From A Basketball Athlete To A Political Dissident
Belarus Free Theatre, which currently operates in exile in London, recently presented its...
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Belarus
An Interview with Alexey Strelnicov, Belarusan Director
Alexey Strelnicov was a Belarusian theatre critic, director, actor, and tutor. He is considered to...
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Speaking from Outside: Interview with Olga Voronkova
Olga Voronkova is a London-based, Belarusian video editor, scriptwriter, copywriter, and producer...
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A Lady with a Machine Gun
Belarusian theatre hibernated since the notorious events of 2020. The artistic quality of most of...
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Andrei Kureichik’s “Insulted. Belarus”: One Year On
Alexei Nesterov, an actor in my wife Oksana Mysina’s film, Insulted. Belarus(sia), sent her a...
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Playing Richard
Though theatrical season 2020/2021 isn’t the most eventful, it has brought to the stage number of...
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Raw, Revolutionary, and Painfully Honest: “Insulted. Belarus(sia)”
The new play Insulted. Belarus(sia) was written in September 2020 by Andrei Kureichik, a prominent...
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The Kupałaŭski’s Century
100 years ago the first-ever professional theatre in the modern history of Belarus opened its...
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Season of Doom in Belarus
The season 2019/2020 is over. While there were several remarkable events, some aspects —...
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Theatrical Coronalypse in Belarus
The global pandemic of coronavirus infection has stopped theatrical activity around the world....
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Interview with Oksana Haiko
Oksana Haiko is an actress, art-manager and one of the founders of Brest-based theatre “Kryly...
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Another Step Forward: An Interview With Homo Cosmos Theatre CEO Founder Katsiaryna Saladukha
In September 2019 new theatre season starts, promising not only new performances but some new...
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Belarusian Theatre and The Disability Question
The importance of including people with disabilities in active public life is a keenly discussed...
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Stage Space of Contemporary Belarusian Scenography
Russian theatre historian Viktor Beryozkin said that while painter deals with canvas, paints, and...
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The Ritual Of Illusion. “Gogol. Fatum” At Gomel State Drama Theatre
Belarusian stage director Yura Divakov is well-known in the region for his highly visual stagings....
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Intermediality In The Advanced Dramatic Readings In Belarusian Theatre
Belarusian theatre is not well-known abroad because of a certain cultural isolation. Several local...
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Sonic Realm Theatricals In Belarusian Theatre
In order to demystify Belarusian theatre for those, who are not familiar with it, it might be...
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In “Trustees,” Belarus Free Theatre Mercilessly Demolishes Australia’s Cultural Debate
The Belarus Free Theatre, exiled from their home nation, has returned to Australia to collaborate...
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Denim And Revolution: Belarus Free Theatre’s “Generation Jeans” Resonates
Review: Generation Jeans in Melbourne. With two of their founding members in exile, it is little...
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“Voices From Chernobyl”–Ténéré Arte’s Brilliant, Ghostly Retelling Of The World’s Worst Nuclear Disaster
Svetlana Alexievich’s Voices From Chernobyl collected the testimonies of survivors from the...
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