava | Dec 8, 2023 | India, Review
Metamorphosis, staged at the Studio Theatre of the Department of Performing Arts, Pondicherry...
Read Moreby Praveen Sudevan | Nov 30, 2023 | India, Interview, Playwriting
The F Word, according to Akarsh, is a deeply personal conversation about parents, children,...
Read Moreby Soo Ryon Yoon | Nov 26, 2023 | Review, South Korea, Theatre and Dance
In this day and age, the word data evokes preconceived images of algorithms, artificial...
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