“The Copenhagen Trilogy” by Tove Ditlevsen, adapted by Tom Silkeberg, directed by Anja Suša at Malmö City Theatre
Tove Ditlevsen was a Danish working-class poet, novelist and feminist icon. Her memoir The...
Read MorePosted by Duška Radosavljević | 16th May 2026 | Denmark, Review, Sweden
Tove Ditlevsen was a Danish working-class poet, novelist and feminist icon. Her memoir The...
Read MorePosted by Duška Radosavljević | 14th Apr 2026 | Denmark, Review
Already active across a number of north European theatre contexts – from her base in Lithuania to...
Read MorePosted by Ivanka Apostolova Baskar | 8th Apr 2026 | Denmark, Interview, Kazakhstan, Theatre and Dance
An Interview with Mr. Denni Dennis, internationally renowned dancer, performer, educator-trainer...
Read MorePosted by Duška Radosavljević | 2nd Jul 2025 | Adaptation, Denmark, Review
Imagine Ibsen’s A Doll’s House, staged as a sort of salon game, in a real couple’s home serving as...
Read MorePosted by Duška Radosavljević | 18th May 2025 | Denmark, Review, Theatre and Politics
There is a big screen hanging above the stage on which four faces in four individual frames are...
Read MorePosted by Duška Radosavljević | 18th Jun 2024 | Denmark, Festivals, Review
The 12th annual edition of CPH Stage Festival has come to a close. The cultural highlight that...
Read MorePosted by Duška Radosavljević | 19th Aug 2023 | Denmark, Edinburgh 2023, Review, Scotland
There is a little red brochure going around the Edinburgh Fringe titled #Danish. It represents the...
Read MorePosted by Marilena Borriello | 6th Aug 2023 | Denmark, Review, Theatre and Art
In Ways of Seeing (1972), John Berger stated that “the way we see things is affected by what...
Read MorePosted by Duška Radosavljević | 6th Apr 2023 | Adaptation, Denmark, Musical Theatre, Review
It’s about two years since I moved to the Oresund region, the liminal place between southern...
Read MorePosted by Siraya PAI | 25th Mar 2022 | Denmark, Interview, Taiwan, Transcultural Collaborations, Transmedia
“We began with looking for the differences between us, but at some point we came to realize that...
Read MorePosted by Alexander Nderitu | 19th Nov 2021 | Adaptation, Denmark, Kenya, Review, Theatre and Decolonization, Transcultural Collaborations
Miss Julie’s Happy Valley is the most recent work by playwright Michael Omoke. The new play...
Read MorePosted by Af Anika Marschall | 27th Nov 2020 | Denmark, Review, Theatre and Politics
Hvor kommer du fra? Hvor kommer du fra? Hvor kommer du fra? Hvor kommer du fra? I have probably...
Read MorePosted by Peter M. Boenisch | 24th Oct 2020 | Adaptation, Denmark, Review, Theatre and Gender
Faustimir and Mephistragon The misery of the aging white man, who once diligently studied...
Read MorePosted by Bojana Cvejić | 24th Sep 2020 | Belgium, Denmark, Immersive Theatre, Interview, Theatre and Politics
SEEDS Bojana Cvejić: In your solo 21 Pornographies, the last scene, in which you are relentlessly...
Read MorePosted by Ida Krøgholt | 13th Dec 2019 | Denmark, Dramaturgy, Essay
In The Routledge Companion to Dramaturgy (2016), Magda Romanska argues that if the twentieth...
Read MorePosted by Keith Powers | 13th Apr 2018 | Boston, Denmark, News, Theatre and Opera, United States of America
It was like the Dreyfus Affair. The Sacco-Vanzetti Trial. Any of those singular moments in history...
Read MorePosted by Anne Liisberg | 30th Mar 2018 | Denmark, News
Yet more adaptations, strong Danish voices, golden oldies, the music accompanying most...
Read MorePosted by Pelle Nordhøj Kann | 23rd Jan 2018 | Denmark, Essay, Management
Actor and artistic director of the Danish theatre company Det Flydende Teater (literally...
Read MorePosted by Rie Hammer | 23rd Nov 2017 | Denmark, Essay, Festivals, Theatre and Politics
When can performing arts be considered culturally diverse and inclusive? Where will new...
Read MorePosted by Aida Rocci | 4th Jan 2017 | Denmark, Immersive Theatre, London, Review, United Kingdom
A lonely corner at night in the London neighborhood of Hackney. A group of strangers meet,...
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