


“When Billy Met Alasdair” At The Scottis...

Edinburgh Festival Fringe 2025: Provisio...

“No Apologies” by Emma Frank...

“The Ego” by Anemone Valcke ...
“Riot Days” by Pussy Riot, E...

“Thanks for Being Here” by O...

“Aether”, Edinburgh Festival...
“Little Bulb: Listen Dance”,...

“The Butterfly Who Flew Into The R...

“A Poem And A Mistake,” Edin...
“Works And Days” By The Fc B...

“Wild Thing!” By Mechanimal, Edinburgh F...
Sam Kissajukian’s “Three Hundred Paintin...

“Make It Happen,” Edinburgh ...

“Suburbia,” Written And Performed By Jon...
“Cassandra,” Written And Performed By Ai...
Karis Kelly’s “Consumed” At The Traverse...

“A Gambler’s Guide To Dying” Set In Glas...

“Athens Of The North” at the...

“Buen Camino,” Edinburgh Fes...
“From Dust.” Another Review. Holland Festival 2025.
by Róisín Daly | Aug 6, 2025 | Holland Festival 2025, Netherlands, Review, Theatre and AI
Stepping into From Dust feels less like attending a performance and more like consciously entering...
-

-
The Theater of Metaverse
by Hayel Ali Al-Mathabi | May 10, 2025 | Essay, Festivals, Theatre and AI, Theatre and Science
-
![Language Is Leaving Me: A Cinematic AI Opera Of The Skin [Part II]](data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAAJYAAACWAQAAAAAUekxPAAAAAnRSTlMAAHaTzTgAAAAaSURBVEjH7cExAQAAAMKg9U9tDQ+gAACAdwMLuAABXZHjmQAAAABJRU5ErkJggg==)
-
![“Language Is Leaving Me: A Cinematic AI Opera Of The Skin” [Part I]](data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAAJYAAACWAQAAAAAUekxPAAAAAnRSTlMAAHaTzTgAAAAaSURBVEjH7cExAQAAAMKg9U9tDQ+gAACAdwMLuAABXZHjmQAAAABJRU5ErkJggg==)
LATEST NEWS FROM AROUND THE WORLD



“The Gilded Age” Season 3 Casting Secrets
-440x264.jpeg)
Curtain-Up in Taipei: A City Stages Its Own Tonys


On Kyoto Experiment’s Curatorial Vision

The Images of Me: 2024 Prologue New Play Festival





Tom Block Sparks Arts Activists






“Aether”, Edinburgh Festival Fringe 2025


Tampere Theatre Festival 2025: Worlds in Miniature

Mark Rosenblatt’s “Giant” in Barcelona





The Theater of Metaverse

Theatre “Haunts” People

On Kyoto Experiment’s Curatorial Vision



The Images of Me: 2024 Prologue New Play Festival

“In The Name Of Profit” At Fringe Milano Off



“My Mother’s Funeral”

“L’Addition,” S’il Vous Plait

“The Amazing Doctor She Medicine Show”

Climate Change Shakespeare. “A Midsummer’s Tempest”

Bologna To Edinburgh Non-Stop



“Freak Out!” A Heady Cocktail About Climate Change

“In Two Minds.” Female Led Irish Storytelling



“Penthesilea” After Von Kleist. Let’s Rock
- Acting
- Directing
- Dramaturgy
- Design
- Management
- Playwriting
“A Working Class Hero” – Identity And Class at Voila! Theatre Festival
by Verity Healey | Dec 2, 2025 | Acting, Review, Theatre and Politics, United Kingdom
Representation in the performing arts in the UK is in crisis. For years, voices have been warning...
-
Nearly Finished
by Jonathan Kalb | Nov 15, 2025 | Acting, Review, United States of America
-

