Conor McPherson’s The Brightening Air at the Old Vic: Wonderfully Numinous And Eccentric Account Of Family Life In 1980s Rural Ireland
Theatre needs mystery. In the darkened auditorium, with a crowd of strangers sharing your...
Read MorePosted by Aleks Sierz | 29th Apr 2025 | Ireland, Playwriting, Review, United Kingdom
Theatre needs mystery. In the darkened auditorium, with a crowd of strangers sharing your...
Read MorePosted by Michał Lachman | 4th Mar 2025 | Acting, Festivals, Ireland
To read PART I of this report, go to this link. The line of Irish productions at 2024...
Read MorePosted by Michał Lachman | 4th Mar 2025 | Acting, Festivals, Ireland
My carefully planned visit to the 2024 Dublin Theatre Festival started and ended in unexpected...
Read MorePosted by Margaret Rose | 15th Aug 2024 | Edinburgh 2024, Festivals, Ireland, Review, Theatre and Science, United Kingdom
In Two Minds, produced by Dublin’s celebrated multi-award winning Fishamble, is playing at...
Read MorePosted by Jeune Théâtre Européen Jeunes Publics | 29th Feb 2024 | Essay, France, Germany, Greece, Ireland, Producing, Serbia, Tunisia
The Jeune Théâtre Européen Jeunes Publics (Young European Theatre for Young Audiences) (JTEJP)...
Read MorePosted by Kasia Lech | 28th Feb 2024 | Essay, France, Germany, Greece, Ireland, Theatre and Politics, Theatre for Young Audiences, Tunisia
The growing levels of migration result in an increasing number of children across Europe growing...
Read MorePosted by Miriam Haughton and Patricia O’Beirne | 27th Jan 2024 | Design, Essay, Ireland, Producing
Being on the edge is the place where I like to be no matter in what domain it is…and the edge is a...
Read MorePosted by Kasia Lech | 7th Sep 2023 | Essay, Ireland, Management, Poland, Theatre and Politics
In 2004, Ireland, as one of the first countries in the EU, invited Polish people to live and work...
Read MorePosted by Michał Lachman | 10th Aug 2023 | Ireland, Review, United Kingdom
The recent production of Brian Friel’s Dancing at Lughnasa at London’s National Theatre offers its...
Read MorePosted by Aleks Sierz | 27th Apr 2023 | Directing, Ireland, Review, United Kingdom
Brian Friel’s classic play about the blending of Paganism and Christianity in 1930s Ireland is...
Read MorePosted by Alexander Fatouros | 5th Jan 2023 | Interview, Ireland, Theatre and Dance, United Kingdom, United States of America
It was a chance meeting at MoMA’s dance series “Some sweet day” that brought Ingrid Nachstern and...
Read MorePosted by Matthew McMahan | 31st Oct 2022 | Adaptation, Boston, Directing, Ireland, Review, United States of America
Bill Irwin greets the audience by conveying that the performance will be around 90 minutes (by way...
Read MorePosted by Zolima Citymag | 26th Mar 2022 | China, Covid-19, Festivals, Hong Kong, Ireland, Theatre and AI
This article is brought to you by Hong Kong Arts Festival. We know that what separates humans from...
Read MorePosted by Mark Byron | 5th Jul 2021 | Essay, Ireland, Playwriting
Vladimir: Well? Shall we go? Estragon: Yes, let’s go. [They do not move.] Samuel Beckett...
Read MorePosted by Mark Byron | 20th Jun 2021 | Adaptation, Essay, Ireland, Playwriting
Vladimir: Well? Shall we go? Estragon: Yes, let’s go. [They do not move.] Samuel Beckett...
Read MorePosted by Lara Cox | 29th May 2021 | Ireland, Review, Theatre and Film, Transmedia, United Kingdom
Pale Sister is the latest adaptation of the Sophoclean tragedy, Antigone (c. 441 BC), written by...
Read MorePosted by Clare Cioffero | 25th Mar 2021 | Ireland, Review, Theatre and Age, Theatre and Disability
The thing about UnRavelled is that it’s one of those plays that even a week after seeing it random...
Read MorePosted by Kasia Lech | 12th Mar 2021 | Dramaturgy, Ireland, Nigeria, Playwriting, Poland, Spain, Transmedia, United Kingdom
While theatre in its early days existed in a strong relationship with verse, the social, cultural,...
Read MorePosted by Ashley Steed | 8th Dec 2020 | Directing, Interview, Ireland
Director Aoife Spillane-Hinks has quite the origin story for her entry into theatre. As the story...
Read MorePosted by Ashley Steed | 25th Nov 2020 | Interview, Ireland, Playwriting
It’s been six years since Leper and Chip played to sold-out Dublin audiences with critical...
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