Poland
SPOTLIGHT ON POLISH THEATRE
“Ronja, the Robber’s Daughter:” Theate...
Posted by Teodora Medeleanu | May 22, 2024 | Poland, Review, Theatre for Young Audiences
A Theatre of Elsewhere
Posted by S.E. Gontarski | Dec 5, 2023 | Collaborating Across Cultures, Poland, Theatre and Film, Translation
“Waiting for Lucky” and “Quê Ond...
Posted by Martin Blaszk | Nov 29, 2023 | Brazil, Poland, Review
“Gulliver’s Travels”: a Lesson i...
Posted by Emiliia Dementsova | Oct 8, 2023 | Czech Republic, Festivals, Hungary, Poland, Puppetry, Review, Theatre for Young Audiences
Polish People Deserve Better From Irish Theatre…
Posted by Kasia Lech | Sep 7, 2023 | Essay, Ireland, Management, Poland, Theatre and Politics
Poland at The Edinburgh Fringe 2023: Lubuski Teatr...
Posted by Duška Radosavljević | Aug 16, 2023 | Edinburgh 2023, Poland, Review, Scotland
ENTRE: A Dispersed Festival of Literature and Thea...
Posted by Martin Blaszk | Feb 10, 2023 | Brazil, Education, Essay, Poland, Transcultural Collaborations
The Spotlight on Poland showcases new developments in Polish theatre both at home and abroad. From performance reviews and interviews, to an ever-growing archive of essays, the series offers The Theatre Times' readers a window on the Polish theatre landscape.
EDITORIALS
The Spotlight on Poland: Diverse Voices and Perspectives on Contemporary Polish Theatre - Kasia Lech, Regional Managing Editor for Poland
The Context of Contemporary Polish Theatre: Spotlight on Poland - Magda Romanska, Executive Director and Editor-in-Chief
![World Theatre Day Message of Polish Centre of the International Theatre Institute on 27 March 2022 in Polish, Ukrainian, and English](https://thetheatretimes.com/wp-content/uploads/2022/03/thumb_Warszawa.24.03_ods__onie__cie_napisu_DZIECI_na_pl._Defilad__odczytanie_ore__dzia_na_60.MDT_2-440x264.jpg)
![What Will You Do This Summer? On An Interdisciplinary Summer Camp In Warsaw](https://thetheatretimes.com/wp-content/uploads/2021/04/She-Pop-Pop-440x264.jpg)
![Polishness And Its Place in Europe: Polish National Theatre Streams “Kordian” By Juliusz Słowacki.](https://thetheatretimes.com/wp-content/uploads/2021/01/Fot.-Yato-Photography-440x264.jpg)
![“Generation After 4”: Connecting Above Borders With The Most Radical Stages Of Polish New Theatre](https://thetheatretimes.com/wp-content/uploads/2020/09/Smolar-440x264.jpg)
![Season of Doom in Belarus](https://thetheatretimes.com/wp-content/uploads/2019/04/Steam-Photo-Courtesy-of-Center-of-Belarusian-Drama-440x264.jpg)
Season of Doom in Belarus
![Plotting Yiddish Drama: A New Digital Resource](https://thetheatretimes.com/wp-content/uploads/2019/09/image-440x264-1.jpg)
Plotting Yiddish Drama: A New Digital Resource
![Polish Theatre Transfers To Dresden](https://thetheatretimes.com/wp-content/uploads/2019/01/PolishTheatreArticlePic-440x264.jpg)
Polish Theatre Transfers To Dresden
![Virtual Reality In Polish Theatre](https://thetheatretimes.com/wp-content/uploads/2018/07/1-1-440x264.jpg)
Virtual Reality In Polish Theatre
![Polish Theatre at the Edinburgh Fringe 2018](https://thetheatretimes.com/wp-content/uploads/2018/07/SILENCE-Opole-8.05.2017-fot.-Grzegorz-Gajos-6-440x264.jpg)
Polish Theatre at the Edinburgh Fringe 2018
![Jacek Sieradzki Announces The End Of The Contemporary Polish Plays Problem: The 2018 Awards For Staging Contemporary Polish Plays](https://thetheatretimes.com/wp-content/uploads/2018/07/Zagubiony-Chlopiec-440x264.jpg)