-

-

Witty Revival Of 2022 Pollesch “Liebe, Einfach Außerirdisch” In Berlin
by Daniel Meyer-Dinkgräfe | Dec 12, 2025 | Directing, Germany, Review
When the production first opened in 2022, critics commented on the fact that the play was being...
Conor McPherson’s “The Weir” at the Harold Pinter Theatre: Beautifully Acted Revival Of A 1990s New Writing Classic
by Aleks Sierz | Sep 26, 2025 | Acting, Dramaturgy, London, Review, United Kingdom
Perhaps it’s an indicator of the feebleness of new writing after the pandemic that so many of the...
-
-
-
Annie Jin Wang on Opera Dramaturgy
by Anne Hamilton | Jul 10, 2025 | Dramaturgy, Interview, Theatre and Opera, United States of America
-
Ambiguous Space: A Review of the Chinese Play “L’histoire d’un Accident” at Avignon 2025
by Xunnan Li | Jul 26, 2025 | Avignon 2025, China, Chinese Theatre Abroad, Design, Review
Feng Lu’s “L’histoire d’un Accident”, presented in Avignon 2025, offers a layered exploration of theatrical space inspired by Henri Lefebvre’s theory of spatial production. The play unfolds through a play-within-a-play structure, blending backstage conflict, parody, and audience disruption to challenge the boundary between fiction and reality. A planted “spectator” blurs the line between performance and life, turning spatial ambiguity into a central aesthetic strategy. Rather than seeking clarity, the production invites audiences to dwell in uncertainty, where ambiguity becomes an essential part of how space is experienced, performed, and emotionally understood.
Unbound Curation – The Freedom Of Programming Without Frames
by Ivanka Apostolova Baskar | Sep 5, 2025 | Belgium, Interview, Management
An Interview with Mr. Guy Coolen, art director, producer, manager, Antwerp, Belgium/Rotterdam,...
-

-
-
On Kyoto Experiment’s Curatorial Vision
by Ilinca Todoruţ | Dec 5, 2024 | Festivals, Japan, Kyoto Experiment 2024, Management, News
-

Thriving in an Either-Or World: An Interview with Taiwan-based Pangcah Theatre Artist Ihot Sinlay Cihek
by Kuan-Ting Lin | Nov 19, 2025 | Interview, Playwriting, Taiwan, Theatre and Decolonization
Ihot Sinlay Cihek is a Taiwan-based Pangcah theatre artist whose work confronts the intersecting...




“Ja Goryl, Ty Człowiek:” Understanding Koko

“PÚPÄTKO” from the Slovak Ján Palárik Theatre

“Drapando:” Scratching For A Connection




“My Mother’s Funeral”

“The Popess” Visits The Edinburgh Fringe Festival


Edinburgh Festival Fringe 2024 Overview

“L’Addition,” S’il Vous Plait


“The Amazing Doctor She Medicine Show”

Climate Change Shakespeare. “A Midsummer’s Tempest”

Bologna To Edinburgh Non-Stop



“Freak Out!” A Heady Cocktail About Climate Change

“In Two Minds.” Female Led Irish Storytelling

“Penthesilea” After Von Kleist. Let’s Rock

“Hamstrung.” Yorick’s Untold Story

“The Outrun”

“Invisible Lands,” Bodies, Gods, and… People

“Pericles” – An Odyssey from Timișoara

“Youth Without God;” Unkind, Realistic Reminder


Thriving in an Either-Or World: An Interview with Taiwan-based Pangcah Theatre Artist Ihot Sinlay Cihek
by Kuan-Ting Lin | Nov 19, 2025 | Interview, Playwriting, Taiwan, Theatre and Decolonization
Ihot Sinlay Cihek is a Taiwan-based Pangcah theatre artist whose work confronts the intersecting...
- Africa
- Asia
- Europe
- North America
- South America
- Oceania
Debating Identity: Is It Time to Rename Cairo’s Experimental Theater Festival?
by Ati Metwaly | Sep 26, 2025 | Egypt, Essay, Festivals
The Cairo International Festival for Experimental Theater (CIFET) has long been a vital platform for the boundary-pushing theatrical voices in the Arab world, and beyond. Recently, debates have emerged over whether to keep “experimental” in its name, as the festival faces pressure to broaden its scope and attract wider audiences. The question now is how to balance honoring the festival’s experimental roots while evolving to meet the changing theatrical landscape of the 21st century.
-

