Reflections On Running A Chamber Theatre (1)
In a number of contributions, I want to reflect on my seven years as owner / artistic manager of...
Read MorePosted by Daniel Meyer-Dinkgräfe | 21st Oct 2026 | Directing, Germany, Management, Producing
In a number of contributions, I want to reflect on my seven years as owner / artistic manager of...
Read MorePosted by Daniel Meyer-Dinkgräfe | 19th Oct 2026 | Directing, Germany, Review
Stereotypically, the fact that all life ends in death is the one thing all human beings have in...
Read MorePosted by Daniel Meyer-Dinkgräfe | 9th Oct 2026 | Acting, Directing, Germany, Review
Across the ages, there have been dynasties of actors, most recently, among others, Redgrave and...
Read MorePosted by Daniel Meyer-Dinkgräfe | 28th Sep 2026 | Acting, Directing, Germany, Review
It has been a long-established tradition for many theatres in Germany to place their seasons and...
Read MorePosted by Daniel Meyer-Dinkgräfe | 22nd Sep 2026 | Directing, Germany, Review
The bremer shakespeare company was founded in Bremen in 1983 by a collective of nine theatre...
Read MorePosted by Daniel Meyer-Dinkgräfe | 17th Sep 2026 | Acting, Directing, Germany, Review
On German TV, each channel has its set of regular crime drama. For example, there is the...
Read MorePosted by Daniel Meyer-Dinkgräfe | 4th Sep 2026 | Acting, Directing, Germany, Review
Theater Poetenpack was founded in 1998 by Andreas Hueck, who has continued as its artistic manager...
Read MorePosted by Daniel Meyer-Dinkgräfe | 17th Aug 2026 | Germany, Review, Translation
In terms of linguistics, Low German (Plattdeutsch) is a language of its own, not a dialect, and...
Read MorePosted by Daniel Meyer-Dinkgräfe | 14th Jul 2026 | Acting, Directing, Germany, Review
In nearly all productions of Brecht’s The Threepenny Opera I had seen up to this one, I was struck...
Read MorePosted by Daniel Meyer-Dinkgräfe | 6th Jul 2026 | Acting, Directing, Germany, Review
For the last full production of his first season as artistic director of Packhaustheater in...
Read MorePosted by Daniel Meyer-Dinkgräfe | 25th Jun 2026 | Germany, Review, Theatre and Politics
Klaus Mann’s novel Mephisto, published in 1936, deals with the opportunistic rise of its main...
Read MorePosted by Daniel Meyer-Dinkgräfe | 16th Jun 2026 | Acting, Directing, Germany, Review
The stage, designed by Thomas Rupert, was vast and predominantly empty, the floor mainly even and...
Read MorePosted by Daniel Meyer-Dinkgräfe | 10th Jun 2026 | Acting, Directing, Germany, Review
When Florian Battermann founded the Komödie am Altstadtmarkt in Braunschweig in 2003 at the age of...
Read MorePosted by Daniel Meyer-Dinkgräfe | 2nd Jun 2026 | Acting, Germany, Review
Spirit and the Dust is a play by American dramatist Noah Haidle. The world premiere of the play,...
Read MorePosted by Daniel Meyer-Dinkgräfe | 21st May 2026 | Directing, Germany, Review
The latest production in Dirk Böhling’s inaugural season as artistic director of the...
Read MorePosted by Daniel Meyer-Dinkgräfe | 5th May 2026 | Directing, Germany, Review
Ferdinand von Schirach was born in 1964, studied law and became a noted criminal defense lawyer....
Read MorePosted by Daniel Meyer-Dinkgräfe | 15th Apr 2026 | Directing, Germany, Review
Bondi Beach was premiered on the 7th of October 2023 at the municipal theatre in Ingolstadt....
Read MorePosted by Daniel Meyer-Dinkgräfe | 10th Apr 2026 | Adaptation, Germany, Review
David Safier was born in Bremen in 1966. He trained as a journalist, worked as radio and TV...
Read MorePosted by Daniel Meyer-Dinkgräfe | 8th Apr 2026 | Acting, Germany, Review, Theatre and Politics
In 2016, Austrian director Christian Krönes and colleagues launched their two-hour documentary...
Read MorePosted by Daniel Meyer-Dinkgräfe | 1st Apr 2026 | Directing, Germany, Review
Falk Richter was born in 1969. He studied linguistics, philosophy and theatre directing at the...
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