![Metaphor At Play: New Theatre from Belgium, Poland and United States](https://thetheatretimes.com/wp-content/uploads/2018/04/Hindu-1-440x264.jpg)
![“Anæsthesia Transopera” – Interactive Transmedia Opera](https://thetheatretimes.com/wp-content/uploads/2018/02/anaesthesia-fot.-Ela-Kowalska-ela-440x264.jpg)
![Humanities/Art/Technology Research Center: Combining Theatre, Art, and Engineering](https://thetheatretimes.com/wp-content/uploads/2018/02/transmedia-workshop-Essen-fot.-Michal-Krawczak--440x264.jpg)
![When It’s Written On Your Face: Teatr 21 And The Paradox Of Invisibility](https://thetheatretimes.com/wp-content/uploads/2018/03/featured-photo-teatr-21-profile-440x264.jpg)
![Confronting The Limits: Konfrontacje Festival 2017](https://thetheatretimes.com/wp-content/uploads/2018/03/konfrontacje-photo-440x264.jpg)
Confronting The Limits: Konfrontacje Festival 2017
![Cricoteka: A Centre Of New Life For Tadeusz Kantor’s Art](https://thetheatretimes.com/wp-content/uploads/2018/03/duze-37-1024x683-1-440x264.jpg)
![Studying Theatre And Media In Poznań: The Institute Of Theatre And Media Arts At Adam Mickiewicz University](https://thetheatretimes.com/wp-content/uploads/2018/02/3.-ping-sensors-interactive-media-and-performance-440x264.jpg)
![Jacek Głomb Named Polish “Theatre Person 2018”](https://thetheatretimes.com/wp-content/uploads/2018/03/Palcat-440x264.jpg)
Jacek Głomb Named Polish “Theatre Person 2018”
![Theatre and Higher Education in Poland: Theatre Studies in Wrocław](https://thetheatretimes.com/wp-content/uploads/2018/01/Muzeum_Teatru-440x264.jpg)
![Poland On Stage: What, Where, When](https://thetheatretimes.com/wp-content/uploads/2018/01/superspektakl__0562-440x264.jpg)
Poland On Stage: What, Where, When
Grzegorz Jarzyna – the head and artistic director of TR Warszawa (Poland) discusses how the COVID-19 pandemic has affected his work, TR Warszawa, and the theatre community in Poland. He also reflects on what may the future of theatre look like.
Make Your Classroom Multilingual: On Training Students For Rapidly Changing Cultural Landscapes
by Kasia Lech | Jul 15, 2024 | Education, Essay, Poland, Theatre and Politics
How do we train students to work within rapidly changing landscapes and for a theatre of the...
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Polish People Deserve Better From Irish Theatre…
by Kasia Lech | Sep 7, 2023 | Essay, Ireland, Management, Poland, Theatre and Politics
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![“Ronja, the Robber’s Daughter:” Theater Conventions for Kids](https://thetheatretimes.com/wp-content/uploads/2024/05/Ronja-Featured-440x264.jpg)
![“Waiting for Lucky” and “Quê Onde” – A Brazilian Beckett Double Bill Presented at the Between.Pomiędzy Dispersed Festival 2023](https://thetheatretimes.com/wp-content/uploads/2023/11/Picture2-440x264.jpg)
![“Gulliver’s Travels”: a Lesson in Satire for Children.](https://thetheatretimes.com/wp-content/uploads/2023/10/td_bajka_gulliver_01-440x264.jpg)
![Poland at The Edinburgh Fringe 2023: Lubuski Teatr’s “Gusła” And The Song Of The Goat’s “Andronicus Synecdoche”](https://thetheatretimes.com/wp-content/uploads/2023/08/Gusla.-LUBUSKI-TEATR.-Credit-KADR-Kamil-Derda-440x264.jpg)
![“The Interrupted Dream” by Hong Kong’s Zuni Icosahedron in Wrocław, Poland](https://thetheatretimes.com/wp-content/uploads/2023/02/07_Photo_Tobiasz-Papuczys-e1673937857431-440x264.jpeg)
![When Languages Fall Apart: InlanDimensions International Arts Festival](https://thetheatretimes.com/wp-content/uploads/2022/04/Alice-Theater-Laboratory-A-Dream-Play-photo-from-the-festivals-press-release-440x264.jpg)
