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Edinburgh Festival Fringe 2025: Provisio...

“No Apologies” by Emma Frank...

“The Ego” by Anemone Valcke ...
“Riot Days” by Pussy Riot, E...

“Thanks for Being Here” by O...

“Aether”, Edinburgh Festival...
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“The Butterfly Who Flew Into The R...

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“Cassandra,” Written And Performed By Ai...
Karis Kelly’s “Consumed” At The Traverse...

“A Gambler’s Guide To Dying” Set In Glas...

“Athens Of The North” at the...

“Buen Camino,” Edinburgh Fes...
“From Dust.” Another Review. Holland Festival 2025.
by Róisín Daly | Aug 6, 2025 | Holland Festival 2025, Netherlands, Review, Theatre and AI
Stepping into From Dust feels less like attending a performance and more like consciously entering...
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The Theater of Metaverse
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![“Language Is Leaving Me: A Cinematic AI Opera Of The Skin” [Part I]](data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAAJYAAACWAQAAAAAUekxPAAAAAnRSTlMAAHaTzTgAAAAaSURBVEjH7cExAQAAAMKg9U9tDQ+gAACAdwMLuAABXZHjmQAAAABJRU5ErkJggg==)
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Alan Ayckbourn’s Woman in Mind at the Duke of York’s Theatre: Starry West End Staging Is More Visually Delightful Than Emotionally Compelling
by Aleks Sierz | Jan 8, 2026 | Acting, London, Playwriting, Review, United Kingdom
New Year, new line up of West End stars. This time it’s the turn of Olivier-Award-winner Sheridan...
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Nearly Finished
by Jonathan Kalb | Nov 15, 2025 | Acting, Review, United States of America
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For Bremen’s Re-Launched Packhaustheater, The Emphasis Shifts From Local Topics To Local Acting Celebrities
by Daniel Meyer-Dinkgräfe | Jan 8, 2026 | Directing, Germany, Review
Bremen’s Packhaustheater set its agenda with a focus on the local, so as not to compete with the...
Conor McPherson’s “The Weir” at the Harold Pinter Theatre: Beautifully Acted Revival Of A 1990s New Writing Classic
by Aleks Sierz | Sep 26, 2025 | Acting, Dramaturgy, London, Review, United Kingdom
Perhaps it’s an indicator of the feebleness of new writing after the pandemic that so many of the...
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Annie Jin Wang on Opera Dramaturgy
by Anne Hamilton | Jul 10, 2025 | Dramaturgy, Interview, Theatre and Opera, United States of America
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Ambiguous Space: A Review of the Chinese Play “L’histoire d’un Accident” at Avignon 2025
by Xunnan Li | Jul 26, 2025 | Avignon 2025, China, Chinese Theatre Abroad, Design, Review
Feng Lu’s “L’histoire d’un Accident”, presented in Avignon 2025, offers a layered exploration of theatrical space inspired by Henri Lefebvre’s theory of spatial production. The play unfolds through a play-within-a-play structure, blending backstage conflict, parody, and audience disruption to challenge the boundary between fiction and reality. A planted “spectator” blurs the line between performance and life, turning spatial ambiguity into a central aesthetic strategy. Rather than seeking clarity, the production invites audiences to dwell in uncertainty, where ambiguity becomes an essential part of how space is experienced, performed, and emotionally understood.
Unbound Curation – The Freedom Of Programming Without Frames
by Ivanka Apostolova Baskar | Sep 5, 2025 | Belgium, Interview, Management
An Interview with Mr. Guy Coolen, art director, producer, manager, Antwerp, Belgium/Rotterdam,...
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On Kyoto Experiment’s Curatorial Vision
by Ilinca Todoruţ | Dec 5, 2024 | Festivals, Japan, Kyoto Experiment 2024, Management, News
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Alan Ayckbourn’s Woman in Mind at the Duke of York’s Theatre: Starry West End Staging Is More Visually Delightful Than Emotionally Compelling
by Aleks Sierz | Jan 8, 2026 | Acting, London, Playwriting, Review, United Kingdom
New Year, new line up of West End stars. This time it’s the turn of Olivier-Award-winner Sheridan...




