“The Cherry Orchard” By Benedict Andrews: A Stark Mirror For A Collapsing Present
Benedict Andrews’ reinvention of Chekhov’s The Cherry Orchard at St. Ann’s Warehouse raises the...
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United States of America
Black and White. Aleksandr Volodin’s “Five Evenings,” directed by Eduard Tolokonnikov, produced by Polina Belkina, in New York City (March 20-30, May 28-June 15, 2025)
Soviet nonconformist art was emerged in the 1950s when artists dared to transcend the official...
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Interview with Michael Salvatore Commendatore, Projection Designer for Disney’s Frozen at Children’s Theatre Company
This is a video interview with Michael Salvatore Commendatore, projection designer for Disney’s...
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Queer Surrealism in Two Sisters Find a Box of Lesbian Erotica in the Woods
Space Lesbians! Portals! Psychic Sisters! Oh my! These are just some of the elements introduced in...
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Uncle Actor
Andrew Scott’s Vanya—a solo show in which he plays all the roles in Anton Chekhov’s classic...
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“Liberation.” Roundabout Theatre. Look Back to Know Where You Are
Did you knit your scarf? A woman asked me while we were waiting in the line for the restroom. No!...
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The Beauty of Cultural Specificity in “Bubble Schmeisis”
The room is thick with steam (ok, it’s smoke machine smoke), an accordion and clarinet cycle...
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Underneath the Grass Roots
Alice Childress has been having a moment the past few years. This extraordinary Black playwright,...
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The Rebellious Power of “Liberation” at Roundabout Theatre Company
Much like the women it centers on, Roundabout Theatre Company’s Liberation is rebellious and not...
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Getting To an Emotional Truth With Padraic Lillis
Getting to the truth – the emotional truth and understanding. I think emotion more than ideology. It resonates with us is how we feel. I can understand that we can be in conflict, I have an emotional connection to both sides of an emotional argument. I not only resonate and feel seen, then I have a better understanding of the person whose thought was in opposition of me.
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Woman Is A Changeling: Redefining Femininity In “Maiden Mother Crone”
But a woman is a changeling, always shifting shape Just when you think you have it figured out...
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Beyond the Canvas: The Art of Candida Alvarez
A leading figure in contemporary art, Candida Alvarez is an American painter and studio artist...
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Polish-American Migrant Theatre: Teatr NASZ From Chicago On Tour In Florida
As of 2023, Polish Americans amounted to over eight million people, i.e., 2.46% of the US...
Read More![Language Is Leaving Me: A Cinematic AI Opera Of The Skin [Part II]](https://thetheatretimes.com/wp-content/uploads/2025/01/WK2023-10-07_0075-627x376.jpg.webp)
Language Is Leaving Me: A Cinematic AI Opera Of The Skin [Part II]
Ellen Pearlman interviewed by Ivo Marais To read PART I of this interview, go to this link. ...
Read More“Language Is Leaving Me: A Cinematic AI Opera Of The Skin” [Part I]
Ellen Pearlman interviewed by Ivo Marais Ivo: These questions are crafted to reflect the...
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Show/Boat: A River Slashes Open an Old Classic
“The singing is nice, but the staging is atrocious.” So remarked the couple sitting behind me at...
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The Horror of Mundanity in NYTW’s A Knock On the Roof
Any frequent theater-goer is likely familiar with the “two block rule”, a piece of etiquette that...
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Dropping Balms
With the United States now governed by swaggering, ignorant bigots spewing xenophobic venom,...
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Getting Known
Beckett Briefs is a great title for a program of short plays by Ireland’s most famously laconic...
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Тim Rice – 80: The Нero and His Many Anniversaries. Part II
The first part of this interview is available here. Tim Rice has been lucky to work with many...
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