![The Dismantling of Mourning](https://thetheatretimes.com/wp-content/uploads/2022/04/Ah-if-I-come-to-bid-my-last-and-cruel-farewell-440x264.jpg)
The Dismantling of Mourning
![Be Gone! Or, Clear Away, Chop Chop: Dziady at 34/36 Mickiewicza Street in Warsaw](https://thetheatretimes.com/wp-content/uploads/2021/08/Dziady.Featured-e1629318237647-440x264.jpg)
![Beckett 2020](https://thetheatretimes.com/wp-content/uploads/2021/08/Beckett-e1629320662108-440x264.jpg)
Beckett 2020
![Can the World be Saved on Stage?—”How to Save the World on a Small Stage?” at Powszechny Theatre](https://thetheatretimes.com/wp-content/uploads/2021/06/1_JOSNMS_8-fot.-Magda-Hueckel-440x264.jpg)
![The Happening “12” – The 12th Between.Pomiędzy Festival of Literature and Theatre, 2021](https://thetheatretimes.com/wp-content/uploads/2021/06/Picture1-1-440x264.png)
![“Najdziwniejszy Androgyn” (The Strangest Androgyne): Autism in Performance](https://thetheatretimes.com/wp-content/uploads/2021/06/A.6.i_Androgyn_fot_Sylwester_Galuszka-440x264.jpg)
![Separate Yet Together: The Twelfth International Between.Pomiędzy Festival of Literature and Theatre](https://thetheatretimes.com/wp-content/uploads/2021/06/Pusty-teatr-1-scaled-440x264.jpg)
![How a Polish Master, Krystian Lupa, Brought Lu Xun’s Madness to Life](https://thetheatretimes.com/wp-content/uploads/2021/06/Lu-Xun-featured-440x264.jpeg)
![Feedback Loop: “No One’s Gonna Believe Me Anyway” at the Gniezno Theatre](https://thetheatretimes.com/wp-content/uploads/2021/02/DSC_0795-440x264.jpg)
![Who Let the “Lady of Pestilence” In?](https://thetheatretimes.com/wp-content/uploads/2021/02/Piotr-Tokarz-and-Irena-Sierakowska-in-Pani-Moru.-Lady-of-Pestilence-Written-and-directed-by-Sebastian-Majewski.-Photo-by-Tobiasz-Papuczys.-scaled-e1613428898659-440x264.jpg)
Who Let the “Lady of Pestilence” In?
![Inside Virtual Rooms](https://thetheatretimes.com/wp-content/uploads/2021/02/159_lemanska-440x264.jpg)
Inside Virtual Rooms
![“The Dybbuk” Or a Play Possessing Audiences for a Century](https://thetheatretimes.com/wp-content/uploads/2021/01/image2-e1610810784460-440x264.png)
![A Big Small Story](https://thetheatretimes.com/wp-content/uploads/2020/11/Wielkie-mi-Cos-fot.-Grzegorz-Gajos-5-scaled-440x264.jpg)
A Big Small Story
![Polish Shakespeare Online: Krzysztof Warlikowski’s “The Tempest”](https://thetheatretimes.com/wp-content/uploads/2020/08/TTT_burza_0001-440x264.jpg)
“I Don’t Know What It Means To Be An Actor”: Mamadou Góo Bâ In Conversation With Monika Kwaśniewska
by Monika Kwaśniewska | Sep 4, 2020 | Acting, Interview, Poland, Senegal
Monika Kwaśniewska: What is your educational background in the arts? Did you graduate from drama...
From “Tarantella” To Theatre Design: Prampolini And Polish Futurism At The Łódź Museum Of Art
by Lauren Dubowski | Dec 27, 2017 | Design, Italy, Poland, Review, Theatre and Art
Three gramophones affixed to angular wooden boxes stood tall, almost animal-like, on wiry metal...
“The Interrupted Dream” by Hong Kong’s Zuni Icosahedron in Wrocław, Poland
by Rossella Ferrari | Oct 1, 2022 | Adaptation, China, Directing, Festivals, Hong Kong, Poland, Review
Tang Xianzu’s sixteenth-century classic, Peony Pavilion (1598), is a play about boundaries and...
Samuel Beckett and Tadeusz Różewicz: Shared Themes and Motifs
by Tomasz Wiśniewski | Feb 9, 2022 | Essay, Playwriting, Poland
INTRODUCTION This article is comparative in approach and introduces the work of two classic...