-

-
-

“My Father’s Fable,” Bush Theatre
by Aleks Sierz | Jun 25, 2024 | Nigeria, Review, United Kingdom
The 12th Dangdai Xiao Juchang Xiqu Jie (Contemporary Black Box Xiqu Festival当代小剧场戏曲节) by Star Theatres (繁星戏剧村) in Beijing 2025
by Xunnan Li and Yuan Du | Dec 2, 2025 | China, Festivals, News
The Dangdai Xiao Juchang Xiqu Jie (Contemporary Black Box Xiqu Festival), operated at Star Theatres, has been a significant engine for contemporary experimentation of Xiqu (Chinese traditional theatre) since its establishment in 2014. Now entering its 12th year in 2025, the festival has supported more than 200 experimental Xiqu projects, drawing millions of audience members from across China. It remains one of the earliest and most influential cultural clusters where emerging Xiqu artists can articulate their creative voices in a flexible, low-cost, and artist-centred environment. Reading the slogan “He He” (和合harmony and collaboration) of this year’s festival and speaking with its founder and CEO, Mr. Fan Xing, I argue that this longstanding initiative has grown into a hybrid cultural space and the meaning of “He He” performatively means a harmonious collaboration between the futurist experimentation and the deep-rooted nostalgia.
-
-

-
-
We Passed Through The Wall Of Sorrow Together
by Mehdi Shahedi | Aug 26, 2025 | Essay, Iran, Theatre and Politics
Witty Revival Of 2022 Pollesch “Liebe, Einfach Außerirdisch” In Berlin
by Daniel Meyer-Dinkgräfe | Dec 12, 2025 | Directing, Germany, Review
When the production first opened in 2022, critics commented on the fact that the play was being...
-
Emma Dante’s “The Angel of the Hearth”
by Margaret Rose | Dec 10, 2025 | Italy, Review, Theatre and Gender
-
-

-

“The Phantom Of The Opera” Returns To Mexico: A Reinvented Masterpiece
by Lorena Meeser | Dec 12, 2025 | Mexico, Musical Theatre, Review
Mexico City becomes once again the stage for a major musical-theater event. After more than a year...
-

Tom Block Sparks Arts Activists
by Marcina Zaccaria | Dec 11, 2025 | Festivals, LGBTQ+ Theatre, New York
-
-
#Me Too Oedipus
by Jonathan Kalb | Nov 20, 2025 | Adaptation, Review, United States of America
-

Dimension Zero: All Judy, No Punch
by Morgan Skolnik | Nov 17, 2025 | New York, Puppetry, Review
Oscar Barney Finn and Paulo Brunetti Interview
by Jack Wernick | Aug 20, 2024 | Adaptation, Argentina, Interview
I had the opportunity to interview frequent collaborators, writer-director Oscar Barney Finn and...
“The Butterfly Who Flew Into The Rave”, Edinburgh Festival Fringe 2025
by Duška Radosavljević | Aug 24, 2025 | Edinburgh 2025, Festivals, New Zealand, United Kingdom
Oli Mathiesen’s dance piece The Butterfly Who Flew Into The Rave has been described by this...
-
-

-
-
Bell Shakespeare’s New “King Lear” Understands The Joy Of A Good Tragedy
by Kirk Dodd | Jul 20, 2024 | Australia, Dramaturgy, Review, Sydney
Philip Ridley’s Tarantula at the Arcola Theatre: Blazingly Emotive And Beautifully Poetic Account Of Trauma From A Master Penman
by Aleks Sierz | Jan 22, 2025 | Covid-19, London, Playwriting, Review, United Kingdom
Even the best streamed theatre can’t compete with the live version. It’s simple — with this art...
-

The Digital Spectator. Romanian Experiences During the Pandemic
by Călin Ciobotari | Feb 17, 2023 | Covid-19, Essay, Festivals, Romania, Transmedia
-

