Memories Of And Acting In Old Age Are Central To “Ein Deutsches Leben”
In 2016, Austrian director Christian Krönes and colleagues launched their two-hour documentary...
Read MorePosted by Daniel Meyer-Dinkgräfe | 8th Apr 2026 | Acting, Germany, Review, Theatre and Politics
In 2016, Austrian director Christian Krönes and colleagues launched their two-hour documentary...
Read MorePosted by Daniel Meyer-Dinkgräfe | 1st Apr 2026 | Directing, Germany, Review
Falk Richter was born in 1969. He studied linguistics, philosophy and theatre directing at the...
Read MorePosted by Daniel Meyer-Dinkgräfe | 26th Mar 2026 | Directing, Germany, Review, Theatre for Young Audiences
The Schnürschuh-Theater in Bremen was founded in 1976 and has been at its current location since...
Read MorePosted by Milton Coykendall | 16th Mar 2026 | Adaptation, Directing, Germany, Review
I first saw Rainer Werner Fassbinder’s Film, The Marriage of Maria Braun not long after it first...
Read MorePosted by Daniel Meyer-Dinkgräfe | 13th Mar 2026 | Directing, Germany, Playwriting, Review
Plays about famous people have always held special attraction to dramatists, theatres and...
Read MorePosted by Katerina Pestamatzoglou | 9th Mar 2026 | Germany, Greece, Review, Theatre and Politics, Transcultural Collaborations
An Enemy of the People was first introduced to Greek audiences in 1902 by the pioneering “New...
Read MorePosted by Daniel Meyer-Dinkgräfe | 5th Mar 2026 | Directing, Germany, Review
Dea Loher (b. 1964), has been a prominent German dramatist since the world premiere of her first...
Read MorePosted by Daniel Meyer-Dinkgräfe | 6th Feb 2026 | Directing, Germany, Review
For this production of Shakespeare’s play, Oldenburgisches Staatstheateer used the 2007...
Read MorePosted by Daniel Meyer-Dinkgräfe | 26th Jan 2026 | Directing, Germany, Review
Many, especially prestigious, new productions of Chekhov’s The Seagull in the UK and USA...
Read MorePosted by Daniel Meyer-Dinkgräfe | 8th Jan 2026 | Directing, Germany, Review
Bremen’s Packhaustheater set its agenda with a focus on the local, so as not to compete with the...
Read MorePosted by Daniel Meyer-Dinkgräfe | 2nd Jan 2026 | Directing, Germany, Review
The play Nebenan was premiered at Burgtheater Wien in 2022, based on the film of the same title...
Read MorePosted by Daniel Meyer-Dinkgräfe | 1st Jan 2026 | Directing, Germany, Review
In 2019, Landestheater Salzburg used a new translation of Ibsen’s An Enemy of the People as the...
Read MorePosted by Daniel Meyer-Dinkgräfe | 12th Dec 2025 | Directing, Germany, Review
When the production first opened in 2022, critics commented on the fact that the play was being...
Read MorePosted by Daniel Meyer-Dinkgräfe | 4th Dec 2025 | Directing, Germany, Review, Theatre and Politics
Theater Bremen is currently showing the world premiere production of Der Zauberer von Öz – Eine...
Read MorePosted by Daniel Meyer-Dinkgräfe | 28th Nov 2025 | Adaptation, Directing, Germany, Review
Der Schimmelreiter (The Rider on the White Horse) is a novella by German writer Theodor Storm...
Read MorePosted by Daniel Meyer-Dinkgräfe | 20th Nov 2025 | Directing, Essay, Germany
Since August 2019, I have owned and run the chamber theatre, piccolo teatro Haventheater, in...
Read MorePosted by Daniel Meyer-Dinkgräfe | 29th Oct 2025 | Directing, Germany, Review
Sein oder nicht sein is a play by Nick Whitby (b.1963), premiered on Broadway in 2008, and first...
Read MorePosted by Daniel Meyer-Dinkgräfe | 27th Oct 2025 | Directing, Germany, Review
This six-hour production of Hamlet took Shakespeare’s play as the starting and end point, in...
Read MorePosted by Victoria Zavyalova | 20th Oct 2025 | Directing, Germany, Review, United States of America
In All Right. Good Night., German docu-theater artist Helgard Haug turns loss into a language. The...
Read MorePosted by Daniel Meyer-Dinkgräfe | 10th Oct 2025 | Directing, Germany, Review
The small district of Schnoor in the northern German city of Bremen, consisting of some 100...
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