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“Super Vocal,” Chinese TV Talent Contest For Opera Singers And Musical Performers, Scores Top Ratings
17th February 2019
What Is Queer About Queer Performance Now?
17th February 2019
The Spirit Of Judson In A New Millennium: The Legendary Collective Still Oscillates Between Canonization And Transience
16th February 2019
Towards A Poetics Of Imagination
16th February 2019
Featured
Essays
What Is Queer About Queer Performance Now?
17th February 2019
The Spirit Of Judson In A New Millennium: The Legendary Collective Still Oscillates Between Canonization And Transience
16th February 2019
Towards A Poetics Of Imagination
16th February 2019
“The Petty Bourgeois‘” And “The Gambler‘s” Warnings About Anthropocentrism And Capitalism
7th February 2019
Interviews
Cultural Education: “We Do Not Dispense School Knowledge”
15th February 2019
Navigating Korea and America: Meet Hansol Jung, Playwright of “Wild Goose Dreams” and “Cardboard Piano”
14th February 2019
Transforming Society Through Documentary Theatre: Peter Eckersall In Conversation With Lebanese Director Sahar Assaf
13th February 2019
Interview With Olivier Comte, Les Souffleurs
11th February 2019
News
“Super Vocal,” Chinese TV Talent Contest For Opera Singers And Musical Performers, Scores Top Ratings
17th February 2019
The “King” Returns And Theaters Look To Russia For 2019 – Theatre in Japan
12th February 2019
The First Middle Eastern Theatre Photo Exhibition At The University Of Toronto, Spring 2019
11th February 2019
Four Wonders Of The Russian Circus
4th February 2019
Reviews
“City of No Illusions” Takes Refugees to the Border of Life and Death
16th February 2019
Arthur Miller’s “The Price” At The Wyndham’s Theatre
15th February 2019
“Medea” By Simon Stone, The New Stage Sensation
14th February 2019
Pie in the Sky: Eliza Bent Delights With “Bonnie’s Last Flight”
13th February 2019
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