-

-
SECTIONS
Visit Performap.com - an Interactive Digital Map of Global Theatre and Performance Festivals developed by TheTheatreTimes.com. With hundreds of festivals browsable and searchable by festival location, type, and date, Performap is the first extensive digital index of its kind in the field, built expressly for artists, audiences, critics, scholars, festival organizers, curators, and presenters from around the world.
ESSAYS
A Theatre Of Boredom And Theatrical Distrust (André Gregory, Chekhov And Beckett)
by S.E. Gontarski | Dec 4, 2025 | Directing, Essay, Transmedia
Wherever it comes from, morality or the aesthetic, the anti-theatrical prejudice is a conceptual...
INTERVIEWS
Thriving in an Either-Or World: An Interview with Taiwan-based Pangcah Theatre Artist Ihot Sinlay Cihek
by Kuan-Ting Lin | Nov 19, 2025 | Interview, Playwriting, Taiwan, Theatre and Decolonization
Ihot Sinlay Cihek is a Taiwan-based Pangcah theatre artist whose work confronts the intersecting...
REVIEWS
“The Phantom Of The Opera” Returns To Mexico: A Reinvented Masterpiece
by Lorena Meeser | Dec 12, 2025 | Mexico, Musical Theatre, Review
Mexico City becomes once again the stage for a major musical-theater event. After more than a year...
-
-
Emma Dante’s “The Angel of the Hearth”
by Margaret Rose | Dec 10, 2025 | Italy, Review, Theatre and Gender
READ ALL LATEST
“The Phantom Of The Opera” Returns To Mexico: A Reinvented Masterpiece
by Lorena Meeser | Dec 12, 2025 | Mexico, Musical Theatre, Review
Mexico City becomes once again the stage for a major musical-theater event. After more than a year...
Read MoreWitty Revival Of 2022 Pollesch “Liebe, Einfach Außerirdisch” In Berlin
by Daniel Meyer-Dinkgräfe | Dec 12, 2025 | Directing, Germany, Review
When the production first opened in 2022, critics commented on the fact that the play was being...
Read MoreTom Block Sparks Arts Activists
by Marcina Zaccaria | Dec 11, 2025 | Festivals, LGBTQ+ Theatre, New York
“It’s completely organic. We take the best work from the United States, New York City, and around the world. We’ve worked with artists from 117 countries, 30 tribal nations. Every year in our Festival, you’re going to see, we have somewhere between 20 and 25 countries represented by maybe 30 states.”
Read MoreEmma Dante’s “The Angel of the Hearth”
by Margaret Rose | Dec 10, 2025 | Italy, Review, Theatre and Gender
In late November, Emma Dante brought her latest show, L’Angelo del focolare (The Angel of the...
Read MoreDostoevsky on Stage. “The Mutt” by Anoushka Nesterova and Elena Che at the IATI Theater, New York
by Vassili Schedrin | Dec 7, 2025 | Adaptation, Review, United States of America
Dostoevsky is hard to read, harder to translate, and even harder to adapt for stage. The Mutt by...
Read MoreBiography And Politics: “Der Zauberer Von Öz – Eine Fußballtragödie“ In Bremen
by Daniel Meyer-Dinkgräfe | Dec 4, 2025 | Directing, Germany, Review, Theatre and Politics
Theater Bremen is currently showing the world premiere production of Der Zauberer von Öz – Eine...
Read More“A Working Class Hero” – Identity And Class at Voila! Theatre Festival
by Verity Healey | Dec 2, 2025 | Acting, Review, Theatre and Politics, United Kingdom
Representation in the performing arts in the UK is in crisis. For years, voices have been warning...
Read MoreThe 12th Dangdai Xiao Juchang Xiqu Jie (Contemporary Black Box Xiqu Festival当代小剧场戏曲节) by Star Theatres (繁星戏剧村) in Beijing 2025
by Xunnan Li and Yuan Du | Dec 2, 2025 | China, Festivals, News
The Dangdai Xiao Juchang Xiqu Jie (Contemporary Black Box Xiqu Festival), operated at Star Theatres, has been a significant engine for contemporary experimentation of Xiqu (Chinese traditional theatre) since its establishment in 2014. Now entering its 12th year in 2025, the festival has supported more than 200 experimental Xiqu projects, drawing millions of audience members from across China. It remains one of the earliest and most influential cultural clusters where emerging Xiqu artists can articulate their creative voices in a flexible, low-cost, and artist-centred environment. Reading the slogan “He He” (和合harmony and collaboration) of this year’s festival and speaking with its founder and CEO, Mr. Fan Xing, I argue that this longstanding initiative has grown into a hybrid cultural space and the meaning of “He He” performatively means a harmonious collaboration between the futurist experimentation and the deep-rooted nostalgia.
