Polish Shakespeare Online: Maja Kleczewska’s “Macbeth”
L. P. Hartley’s much-recycled observation that ‘the past is a foreign country’ seems an oddly...
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Polish Theatre Abroad
“Songs of Lear” Performed by The Song of the Goat Theatre: Where Inspiration Meets High Culture With Unrefined Expression
The Shakespeare and Poland Festival at the Globe – a two-week exploration of the relationship...
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Polish Theatre at the Edinburgh Fringe 2018
The 2018 Edinburgh Fringe will be particularly exciting for those interested in Polish theatre....
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“Ameryka”- Critical Mass And Block Party 2018
In 2017, Los Angeles’ Center Theatre Group launched a new, and frankly exciting, idea known as...
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The Wooster Group’s “A Pink Chair” – Can You Ever Return?
The Wooster Group’s newest production, A Pink Chair (In Place of a Fake Antique), was...
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Metaphor At Play: New Theatre from Belgium, Poland and United States
Focusing on varied issues, three foreign plays staged at the 8th Theatre Olympics appealed with...
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Adapting Pier Paolo Pasolini: “T.E.O.R.E.M.A.T.” by Grzegorz Jarzyna
Teorema occupies a position of special importance in Pier Paolo Pasolini’s production, both as a...
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Polish Director, Michal Znaniecki, in Argentina, on Globalization of Art
Polish stage director on his version of Dallapiccola’s Volo di notte and Il Prigioniero at the...
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The Transcultural Force of a Chinese-style “Decalogue” in Poland
In May, September, and November 2016, the Stary Teatr in Krakow staged an exquisite and courageous...
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“Request Concert” – Middle-Class Loneliness, Explored Without a Word
It’s hard to think of a play more diabolically suited to the era of reality TV, vanished privacy...
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Theatre Review: “The Wawel Dragon”: Unleash Your Inner Child…
The theatre company Gods and Monsters and directors Nastazja Domaradzka and Phil Willmott have...
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Krzysztof Warlikowski and Song of the Goat in BAM in New York
The Brooklyn Academy of Music’s theatre season features two works by renowned Polish theatre...
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Jan Kott, City Garage, and the Polish Theatre in Los Angeles
“Does anyone still read Jan Kott?” asked Michael Billington, theatre critic, in his article in The...
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Mieczysław Weinberg’s Opera “The Passenger”: On Memory and Forgetting
Polish classical musicians and opera singers have always enjoyed global renown, with singers such...
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“Starring Madame Modjeska: On Tour In Poland And America”
When Helena Modjeska, Countess of Bożenta made her American debut at the California Theatre in San...
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Death In Wroclaw: On Grotowski’s Legacy
In her debut film, Małgorzata Dziewulska takes on a challenging task: revising Grotowski’s...
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Maslowka In NYC: Virgin Seduction: Conversation With Paul Bergetto
I feel there’s a straight line from Mrożek to Dorota. She’d probably kill me if she heard me say...
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