You Came to See the Obscene?—”2020: Obscene”
Alexandra Bachzetsis’s latest group performance, 2020: Obscene, estranges the word obscene from...
Read MorePosted by Lisa Moravec | 13th Mar 2023 | Directing, Greece, Review, Theatre and Dance, Theatre and Gender
Alexandra Bachzetsis’s latest group performance, 2020: Obscene, estranges the word obscene from...
Read MorePosted by Lisa Moravec | 20th Dec 2019 | Austria, Festivals, Germany, Theatre and Dance
Researcher and critic Lisa Moravec explores how two performances of this year’s ImPulsTanz,...
Read MorePosted by Lisa Moravec | 19th Dec 2019 | Chile, London, Review, Theatre and Dance, United Kingdom
How far can bodily interaction amongst the audience members, with performance objects, and with...
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