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On Broadway, “Burn This” Singes the Frayed Nerves of 20th Century Romance
19th April 2019
World Premiere of Georgina Escobar’s “Then They Forgot About The Rest” Delivers Frontier Futura Funk
19th April 2019
“Swedish Furniture” Is A Serious, Realistic Look At Millennial Relationships
18th April 2019
José María Pou Celebrates A New Appointment And 15 Months On The Road With “Moby Dick”
18th April 2019
Featured
Essays
Sonic Realm Theatricals In Belarusian Theatre
13th April 2019
Transforming The Traditional World Of Kabuki With Kinoshita-Kabuki
23rd March 2019
In The Labyrinth Of Surfaces: Performativity, And Visitor Experience In The teamLab Exhibitions
22nd March 2019
Theatre Of The Real And Embracing The Politics Of The Current Moment: Heidi Schreck’s “What The Constitution Means To Me”
16th March 2019
Interviews
Samara Hersch: Theatre For The People, By The People
15th April 2019
Working Off-Script: Transgender Awareness in Iranian Black Box Theatres: An Interview with Sāmān Arasṭoo
14th April 2019
The Importance Of Theatre For The Youth With Jonathan Dorf
6th April 2019
“We Understand Our Culture Better Through The Other’s”: Interview With Dramaturg And Theatre Historian Nina Király (1940–2018)
5th April 2019
News
ETC and Ukrainian Theatre: A Dialogue of Art, Change, and Support
16th April 2019
Bhuhu: A New Immersive Arts Course At Wandering Artist
15th April 2019
The Aphra Behn Emerging Artists’ Festival
14th April 2019
Indian Musical Theatre: From Librettos To Grungy Indie
9th April 2019
Reviews
On Broadway, “Burn This” Singes the Frayed Nerves of 20th Century Romance
19th April 2019
“Swedish Furniture” Is A Serious, Realistic Look At Millennial Relationships
18th April 2019
José María Pou Celebrates A New Appointment And 15 Months On The Road With “Moby Dick”
18th April 2019
Necromancers of the Public Domain: Art Both Free and Liberating
17th April 2019
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