Make Your Classroom Multilingual: On Training Students For Rapidly Changing Cultural Landscapes
by Kasia Lech | Jul 15, 2024 | Education, Essay, Poland, Theatre and Politics
How do we train students to work within rapidly changing landscapes and for a theatre of the...
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Polish People Deserve Better From Irish Theatre…
by Kasia Lech | Sep 7, 2023 | Essay, Ireland, Management, Poland, Theatre and Politics
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The Dismantling of Mourning
by Paweł Schreiber | Apr 9, 2022 | Adaptation, Poland, Review, Theatre and Politics
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“Najdziwniejszy Androgyn” (The Strangest Androgyne): Autism in Performance
by Katarzyna Ojrzyńska | Jun 11, 2021 | Between.Pomiędzy 2021, Festivals, Poland, Review, Theatre and Disability
A short documentary opening the series entitled Spradyczni artyści (Sporadic Artists, dir....
Feedback Loop: “No One’s Gonna Believe Me Anyway” at the Gniezno Theatre
by Piotr Dobrowolski | Mar 8, 2021 | Poland, Review, Theatre and Gender
“No one’s gonna believe me anyway,” says Barbara repeatedly. She knows there is no point in...
Divine Comedy Festival 2017 Review: “Cezary Goes To War”
by KaiChieh Tu | Mar 24, 2018 | Divine Comedy Festival 2017, LGBTQ+ Theatre, Poland, Review, Theatre and Politics
Cezary Goes To War [Cezary Idzie Na Wojnę], an autobiographical piece directed by Cezary...
![FIRE THEATRE Mime Company: On a Quest for Fire Drama](https://thetheatretimes.com/wp-content/uploads/2021/08/Fire-Theatre-1-of-3_Memory-of-Fire2014-2016-scaled-e1628974936911-440x264.jpg)
![Kalina Stefanova and Marvin Carlson in conversation on Directors from Eastern Europe. Part 3.](https://thetheatretimes.com/wp-content/uploads/2021/08/15.-Carbunariu-Common-People-Photo-by-Adi-Bulboacă-440x264.jpg)
![Kalina Stefanova and Marvin Carlson in Conversation on Directors from Eastern Europe. Part 2.](https://thetheatretimes.com/wp-content/uploads/2021/08/Manon-Lescaut-or-Jana-Pidrmanova-foto_-Patrik-Borecky-1-scaled-440x264.jpg)
![Kalina Stefanova and Marvin Carlson in Conversation on Directors from Eastern Europe. Part 1.](https://thetheatretimes.com/wp-content/uploads/2021/08/14.-Morfov-On-the-Edge-Photo-by-Elena-Nikolaeva-scaled-440x264.jpg)
![Translating Central and Eastern Europe’s Drama: Interview with Andrei Moskwin](https://thetheatretimes.com/wp-content/uploads/2020/09/120131014_3022330837872021_5419264403658875556_n-scaled-440x264.jpg)
![Dzigan and Shumacher: Before “Cabaret” and “Schindler’s List.” An Interview with Diego Rotman](https://thetheatretimes.com/wp-content/uploads/2020/09/dands-undzere-kinder-440x264.jpg)
![The Story Behind “LILIAN”: Interview with Kasia Głowicka](https://thetheatretimes.com/wp-content/uploads/2020/09/KasiaGlowicka_Landscape_01-440x264.png)
![“I Don’t Know What It Means To Be An Actor”: Mamadou Góo Bâ In Conversation With Monika Kwaśniewska](https://thetheatretimes.com/wp-content/uploads/2020/09/Mein-Kampf-rez.-jakub-Skrzywanek___fot.-Magda-Hueckel-440x264.png)
![An Interview with Grzegorz Bral Director of “Anty-Gone Triptych Part II”](https://thetheatretimes.com/wp-content/uploads/2020/07/anty-gone_fot_Krzysztof-Bieliński-scaled-440x264.jpg)
