The Silent Service of Women: Cayenne Douglass’s “Maiden Voyage” at The Flea
“What kind of service do submarines provide?” asks the machine’s captain, Ricky Martin. “Silent...
Read MorePosted by Rhiannon Ling | 2nd Apr 2024 | New York, Review, Theatre and Gender, United States of America
“What kind of service do submarines provide?” asks the machine’s captain, Ricky Martin. “Silent...
Read MorePosted by Morgan Skolnik | 31st Mar 2024 | New York, Review, Theatre and Gender, United States of America
Last year I went to the dentist for a toothache and was told that somehow, to my extreme...
Read MorePosted by Teodora Medeleanu | 25th Mar 2024 | India, Review, Theatre and Gender
The question of universality faces entire series of utterly new answers, but not all of them find...
Read MorePosted by Jonathan Kalb | 12th Feb 2024 | Review, Theatre and Gender, United States of America
Rachel Bonds’s Jonah—directed by Danya Taymor at the Roundabout’s Laura Pels Theatre— is one of...
Read MorePosted by Aleks Sierz | 11th Feb 2024 | London, Playwriting, Review, Theatre and Gender, United Kingdom
In West End theatre, the cliché that nothing succeeds like success keeps the wheels of commerce...
Read MorePosted by Trevor Boffone | 10th Feb 2024 | Theatre and Gender, Theatre and Politics, United States of America
Every day is a cunty day for Bekah Walsh. The Baltimore-based theatre nerd turned prolific...
Read MorePosted by Ivanka Apostolova Baskar | 26th Jan 2024 | Germany, Interview, Theatre and Art, Theatre and Gender
Christian Tschirner aka Soeren Voima (he/him – author, theater maker, Schauspielhaus...
Read MorePosted by Amir Al-Azraki | 7th Jan 2024 | Essay, Iraq, Playwriting, Theatre and Gender
Upon the release of Contemporary Plays from Iraq in 2017, my focus shifted to translating works...
Read MorePosted by Lisa Monde | 2nd Jan 2024 | France, Interview, Theatre and Gender, United States of America
Dedicated to the 70th anniversary of the first publication and production of Jean Genet’s unique...
Read MorePosted by Antonio Hernández Nieto | 20th Dec 2023 | Review, Spain, Theatre and Gender
There is nothing like going to a world premiere. Being one of the first to see something brand...
Read MorePosted by Rhiannon Ling | 12th Dec 2023 | New York, Review, Theatre and Gender, Theatre and Politics, United States of America, Worldwide
“I do not know how to write,” Agnieszka Kazimierska’s Katie tells her audience. At this...
Read MorePosted by Rhiannon Ling | 1st Nov 2023 | New York, Playwriting, Review, Theatre and Gender, United States of America
To begin as we proceed, with full transparency, I have to admit how big a fan I am of SheNYC Arts...
Read MorePosted by Aleks Sierz | 24th Oct 2023 | London, Review, Theatre and Gender, United Kingdom
Famous sex scandals don’t always make good plays. Although the tabloid nature of such events...
Read MorePosted by Rhiannon Ling | 22nd Oct 2023 | Adaptation, New York, Review, Theatre and Gender, United States of America, Worldwide
Anat Gov’s Best Friends lives in a world of dichotomy. The title is both entirely true and...
Read MorePosted by Rhiannon Ling | 18th Oct 2023 | Interview, New York, Theatre and Gender, Theatre and Politics, United States of America, Worldwide
Agnieszka Kazimierska has always been an artist. From the age of six, she told as much to her...
Read MorePosted by The Hindu | 20th Sep 2023 | India, News, Theatre and Decolonization, Theatre and Gender, Worldwide
Mangri Orang, a tea plantation worker, was gunned down by British security personnel in 1921 for...
Read MorePosted by Rhiannon Ling | 2nd Sep 2023 | LGBTQ+ Theatre, New York, Review, Theatre and Gender, United States of America
It’s no secret that I’m an advocate for feminist, queer theatre. Or that I enjoy worlds of the...
Read MorePosted by Erika Hughes | 16th Aug 2023 | Adaptation, Review, Theatre and Gender, United Kingdom
Rock Follies was a groundbreaking television series about an all-female rock band that originally...
Read MorePosted by Rhiannon Ling | 24th Jul 2023 | New York, Review, Theatre and Gender, United States of America
Upon one’s first step into the Players Theatre, one knows exactly what they’re in for. The stage...
Read MorePosted by Rhiannon Ling | 30th May 2023 | New York, Review, Theatre and Gender, United States of America
Empty Gregory’s coffee cups and PureLeaf bottles reside on a table, Trader Joe’s bags are against...
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