A Hong Konger in Berlin – Armie Ma’s “No Coming Back” in Adelaide Fringe Festival
A one-man show by Hong Kong writer and performer Armie Ma will have its Australian debut in...
Read MoreGraduated from Royal Holloway, University of London in MA Theatre (Applied Theatre), and earned his BA English degree at University of Central Oklahoma, Lee is a librettist, director and practicing dramaturg in Hong Kong.
Posted by Clement Lee | 22nd Feb 2020 | Festivals, Hong Kong, Interview, Theatre and Politics
A one-man show by Hong Kong writer and performer Armie Ma will have its Australian debut in...
Read MorePosted by Clement Lee | 6th Jan 2020 | Adaptation, Dramaturgy, Essay, Hong Kong, Theatre and Opera
This excerpt of the article is originally written in Chinese by the author. Full article will be...
Read MorePosted by Clement Lee | 27th Nov 2019 | Hong Kong, Interview, Transcultural Collaborations
For most people in Hong Kong, the name Lyudmila Pavlichenko certainly does not ring a bell. She is...
Read MorePosted by Clement Lee | 4th Mar 2019 | Canada, Festivals, Hong Kong, Review
Theatre as a memory vessel is nothing new to contemporary theatre. There is a reason why types of...
Read MorePosted by Clement Lee | 26th Nov 2018 | Hong Kong, Review, Theatre and Dance
With a new artistic director leading a traditional art form to the frontier, Hong Kong Ballet...
Read MorePosted by Clement Lee | 9th Nov 2018 | Applied Theatre, Australia, Hong Kong, Review
Hong Kong Repertory Theatre (HKREP) has been presenting the biannual International Black Box...
Read MorePosted by Clement Lee | 3rd Nov 2018 | Belgium, Dramaturgy, Hong Kong, Interview, Theatre and Politics
It was a pleasure to sit down and talk to Stefan Bläske, the resident dramaturg of the...
Read MorePosted by Clement Lee | 27th Sep 2018 | Hong Kong, Review, Theatre and Art, Theatre and Dance
Hong Kong Ballet’s Hong Kong Cool showcases seven short pieces of new ballet works by...
Read MorePosted by Clement Lee | 17th Aug 2018 | Design, Germany, Hong Kong, News
It is the second year for West Kowloon Cultural District and Edward Lam Dance Theatre to host the...
Read MorePosted by Clement Lee | 21st Apr 2018 | Design, Hong Kong, Review
It is always an excitement to anticipate a show if one sees the name Ming-hang...
Read MorePosted by Clement Lee | 14th Dec 2017 | Design, Hong Kong, Netherlands, Review
In early September, around 20 participants, including I, have ended a magical month as theatre...
Read MorePosted by Clement Lee | 21st Sep 2017 | Festivals, Germany, Hong Kong, Theatre and Politics
It was an achievement that West Kowloon Cultural District Authority and Goethe-Institut Hong Kong...
Read MorePosted by Clement Lee | 3rd Jun 2017 | Adaptation, Hong Kong
The Complete Works of William Shakespeare (Abridged) by Aurora Theatre proves that even a small independent theatre company can make astounding theatre.
Read MorePosted by Clement Lee | 21st Apr 2017 | Hong Kong
Theatre du Pif’s devised work on Seneca’s Oedipus, with the English version by Ted Hughes, is the...
Read MorePosted by Clement Lee | 12th Apr 2017 | Hong Kong
Eugene O’Neill’s Beyond the Horizon by Theatre Horizon is a haunting production that transcends O’Neill’s first full-length play into a magical experience.
Read MorePosted by Clement Lee | 10th Apr 2017 | Hong Kong
It is a blessing to see the recent Hong Kong Repertory Theatre production of Callas Cheang’s new...
Read MorePosted by Clement Lee | 19th Mar 2017 | Germany, Hong Kong, Theatre and Politics
Roland Schimmelpfennig ‘New Writing’ masterpiece Der Goldene Drache (The Golden Dragon) explores...
Read MorePosted by Clement Lee | 8th Mar 2017 | China, Hong Kong, Immersive Theatre, Review
Something absolutely terrific happened at Tai Lam Interchange Tunnel Farm in Hong Kong last...
Read MorePosted by Clement Lee | 22nd Feb 2017 | China, Hong Kong, Review, Theatre and Politics
A Concise History of Future, Yan Pat-to’s new Berlin Theatertreffen Stückemarkt award-winning...
Read More