Read MoreAdaptations On The German Stage (2): “Der Schimmelreiter” In Oldenburg
by Daniel Meyer-Dinkgräfe | Nov 28, 2025 | Adaptation, Directing, Germany, Review
Der Schimmelreiter (The Rider on the White Horse) is a novella by German writer Theodor Storm...
Read More“Aşınma” (“Corrosion”): A Solo Masterpiece About The Contemporary Human
by Seda Ilter | Nov 23, 2025 | Review, Theatre and Politics, Turkey, United Kingdom
In October 2025, Battersea Arts Centre hosted Aşınma (Corrosion) – a multi-award-winning theatre...
Read MoreEvil Can Appear Beautiful
by Margaret Rose | Nov 23, 2025 | Adaptation, Italy, Review
Two major productions of Richard III are touring Italy in the present season, a sign perhaps that...
Read More#Me Too Oedipus
by Jonathan Kalb | Nov 20, 2025 | Adaptation, Review, United States of America
The British directing star Robert Icke specializes in contemporary adaptations of classics. He...
Read More“Liebe Mit Taktgefühl” By Barbara Raue-Flajs, At Piccolo Teatro Haventheater, Bremerhaven: Directorial Reflections
by Daniel Meyer-Dinkgräfe | Nov 20, 2025 | Directing, Essay, Germany
Since August 2019, I have owned and run the chamber theatre, piccolo teatro Haventheater, in...
Read MoreThriving in an Either-Or World: An Interview with Taiwan-based Pangcah Theatre Artist Ihot Sinlay Cihek
by Kuan-Ting Lin | Nov 19, 2025 | Interview, Playwriting, Taiwan, Theatre and Decolonization
Ihot Sinlay Cihek is a Taiwan-based Pangcah theatre artist whose work confronts the intersecting...
Read MoreDimension Zero: All Judy, No Punch
by Morgan Skolnik | Nov 17, 2025 | New York, Puppetry, Review
Dimension Zero, the new sci-fi puppet musical from the Boxcutter Collective, arrives at HERE arts...
Read MoreDupes of Hazard
by Jonathan Kalb | Nov 16, 2025 | Review, Theatre and Politics, United States of America
The farcical premise of Rajiv Joseph’s play Archduke—just opened at the Roundabout’s Laura Pels...
Read MoreNearly Finished
by Jonathan Kalb | Nov 15, 2025 | Acting, Review, United States of America
With a depressingly vacuous, celebrity-circus Waiting for Godot sucking up so much oxygen on...
Read MoreThe Filmed Performance “Woodland Bird Woman” – a Collaboration Between Esther Salamon, Robert Laycock And David Stephenson: Between.Pomiędzy Dispersed Festival 2025
by Martin Blaszk | Nov 9, 2025 | Poland, Transcultural Collaborations, United Kingdom
Something flitters among the green leaves of bramble and the brown leaves of a previous autumn....
Read More3sisters at the Novi Sad Theatre
by Emilija Kvočka | Nov 7, 2025 | Adaptation, Review, Serbia
Before the audience of the play 3sisters, with their eyes wide open, a music box, the girls on...
Read MoreJack Holden’s The Line of Beauty at the Almeida Theatre: A Subtle And Appealing Adaptation Of A Modern Classic 1980s Story
by Aleks Sierz | Nov 2, 2025 | London, Review, Theatre and Politics, United Kingdom
Thatcher, and the image of Thatcher’s Britain, continues to cast a long shadow over contemporary...
Read MoreChecking The Boxes
by Jonathan Kalb | Nov 1, 2025 | Review, Theatre and Politics, United States of America
I went to Caroline Guiela Nguyen’s Lacrima at BAM with great eagerness and curiosity. This was a...
Read MoreFITPTI – International Festival For Young Audiences 2025 – A Northeastern Romanian Story
by Teodora Medeleanu | Oct 31, 2025 | Festivals, Review, Romania
In Romanian culture, a vital coming-of-age moment for every teenager is their eighteenth birthday,...
Read MoreTanika Gupta’s “Hedda” at the Orange Tree Theatre: A Fresh And Fascinating Reinterpretation Of A Classic Which Foregrounds The Issues Of Race And Empire
by Aleks Sierz | Oct 30, 2025 | Adaptation, London, Review, Theatre and Decolonization, United Kingdom