![Grzegorz Jarzyna On The Pandemic And Post-Pandemic Theatre](https://thetheatretimes.com/wp-content/uploads/2018/07/2-1-440x264.jpg)
![Between.Pomiędzy Festival: Literary Criticism Now](https://thetheatretimes.com/wp-content/uploads/2020/05/Featured-440x264.jpg)
Between.Pomiędzy Festival: Literary Criticism Now
![Between.Pomiędzy: A Festival That Believes in Europe](https://thetheatretimes.com/wp-content/uploads/2020/05/Featured-1-440x264.jpg)
Between.Pomiędzy: A Festival That Believes in Europe
![VR, Theatre and the Importance of Immersion](https://thetheatretimes.com/wp-content/uploads/2020/04/screenshot-2019-09-21-at-03.40.57-440x264.png)
VR, Theatre and the Importance of Immersion
![“The Conditions are Never Ideal:” In Conversation with Melanie Lomoff](https://thetheatretimes.com/wp-content/uploads/2020/04/917A8119-scaled-440x264.jpg)
![“Gardzienice:” Wesele – Wyspiański – Malczewski – Konieczny. Tomasz Wiśniewski in a Conversation with Włodzimierz Staniewski](https://thetheatretimes.com/wp-content/uploads/2020/04/0-4-e1586018623987-440x264.jpeg)
![Discussion On The Greatest Theatrical Scandal Of 2017: “Klątwa” At The Powszechny Theatre In Warsaw](https://thetheatretimes.com/wp-content/uploads/2018/03/Klatwa-1-440x264.jpg)
![Interview With The Art Director Of MICET Interactive Theatre Museum In Kraków](https://thetheatretimes.com/wp-content/uploads/2018/03/o-nas-440x264.png)
![Newborn: Talk with Wojtek Markowski](https://thetheatretimes.com/wp-content/uploads/2022/05/newborn-feat-440x264.jpeg)
Newborn: Talk with Wojtek Markowski
![Polish Director, Michal Znaniecki, in Argentina, on Globalization of Art](https://thetheatretimes.com/wp-content/uploads/2017/04/CvjF329W8AAvvlw-440x264.jpg)
![A Dreamed Theatre – Piotr Tomaszuk of Teatr Wierszalin in Conversation with Tomasz Wiśniewski](https://thetheatretimes.com/wp-content/uploads/2017/03/Historyja-Rafał-w-słomkowym-kapeluszu-440x264.jpg)
Polish Shakespeare Online: Maja Kleczewska’s “Macbeth”
by Konrad Zielinski | May 8, 2020 | Poland, Polish Theatre Abroad, Review
L. P. Hartley’s much-recycled observation that ‘the past is a foreign country’ seems an oddly...
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Polish Theatre at the Edinburgh Fringe 2018
by Kasia Lech | Jul 14, 2018 | Festivals, News, Poland, Polish Theatre Abroad
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“Unknown, I Live With You”: Oppression and Song
by Agata Araszkiewicz | Oct 11, 2019 | Afghanistan, Belgium, Essay, Poland, Theatre and Opera
Opera is filled with tales of violence. Its whole history relies on great passions tragically...
Notes from the Generation After 4 Showcase
by Franciszek Bryk | Oct 16, 2020 | Festivals, Poland, Theatre and Dance
Mid-September brought us a week of new, Polish theatre productions, and a sneak peek behind the...
“Gulliver’s Travels”: a Lesson in Satire for Children.
by Emiliia Dementsova | Oct 8, 2023 | Czech Republic, Festivals, Hungary, Poland, Puppetry, Review, Theatre for Young Audiences
“The life of man to represent, And turn it all to ridicule, Wit did a puppet-show...
