Clowning “On Beckett,” Irwin Delights at the Emerson Paramount Center
Bill Irwin greets the audience by conveying that the performance will be around 90 minutes (by way...
Read MoreMatthew McMahan is a performance scholar, dramaturg, and comedian. He is currently the Assistant Director for the Center of Comedic Arts at Emerson College, where he teaches the history of comedy. He has a PhD in Drama from Tufts University and an MFA in Dramaturgy from Stony Brook University. As a performer, he has worked as a resident cast member at ImprovBoston for the past three years, and as a dramaturg, he has worked with such theatre companies as HowlRound, the Wooster Group, the Atlantic Theatre Company, Indiana Repertory Theatre, and the Boston-based collective imaginary beasts. His research and reviews have been published in Theatre Journal, Theatre Survey, Theatre History Studies, The Journal of Dramatic Theory and Criticism, The New England Theatre Journal, and The Texas Theatre Journal.
Posted by Matthew McMahan | 31st Oct 2022 | Adaptation, Boston, Directing, Ireland, Review, United States of America
Bill Irwin greets the audience by conveying that the performance will be around 90 minutes (by way...
Read MorePosted by Matthew McMahan | 23rd Feb 2020 | Boston, North America, Participatory Theatre, Review, United States of America
Visiting the city of Boston during its national tour, the Second City sketch revue She The People:...
Read MorePosted by Matthew McMahan | 22nd Feb 2020 | Boston, Participatory Theatre, Review, United States of America
One of Boston’s long-running interactive theatrical events, now featured routinely at the...
Read MorePosted by Matthew McMahan | 3rd Oct 2019 | Boston, Canada, Review, United States of America
ArtsEmerson has invited its perennial favorite, the circus company from Quebec Le Sept Doigt de la...
Read MorePosted by Matthew McMahan | 15th May 2019 | Boston, Musical Theatre, Review, United States of America
The Huntington Theatre Company has given the city of Boston a priceless gift by remounting the...
Read MorePosted by Matthew McMahan | 21st Mar 2019 | London, Review, United Kingdom
In the theatre, it is rare to see a dramatist get second billing to a director. Usually,...
Read MorePosted by Matthew McMahan | 27th Feb 2019 | Boston, Devised Theatre, France, Review, United States of America
Using the tools of the circus, performance art, modern dance, and puppetry, the French director...
Read MorePosted by Matthew McMahan | 8th Feb 2019 | Boston, Review, United States of America
After a critically acclaimed run in New York City, Bedlam Theatre Company has brought their...
Read MorePosted by Matthew McMahan | 4th Feb 2019 | Boston, Review, Theatre and Gender, United States of America
After A Doll’s House, Part 2 enjoyed critical acclaim and eight Tony nominations on Broadway,...
Read MorePosted by Matthew McMahan | 24th Jan 2019 | Puppetry, Review, Theatre and Film, United States of America
ArtsEmerson, Boston’s hub for international, experimental, and cutting-edge theatre, has invited...
Read MorePosted by Matthew McMahan | 7th Dec 2018 | Boston, LGBTQ+ Theatre, Review, United States of America
Michael Cristofer’s “Man in the Ring” is a memory play that hits on an emotional level in a way that is hard to shake.
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