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Ambiguous Space: A Review of the Chinese Play “L’histoire d’un Accident” at Avignon 2025

Feng Lu’s “L’histoire d’un Accident”, presented in Avignon 2025, offers a layered exploration of theatrical space inspired by Henri Lefebvre’s theory of spatial production. The play unfolds through a play-within-a-play structure, blending backstage conflict, parody, and audience disruption to challenge the boundary between fiction and reality. A planted “spectator” blurs the line between performance and life, turning spatial ambiguity into a central aesthetic strategy. Rather than seeking clarity, the production invites audiences to dwell in uncertainty, where ambiguity becomes an essential part of how space is experienced, performed, and emotionally understood.

  • Africa
  • Asia
  • Europe
  • North America
  • South America
  • Oceania

Debating Identity: Is It Time to Rename Cairo’s Experimental Theater Festival?

The Cairo International Festival for Experimental Theater (CIFET) has long been a vital platform for the boundary-pushing theatrical voices in the Arab world, and beyond. Recently, debates have emerged over whether to keep “experimental” in its name, as the festival faces pressure to broaden its scope and attract wider audiences. The question now is how to balance honoring the festival’s experimental roots while evolving to meet the changing theatrical landscape of the 21st century.

The 12th Dangdai Xiao Juchang Xiqu Jie (Contemporary Black Box Xiqu Festival当代小剧场戏曲节) by Star Theatres (繁星戏剧村) in Beijing 2025

The Dangdai Xiao Juchang Xiqu Jie (Contemporary Black Box Xiqu Festival), operated at Star Theatres, has been a significant engine for contemporary experimentation of Xiqu (Chinese traditional theatre) since its establishment in 2014. Now entering its 12th year in 2025, the festival has supported more than 200 experimental Xiqu projects, drawing millions of audience members from across China. It remains one of the earliest and most influential cultural clusters where emerging Xiqu artists can articulate their creative voices in a flexible, low-cost, and artist-centred environment. Reading the slogan “He He” (和合harmony and collaboration) of this year’s festival and speaking with its founder and CEO, Mr. Fan Xing, I argue that this longstanding initiative has grown into a hybrid cultural space and the meaning of “He He” performatively means a harmonious collaboration between the futurist experimentation and the deep-rooted nostalgia.

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Visit Performap.com - an Interactive Digital Map of Global Theatre and Performance Festivals developed by TheTheatreTimes.com. With hundreds of festivals browsable and searchable by festival location, type, and date, Performap is the first extensive digital index of its kind in the field, built expressly for artists, audiences, critics, scholars, festival organizers, curators, and presenters from around the world.

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The 12th Dangdai Xiao Juchang Xiqu Jie (Contemporary Black Box Xiqu Festival当代小剧场戏曲节) by Star Theatres (繁星戏剧村) in Beijing 2025

The Dangdai Xiao Juchang Xiqu Jie (Contemporary Black Box Xiqu Festival), operated at Star Theatres, has been a significant engine for contemporary experimentation of Xiqu (Chinese traditional theatre) since its establishment in 2014. Now entering its 12th year in 2025, the festival has supported more than 200 experimental Xiqu projects, drawing millions of audience members from across China. It remains one of the earliest and most influential cultural clusters where emerging Xiqu artists can articulate their creative voices in a flexible, low-cost, and artist-centred environment. Reading the slogan “He He” (和合harmony and collaboration) of this year’s festival and speaking with its founder and CEO, Mr. Fan Xing, I argue that this longstanding initiative has grown into a hybrid cultural space and the meaning of “He He” performatively means a harmonious collaboration between the futurist experimentation and the deep-rooted nostalgia.

Read More

Debating Identity: Is It Time to Rename Cairo’s Experimental Theater Festival?

The Cairo International Festival for Experimental Theater (CIFET) has long been a vital platform for the boundary-pushing theatrical voices in the Arab world, and beyond. Recently, debates have emerged over whether to keep “experimental” in its name, as the festival faces pressure to broaden its scope and attract wider audiences. The question now is how to balance honoring the festival’s experimental roots while evolving to meet the changing theatrical landscape of the 21st century.

Read More
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