CATS: Expanding the Horizons. An Exclusive Interview with Betty Buckley – Broadway’s Original Grizabella
Dedicated to the 45th anniversary of the world premiere of the musical “Cats” The concept...
Read MorePosted by Lisa Monde | 12th Aug 2026 | Interview, Musical Theatre, New York
Dedicated to the 45th anniversary of the world premiere of the musical “Cats” The concept...
Read MorePosted by Marcina Zaccaria | 19th Jul 2026 | New York, Review, Theatre and Opera, United States of America
That day, I aimed to view a production of The Tempest through a difficult flood. Prepared to pique an interest in the larger “theater is life” argument, I got my notebook ready. The hours passed. I sought to leave my apartment, and my transit app reported possible subway interruption. Ugh! Cancel culture, after three days of extraordinary weather, somehow won the play card again. Why hadn’t I seen the opera on opening night on Thursday?
Read MorePosted by Corynn Harvieux | 18th Jul 2026 | Essay, Review, Theatre and Dance, Theatre and Politics, United States of America
As a dance artist, you are, at a young age, bestowed with the supposed gift to make people feel....
Read MorePosted by Jonathan Kalb | 17th Jul 2026 | Review, Theatre and Religion, United States of America
Jonathan Spector’s new play Birthright—just opened at MCC Theater in a sharp, superbly acted...
Read MorePosted by Jonathan Kalb | 16th Jul 2026 | Musical Theatre, Producing, Review, United States of America
Once again, the forsythias are in bloom, and that means new openings are arriving way too fast for...
Read MorePosted by Joseph Bardin | 15th Jul 2026 | Israel, Review, Syria, Transcultural Collaborations, United States of America
We were wrapping rehearsal for the reading of my play Seeing Maya, a Tel Aviv love story, at the...
Read MorePosted by Jonathan Kalb | 12th Jul 2026 | Review, Theatre and Politics, United States of America
For the second time in two years, a flashy, big-budget Romeo and Juliet has opened in New York...
Read MorePosted by Fadi Fayad Skeiker | 26th Jun 2026 | Interview, Musical Theatre, Theatre and Politics, United States of America
Anissa Naji is a Moroccan-German multilingual actor, comedian, singer, writer, and teaching artist...
Read MorePosted by Matthew Foster | 23rd Jun 2026 | Review, Theatre and Gender, United States of America
4/5 Stars Coming from a glimpse of a barren thought of the sense of being presented with the...
Read MorePosted by Paul Shields | 6th Jun 2026 | Acting, Essay, United States of America
On a cold Saturday afternoon this past winter, retired director Laura Jones drove me around the...
Read MorePosted by Abigail Weil | 30th May 2026 | Musical Theatre, Review, United States of America
American women of a certain vintage can be sorted into haves and have-nots based on possession of...
Read MorePosted by Lisa Monde | 20th May 2026 | Interview, Musical Theatre, Transcultural Collaborations, United States of America
Dedicated to the 40th anniversary of the world premiere The idea for the musical Chess belongs to...
Read MorePosted by Teodora Medeleanu | 3rd May 2026 | Acting, Adaptation, New York, Review, United States of America
What if the guilt one feels on the death row is not for what he has (allegedly) done? The Fear of...
Read MorePosted by Teodora Medeleanu | 27th Apr 2026 | Review, Theatre and Gender, United States of America
Perhaps one of the strangest experiences one can have when moving to a new place is watching a...
Read MorePosted by Aleks Sierz | 25th Apr 2026 | Devised Theatre, Review, United Kingdom, United States of America
At a time when, in the post-Brexit years, British theatre is increasingly insular, a visit by the...
Read MorePosted by Teodora Medeleanu | 24th Apr 2026 | Musical Theatre, Review, United States of America
In a small town, where nothing really happens, K. works at VHS World, alongside her teenage...
Read MorePosted by Jonathan Kalb | 10th Apr 2026 | New York, Review, United States of America
Mark Rosenblatt’s new play Giant is a sensational, admirable, and courageous effort to Make...
Read MorePosted by Jonathan Kalb | 9th Apr 2026 | Adaptation, New York, Review, United States of America
The new stage adaptation of Dog Day Afternoon just opened on Broadway, directed by Rupert Goold,...
Read MorePosted by Marcina Zaccaria | 7th Apr 2026 | Interview, New York, Playwriting
was a student of Lee Strasburg in his private class. I was directing around town, off-off Broadway, and in other areas in New York. I was invited to go to his Directors Unit at The Actors Studio for my first play that I was going to direct. I actually sat down and wrote a play, a one act play. When my play was acted at The Actors Studio, Cheryl Crawford brought in a financial man to hopefully give money to the Studio. He was so moved by the play that he gave $50,000 to the actual Studio. Lee Strasburg, who doesn’t show much emotion, was deeply moved by the play, and he encouraged me to really continue writing plays.
Read MorePosted by Lisa Monde | 2nd Apr 2026 | Interview, Musical Theatre, United States of America
Dedicated to the composer’s 25th Broadway anniversary David Yazbek burst onto Broadway a...
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