![“Gulliver’s Travels”: a Lesson in Satire for Children.](https://thetheatretimes.com/wp-content/uploads/2023/10/td_bajka_gulliver_01-440x264.jpg)
![The ENTRE Festival in Midwest Brazil](https://thetheatretimes.com/wp-content/uploads/2023/02/unnamed-440x264.jpeg)
The ENTRE Festival in Midwest Brazil
![“The Interrupted Dream” by Hong Kong’s Zuni Icosahedron in Wrocław, Poland](https://thetheatretimes.com/wp-content/uploads/2023/02/07_Photo_Tobiasz-Papuczys-e1673937857431-440x264.jpeg)
![When Languages Fall Apart: InlanDimensions International Arts Festival](https://thetheatretimes.com/wp-content/uploads/2022/04/Alice-Theater-Laboratory-A-Dream-Play-photo-from-the-festivals-press-release-440x264.jpg)
![FIRE THEATRE Mime Company: On a Quest for Fire Drama](https://thetheatretimes.com/wp-content/uploads/2021/08/Fire-Theatre-1-of-3_Memory-of-Fire2014-2016-scaled-e1628974936911-440x264.jpg)
![Theatre as a Social Institution](https://thetheatretimes.com/wp-content/uploads/2021/08/Magdalena-Szuster.-Music-Theatre-in-Lodz-archive.-Credit-M.-Matuszak-scaled-e1627785905181-440x264.jpg)
Theatre as a Social Institution
![Kalina Stefanova and Marvin Carlson in conversation on Directors from Eastern Europe. Part 3.](https://thetheatretimes.com/wp-content/uploads/2021/08/15.-Carbunariu-Common-People-Photo-by-Adi-Bulboacă-440x264.jpg)
![Kalina Stefanova and Marvin Carlson in Conversation on Directors from Eastern Europe. Part 2.](https://thetheatretimes.com/wp-content/uploads/2021/08/Manon-Lescaut-or-Jana-Pidrmanova-foto_-Patrik-Borecky-1-scaled-440x264.jpg)
![Kalina Stefanova and Marvin Carlson in Conversation on Directors from Eastern Europe. Part 1.](https://thetheatretimes.com/wp-content/uploads/2021/08/14.-Morfov-On-the-Edge-Photo-by-Elena-Nikolaeva-scaled-440x264.jpg)
![Beckett, Technology, and Experimentation: Report from the Between.Pomiedzy Festival 2021, Day 4](https://thetheatretimes.com/wp-content/uploads/2021/08/Rockaby.-with-Kathryn-Mederos-Syssoyeva.-Directed-by-Diana-Zhdanova.-440x264.png)
![Building Bridges: Interweaving Beckett – Brazil and Poland](https://thetheatretimes.com/wp-content/uploads/2021/08/10308159_10203825090440297_2721454102572861005_n-440x264.jpg)
![Can the World be Saved on Stage?—”How to Save the World on a Small Stage?” at Powszechny Theatre](https://thetheatretimes.com/wp-content/uploads/2021/06/1_JOSNMS_8-fot.-Magda-Hueckel-440x264.jpg)
![Laughing in Darkness: Reading Różewicz Anew](https://thetheatretimes.com/wp-content/uploads/2021/06/T.Różewicz-fot.Z-2-scaled-e1623341296319-440x264.jpg)
Laughing in Darkness: Reading Różewicz Anew
![“Najdziwniejszy Androgyn” (The Strangest Androgyne): Autism in Performance](https://thetheatretimes.com/wp-content/uploads/2021/06/A.6.i_Androgyn_fot_Sylwester_Galuszka-440x264.jpg)
![Between.Pomiędzy @ 12 — Ohio Impromptu @ 40 — Beckett @ 115](https://thetheatretimes.com/wp-content/uploads/2021/06/Tomek-Picture2-440x264.png)
![Separate Yet Together: The Twelfth International Between.Pomiędzy Festival of Literature and Theatre](https://thetheatretimes.com/wp-content/uploads/2021/06/Pusty-teatr-1-scaled-440x264.jpg)
![Privileges of the Imagination](https://thetheatretimes.com/wp-content/uploads/2020/11/teatroteka_mlodego_czlowieka_-_krolewna_logorea_i_niedzwiedz_4-e1605085800316-440x264.jpg)
Privileges of the Imagination
![Notes from the Generation After 4 Showcase](https://thetheatretimes.com/wp-content/uploads/2020/10/PastedGraphic-1-440x264.png)
Notes from the Generation After 4 Showcase
![The Story Behind “LILIAN”: Interview with Kasia Głowicka](https://thetheatretimes.com/wp-content/uploads/2020/09/KasiaGlowicka_Landscape_01-440x264.png)
![“Generation After 4”: Connecting Above Borders With The Most Radical Stages Of Polish New Theatre](https://thetheatretimes.com/wp-content/uploads/2020/09/Smolar-440x264.jpg)
Beckett 2020
by Urszula Pysyk | Aug 23, 2021 | Adaptation, Poland, Review, Transmedia
Have the worlds of Samuel Beckett’s plays become our reality? The creators of Beckett Planet seem...
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5 Reasons Why Verse Is the Language for Theatre in 2020s
by Kasia Lech | Mar 12, 2021 | Dramaturgy, Ireland, Nigeria, Playwriting, Poland, Spain, Transmedia, United Kingdom
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Inside Virtual Rooms
by Katarzyna Lemańska | Feb 17, 2021 | Poland, Review, Transmedia
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LATEST FROM POLAND
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