In 2023, Malaysian actor Michelle Yeoh won the Best Actress Oscar for her performance in...
Read MoreThe Queen of Versailles Musical or the Funeral of the “American dream.”
by Lisa Monde | Oct 29, 2025 | Musical Theatre, Review, United States of America
The Queen of Versailles. A New Musical will officially open on Broadway, at the St. James Theatre...
Read MoreAdaptations On The German Stage (1): “Sein Oder Nicht Sein” In Bremerhaven
by Daniel Meyer-Dinkgräfe | Oct 29, 2025 | Directing, Germany, Review
Sein oder nicht sein is a play by Nick Whitby (b.1963), premiered on Broadway in 2008, and first...
Read MoreMeghan Tyler’s “Crocodile Fever” at the Arcola Theatre: Northern Ireland Sisters In A Darkly Funny Anti-Patriarchal Feast Of Symbols
by Aleks Sierz | Oct 27, 2025 | Ireland, Playwriting, Review, United Kingdom
Weird scenes inside the farmhouse; weird scenes in Northern Ireland; weird scenes of the 1980s....
Read MoreSix-Hour Tour De Force “Hamlet” In Hamburg, Directed, With Many Ironic Self-References, By Veteran Legendary Frank Castorf
by Daniel Meyer-Dinkgräfe | Oct 27, 2025 | Directing, Germany, Review
This six-hour production of Hamlet took Shakespeare’s play as the starting and end point, in...
Read MoreLegalAlien’s “The Flowers of Srebrenica”: Theatre as Healing
by Verity Healey | Oct 27, 2025 | Bosnia, Review, Theatre and Politics
The Flowers of Srebrenica should be impossible to stage. Irish academic Aidan Hehir’s book, a...
Read MoreNick Payne’s “The Unbelievers” at the Royal Court Theatre: Latest Play By A Top New Writer Is Disappointingly Unfocused
by Aleks Sierz | Oct 26, 2025 | London, Playwriting, Review, United Kingdom
The Royal Court, Britain’s premiere new writing venue, celebrates its platinum anniversary next...
Read MoreBarbarians in Midtown
by Jonathan Kalb | Oct 22, 2025 | Musical Theatre, Review, United States of America
The Terrence McNally/Stephen Flaherty/Lynn Ahrens musical Ragtime is not the subtlest theater...
Read More“All Right. Good Night.:” A Poetic Meditation on the Art of Letting Go
by Victoria Zavyalova | Oct 20, 2025 | Directing, Germany, Review, United States of America
In All Right. Good Night., German docu-theater artist Helgard Haug turns loss into a language. The...
Read MoreBloody Ignorant Apes
by Jonathan Kalb | Oct 15, 2025 | Directing, Review, United States of America
Absurd as it may seem, Samuel Beckett’s Waiting for Godot, a demanding play about existential...
Read MoreTaking A Hit
by Jonathan Kalb | Oct 14, 2025 | Adaptation, Review, United States of America
James Graham’s play Punch tells the true story of a shiftless, belligerent rowdy who heedlessly...
Read MoreMaestras On The Podium: Women Conductors On Broadway, Then And Now
by Sariva Goetz | Oct 11, 2025 | Essay, Musical Theatre, Theatre and Gender, United States of America
When I was four years old, I asked my parents for piano lessons. We always had a piano in the...
Read More“Lale Lili Marleen:” The Promising Relaunch Of A Quaint Chamber Theatre In The Oldest District Of Bremen
by Daniel Meyer-Dinkgräfe | Oct 10, 2025 | Directing, Germany, Review
The small district of Schnoor in the northern German city of Bremen, consisting of some 100...
Read MoreWelcome To The Machine
by Jonathan Kalb | Oct 5, 2025 | Review, Theatre and Politics, United States of America
Among the most depressing facets of Donald Trump’s pathology is how all-consuming his hunger for...
Read MoreJames Graham’s “Punch” at the Apollo Theatre: Compelling And Emotionally Intense Account Of Restorative Justice
by Aleks Sierz | Sep 30, 2025 | Documentary Theatre, Review, Theatre and Politics, United Kingdom
Broken Britain has a big problem with youth. About a million of those aged 16 to 24 are NEETs (not...
Read More“Full Moon” by Josef Nadj at the Festival of International Alternative Theatre (FIAT) in Montenegro
by Emilija Kvočka | Sep 30, 2025 | Montenegro, Review, Theatre and Dance
“By the term theatre we do not only mean its expressive linguistic side, but also the cultural,...
