Play the Game on the Stage! Conversation with machina eX, One of The Most Immersive Theatre Companies in Germany
machina eX is one of the most immersive theatre company in Germany. They constantly recreate...
Read MorePosted by Ágnes Bakk | 14th Dec 2016 | Germany, Immersive Theatre, Interview, Transmedia
machina eX is one of the most immersive theatre company in Germany. They constantly recreate...
Read MorePosted by Kee-Yoon Nahm | 2nd Nov 2016 | Germany, Review, South Korea, Theatre and Politics, Transcultural Collaborations
Walls–Iphigenia in Exile, the result of a four-year collaboration between South Korean and German...
Read MorePosted by Florian Malzacher | 23rd Oct 2016 | Essay, Germany, Participatory Theatre, Theatre and Politics
The more the time we are living through seems out of joint, the harder it has been for the...
Read MorePosted by Ulrike Kahle-Steinweh | 15th Oct 2016 | Design, Essay, Germany
Katrin Brack and Barbara Ehnes, two set designers, have influenced and even changed the theatre....
Read MorePosted by Dorothea Marcus | 12th Oct 2016 | Essay, Germany, Theatre and Politics
On the German stage refugees are still often the authentic narrators of their fate, directed by...
Read MorePosted by Christine Wahl | 9th Oct 2016 | Essay, Germany, Playwriting
The new theatre texts that have been presented in the 2015/16 season at play markets in...
Read MorePosted by Christine Wahl | 22nd Sep 2016 | Essay, Germany, Theatre and Politics
The German theatre has responded to the swing to the right in society. It has thereby proceeded to...
Read MorePosted by Cristina Modreanu | 13th Sep 2016 | Directing, Germany, Interview
Thomas Ostermeier, a German theatre director, working for the Schaubühne, is known for his...
Read MorePosted by Barbara Behrendt | 9th Sep 2016 | Festivals, Germany, Review
In July and August 2016, the international performance festival Foreign Affairs in Berlin, which...
Read MorePosted by Fadi Fayad Skeiker | 23rd Jul 2016 | Applied Theatre, Essay, Germany
I am in the same room with three young asylum seekers from Syria—Abed, 17, from Deir al-Zour;...
Read MorePosted by Ilana Walder-Biesanz | 13th Feb 2015 | Germany, Review
I’ve complained a lot in previous reviews about directors staging tragedies as comedies. But...
Read MorePosted by Ilana Walder-Biesanz | 26th Jan 2015 | Germany, Review, Theatre and Gender
I don’t actually like Woyzeck very much, so I am not sure why I bought tickets to two different...
Read MorePosted by Ilana Walder-Biesanz | 25th Jan 2015 | Germany, Musical Theatre, Review, Theatre and Opera
Brecht and Weill’s Threepenny Opera is much more of a musical than an opera. But it decidedly...
Read MorePosted by Marcina Zaccaria | 1st Nov 2014 | Germany, News, Theatre and Opera
Theatre and Opera Editor Marcina Zaccaria spoke with actor Jeff Burchfield in 2014, who was...
Read MorePosted by Ilana Walder-Biesanz | 7th Sep 2014 | Festivals, Germany, Iran, Review, Russian Theatre Abroad, Transcultural Collaborations
“Alienation” drones Ivanov’s English-learning tape in the second act of the production. The...
Read MorePosted by Joanna Wichowska | 31st May 2010 | Directing, Germany, Interview
“Someone decided to combine the luxury of culture with the luxury of remorse and invited me...
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