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Latest
“Gardzienice:” Wesele – Wyspiański – Malczewski – Konieczny. Tomasz Wiśniewski in a Conversation with Włodzimierz Staniewski
5th April 2020
“New Dramaturgies:” Insights Into Mark Bly’s Playwriting Exercises. Interview with Mark Bly
4th April 2020
“The Claim” at The Shoreditch Town Hall
4th April 2020
“Launcher 5,” or a Recipe to Make Young Men Monsters
3rd April 2020
Featured
Essays
The Mechanics of Crafting Transitions
31st March 2020
Uganda’s Elvania Namukwaya Who Broke the Glass Ceiling of Theatre
25th March 2020
Feminisation, Democracy, Labour: Towards a Socialised Cultural Institution
14th March 2020
Shadow Theatre: Performance and the Imaginary in Contemporary Egypt
11th March 2020
Interviews
“Gardzienice:” Wesele – Wyspiański – Malczewski – Konieczny. Tomasz Wiśniewski in a Conversation with Włodzimierz Staniewski
5th April 2020
“New Dramaturgies:” Insights Into Mark Bly’s Playwriting Exercises. Interview with Mark Bly
4th April 2020
Interviewing Crystal Field, Artistic Director or Theater for the New City
31st March 2020
Ken Watanabe: A Conquistador in “Pizarro”
27th March 2020
News
Italian Resilience Against COVID-19: The “Strange Interlude” at the Teatro Stabile in Turin
3rd April 2020
All You Need to Know About Eight Years of India by the Nile in Egypt
30th March 2020
Italian Resilience Against COVID-19: The Balcony Performance
22nd March 2020
U.S. Architects to Build Splendid New Theater in Russia’s Perm
18th March 2020
Reviews
“The Claim” at The Shoreditch Town Hall
4th April 2020
“Launcher 5,” or a Recipe to Make Young Men Monsters
3rd April 2020
Paranoia at the Fore in Steppenwolf’s Revival of Tracy Letts’s “Bug”
2nd April 2020
Simon Stephens’ “Maria:” Aggressive Optimism is Saving the World
1st April 2020
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Walter Byongsok Chon
Yana Meerzon
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