Read MoreDebating Identity: Is It Time to Rename Cairo’s Experimental Theater Festival?
by Ati Metwaly | Sep 26, 2025 | Egypt, Essay, Festivals
The Cairo International Festival for Experimental Theater (CIFET) has long been a vital platform for the boundary-pushing theatrical voices in the Arab world, and beyond. Recently, debates have emerged over whether to keep “experimental” in its name, as the festival faces pressure to broaden its scope and attract wider audiences. The question now is how to balance honoring the festival’s experimental roots while evolving to meet the changing theatrical landscape of the 21st century.
Read MoreConor McPherson’s “The Weir” at the Harold Pinter Theatre: Beautifully Acted Revival Of A 1990s New Writing Classic
by Aleks Sierz | Sep 26, 2025 | Acting, Dramaturgy, London, Review, United Kingdom
Perhaps it’s an indicator of the feebleness of new writing after the pandemic that so many of the...
Read MoreCruelty, Guilt, And Redemption Intertwine In “The Mutt” At IATI Theater
by Victoria Zavyalova | Sep 19, 2025 | Adaptation, New York, Review, United States of America
With minimal décor and symbolism in every gesture, The Mutt — an adaptation of Dostoevsky’s The...
Read MoreInternational Project – Dramaturgy Lab: Exploring West Balkan Plays – “Big Deal” By Mia Efremova
by Ivanka Apostolova Baskar | Sep 17, 2025 | Dramaturgy, Hong Kong, Interview, Macedonia, Transcultural Collaborations
Collective interview with Amy Sze (Theatre maker and arts producer, London, UK-Hong Kong), Mia...
Read MoreTheatre Is A University, A Lifelong Study Of Human Nature
by Ivanka Apostolova Baskar | Sep 15, 2025 | Acting, Interview, Macedonia
Interview with Sandra Gribovska Ilievska, theatre actress, Bitola, R. Macedonia Sandra Gribovska...
Read MoreViolence and Therapy: 29th International Shakespeare Festival in Gdańsk, Poland, 2025
by Marta Bryś | Sep 11, 2025 | Festivals, Poland, Review
The International Shakespeare Festival in Gdańsk is not the festival of masterpieces and it never...
Read MoreLessing’s “Emilia Galotti” As Directorial Debut In Bremen
by Daniel Meyer-Dinkgräfe | Sep 9, 2025 | Directing, Germany, Review
At German theatres, some assistant directors are employed for the duration of a production, from...
Read MoreUnbound Curation – The Freedom Of Programming Without Frames
by Ivanka Apostolova Baskar | Sep 5, 2025 | Belgium, Interview, Management
An Interview with Mr. Guy Coolen, art director, producer, manager, Antwerp, Belgium/Rotterdam,...
Read More“Tired” Of Consuming Postdramatic Theatre (Contemporary Theatre Often Lacks Strong Dialogue)
by Ivanka Apostolova Baskar | Aug 31, 2025 | Austria, Dramaturgy, Interview, Macedonia
An Interview with Ana Ristoska Trpenoska, a playwright, dramaturg, Vienna/Skopje, Austria/R.N....
Read MoreShakespeare In The Park At The New Delacorte Theater: Love Is Gender Fluid
by Cristina Modreanu | Aug 30, 2025 | New York, Review, Theatre and Politics, United States of America
In a world where the rule is to make huge efforts to attain an “effortless, relaxed” look, the new...
Read MoreTo Embrace Vulnerability As One Of My Greatest Strengths (Stronger, Braver, Vulnerable)
by Ivanka Apostolova Baskar | Aug 28, 2025 | Acting, Interview, Macedonia
An Interview with wonderful talented actresses Jovana Miladinova, Skopje, R.N. Macedonia....
Read MoreEdinburgh Festival Fringe 2025 in 22 Shows
by Mert Dilek | Aug 28, 2025 | Edinburgh 2025, Review, United Kingdom
This year’s Edinburgh Festival Fringe was as sprawling and invigorating as ever, and expectedly...
Read More- 1
- ...
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- 20
- 21
- 22
- 23
- 24
- 25
- 26
- 27
- 28
- 29
- 30
- 31
- 32
- 33
- 34
- 35
- 36
- 37
- 38
- 39
- 40
- 41
- 42
- 43
- 44
- 45
- 46
- 47
- 48
- 49
- 50
- 51
- 52
- 53
- 54
- 55
- 56
- 57
- 58
- 59
- 60
- 61
- 62
- 63
- 64
- 65
- 66
- 67
- 68
- 69
- 70
- 71
- 72
- 73
- 74
- 75
- 76
- 77
- 78
- 79
- 80
- 81
- 82
- 83
- 84
- 85
- 86
- 87
- 88
- 89
- 90
- 91
- 92
- 93
- 94
- 95
- 96
- 97
- 98
- 99
- 100
- 101
- 102
- 103
- 104
- 105
- 106
- 107
- 108
- 109
- ...
- 110
Like Us On Facebook

