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Latest
“El Círculo” Review: The Vulnerability of Process as Performance
28th January 2020
Lori Klinger from Rosie’s Theater Kids on Merging Passions and Arts Education
28th January 2020
Alana Dietze is in Search of Transcendental Feelings and Solutions to Problems
27th January 2020
The Case for “Hadestown”
27th January 2020
Featured
Essays
Doyen of Marathi Theatre Shriram Lagoo Left Behind A Mark Few Could Rival
27th January 2020
Bodies and Bodies and Bodies of Work: A Feminist Perspective on the Notion of ‘Oeuvre’
19th January 2020
Broadway: Does “The Great White Way” Live Up to Its Name?
17th January 2020
Between Freedom and Manipulation: The Situation of Actors in “Factory 2
8th January 2020
Interviews
Lori Klinger from Rosie’s Theater Kids on Merging Passions and Arts Education
28th January 2020
Alana Dietze is in Search of Transcendental Feelings and Solutions to Problems
27th January 2020
“The Fifth Act” or Theatrical Requiem with Niko Gorsic
25th January 2020
“Shear Madness:” Utterly Bostonian and World-Famous
24th January 2020
News
2019 Kenyan Theatre Award Winners
26th January 2020
13 Outstanding Theatrical Performances of 2019 in India
20th January 2020
Accessibility: Pushing the Boundaries of Theatre Performance
19th January 2020
Big Bolshoi: How the Theatre Got Its Name
18th January 2020
Reviews
“El Círculo” Review: The Vulnerability of Process as Performance
28th January 2020
The Case for “Hadestown”
27th January 2020
“Ellen West” at The Prototype Festival
26th January 2020
“Fortune” Updates Faust’s Devilish Deal
25th January 2020
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Kee-Yoon Nahm
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Lola Proaño Gómez
Lorena Meeser
Madison Parrotta
Magda Romanska
Mara Valderrama
Maria Pia Pagani
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Margarita Vargas
Marjan Moosavi
Martine Kei Green Rogers
Michael Evans
Michael Schweikardt
Nobuko Tanaka
Trevor Boffone
Walter Byongsok Chon
Yana Meerzon
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