“An Enemy Of The People:” An Oblique Look At Democracy From Schaubühne Berlin
An Enemy of the People was first introduced to Greek audiences in 1902 by the pioneering “New...
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Greece
Learning To Listen, Struggling To Hear: Katie Mitchell’s “Cow / Deer”
There are directors who have gotten us accustomed to treading on unconventional paths. They have...
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Pandora`s Ritual: To “Kill My Darlings” On The Brink Of An Individual Existential Revolution
An interview with Wichi, a theatre director and actor, Athens, Greece Wichi was born in...
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Culture Belongs To Humanity! Not To The Armies
An Interview with Bouboulina Nikaki, Thessaloniki-Athens, Greece – International theatre...
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Between The REMBELIO OF POPOLARI (“Omilies”, Carnevals, Anonymous Poets) And No Stable Funding
An Interview with Kostas Kapodistrias – Theatre actor and director, theatre manager/founder of...
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More Equal Theatre-Making in Europe: Reflection on Creative Europe and Practical Difficulties from Multilingual Perspectives
The Jeune Théâtre Européen Jeunes Publics (Young European Theatre for Young Audiences) (JTEJP)...
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Multilingual Theatre For/With Young Audiences: On the Jeune Théâtre Européen Jeunes Publics Project
The growing levels of migration result in an increasing number of children across Europe growing...
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“Report to an Academy”: To Be or Not to Be Human?
No matter how trends, themes, agendas and moods of society change, the focus of the study of art...
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“Nora”: Present Continuous Hell
Get inside a woman’s head and, by understanding her, unravel the mystery of how the world...
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You Came to See the Obscene?—”2020: Obscene”
Alexandra Bachzetsis’s latest group performance, 2020: Obscene, estranges the word obscene from...
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What Will You Do This Summer? On An Interdisciplinary Summer Camp In Warsaw
Krzysztof Warlikowski’s Nowy Theatre in Warsaw together with Komuna/Warszawa, La Comedie de...
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As Fates Would Have It – What We Learn From Minor Players In Greek Tragedies And Hollywood Films
Many will be familiar with the looming presence of Oedipus or Antigone in Classical Greek tragedy....
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Martin Sherman’s “Rose” in Athens
She is in her eighties when we meet her and shares with the audience the story of her life which began in a tiny Russian village, took her to Warsaw’s ghettos and a ship called The Exodus, and finally to the boardwalks of Atlantic City, the Arizona canyons and salsa-flavored nights in Miami beach.
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The Great Tamer – A Greek Choreographer’s Bam Debut
Since Dimitris Papaioannou is a relatively unknown creator to the American audience, I feel...
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Kosmas Politis, “Eroica” by Yolanda Markopoulou
“Heroism is to this decision that you make by yourself, to stick to it until the very...
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OUT SCORE: Χω/ορικές Σημειογραφίες I
OUT SCORE: Χω/ορικές Σημειογραφίες I is a research program that generates encounters between...
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Rediscovering Ancient Greek Music
“Research into ancient Greek music is pointless”—Giuseppe Verdi “Nobody has ever made head or tail...
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AVLAIA: Dropping and Opening the Curtain to the Future of Europe
In the theatre, the front curtain is drawn open from both sides of the proscenium to reveal a...
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Ecce Homo: “The Great Tamer,” By Dimitris Papaioannou. Dance Umbrella Festival 2018, London, Sadler’s Wells
A curved, declivitous, dark-grey hill, built from large, rectangular vinyl blocks–reminiscent of...
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A Greek Tragedy For Two Actors
Euripides’ Ion – Director: Ioli Andreadi – “Alfa Idea” Theatre – Athens Staging...
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