Most Popular Posts
“Aşınma” (“Corrosion”): A… by Seda Ilter 23rd November 2025
A Theatre Of Boredom And Theatrical Distrust (André… by S.E. Gontarski 4th December 2025
“Trilogia Cadela Força – Capítulo II:… by Jenny Strataki 6th August 2025
Dostoevsky on Stage. “The Mutt” by Anoushka… by Vassili Schedrin 7th December 2025
The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025 Tanika Gupta’s “Hedda” at the Orange… by Aleks Sierz 30th October 2025
“A Working Class Hero” – Identity… by Verity Healey 2nd December 2025
Jack Holden’s The Line of Beauty at the Almeida… by Aleks Sierz 2nd November 2025
Evil Can Appear Beautiful by Margaret Rose 23rd November 2025
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025
Recent Posts
- “The Phantom Of The Opera” Returns To Mexico: A Reinvented Masterpiece 12th December 2025
- Witty Revival Of 2022 Pollesch “Liebe, Einfach Außerirdisch” In Berlin 12th December 2025
- Tom Block Sparks Arts Activists 11th December 2025
- Emma Dante’s “The Angel of the Hearth” 10th December 2025
- Dostoevsky on Stage. “The Mutt” by Anoushka Nesterova and Elena Che at the IATI Theater, New York 7th December 2025
- A Theatre Of Boredom And Theatrical Distrust (André Gregory, Chekhov And Beckett) 4th December 2025
- Biography And Politics: “Der Zauberer Von Öz – Eine Fußballtragödie“ In Bremen 4th December 2025
- “A Working Class Hero” – Identity And Class at Voila! Theatre Festival 2nd December 2025
- The 12th Dangdai Xiao Juchang Xiqu Jie (Contemporary Black Box Xiqu Festival当代小剧场戏曲节) by Star Theatres (繁星戏剧村) in Beijing 2025 2nd December 2025
- Adaptations On The German Stage (2): “Der Schimmelreiter” In Oldenburg 28th November 2025

![Language Is Leaving Me: A Cinematic AI Opera Of The Skin [Part II]](https://thetheatretimes.com/wp-content/uploads/2025/01/WK2023-10-07_0075-150x150.jpg)























































