“Ja Goryl, Ty Człowiek:” Understanding Koko

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“Drapando:” Scratching For A Connection




“My Mother’s Funeral”

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“The Amazing Doctor She Medicine Show”

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Thriving in an Either-Or World: An Interview with Taiwan-based Pangcah Theatre Artist Ihot Sinlay Cihek
by Kuan-Ting Lin | Nov 19, 2025 | Interview, Playwriting, Taiwan, Theatre and Decolonization
Ihot Sinlay Cihek is a Taiwan-based Pangcah theatre artist whose work confronts the intersecting...
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Truth and Reconciliation in “Under the Shade of a Tree I Sat and Wept” – Kosovo
by Verity Healey | Jan 2, 2026 | Kosovo, Review, South Africa
How do forgiveness and reconciliation projects help heal a country’s collective trauma and...
Writing Across Taiwan and Macau: An Interview with Taiwanese Playwright Chiao-Jung Chen
by Kuan-Ting Lin | Jan 6, 2026 | Interview, Playwriting, Taiwan
It’s very hard to define Chiao-Jung Chen as one kind of artist, for she is someone who works...
For Bremen’s Re-Launched Packhaustheater, The Emphasis Shifts From Local Topics To Local Acting Celebrities
by Daniel Meyer-Dinkgräfe | Jan 8, 2026 | Directing, Germany, Review
Bremen’s Packhaustheater set its agenda with a focus on the local, so as not to compete with the...
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“With Ruby and I” – review – more McDonagh than Robinson
by Verity Healey | Jan 3, 2026 | Review, United Kingdom
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Leading with Risk, Trust, and Intuition: An Exclusive Interview with Director Charles Newell on Berlin’s Rehearsal Room
by Susanna Sun | Jan 7, 2026 | Chicago, Directing, Interview, United States of America
A towering figure in Chicago theatre, Charles Newell—former Marilyn F. Vitale Artistic Director of...
Oscar Barney Finn and Paulo Brunetti Interview
by Jack Wernick | Aug 20, 2024 | Adaptation, Argentina, Interview
I had the opportunity to interview frequent collaborators, writer-director Oscar Barney Finn and...
“The Butterfly Who Flew Into The Rave”, Edinburgh Festival Fringe 2025
by Duška Radosavljević | Aug 24, 2025 | Edinburgh 2025, Festivals, New Zealand, United Kingdom
Oli Mathiesen’s dance piece The Butterfly Who Flew Into The Rave has been described by this...
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Bell Shakespeare’s New “King Lear” Understands The Joy Of A Good Tragedy
by Kirk Dodd | Jul 20, 2024 | Australia, Dramaturgy, Review, Sydney
Philip Ridley’s Tarantula at the Arcola Theatre: Blazingly Emotive And Beautifully Poetic Account Of Trauma From A Master Penman
by Aleks Sierz | Jan 22, 2025 | Covid-19, London, Playwriting, Review, United Kingdom
Even the best streamed theatre can’t compete with the live version. It’s simple — with this art...
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The Digital Spectator. Romanian Experiences During the Pandemic
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Visit Performap.com - an Interactive Digital Map of Global Theatre and Performance Festivals developed by TheTheatreTimes.com. With hundreds of festivals browsable and searchable by festival location, type, and date, Performap is the first extensive digital index of its kind in the field, built expressly for artists, audiences, critics, scholars, festival organizers, curators, and presenters from around the world.
ESSAYS
A Theatre Of Boredom And Theatrical Distrust (André Gregory, Chekhov And Beckett)
by S.E. Gontarski | Dec 4, 2025 | Directing, Essay, Transmedia
Wherever it comes from, morality or the aesthetic, the anti-theatrical prejudice is a conceptual...
INTERVIEWS
Leading with Risk, Trust, and Intuition: An Exclusive Interview with Director Charles Newell on Berlin’s Rehearsal Room
by Susanna Sun | Jan 7, 2026 | Chicago, Directing, Interview, United States of America
A towering figure in Chicago theatre, Charles Newell—former Marilyn F. Vitale Artistic Director of...
REVIEWS
For Bremen’s Re-Launched Packhaustheater, The Emphasis Shifts From Local Topics To Local Acting Celebrities
by Daniel Meyer-Dinkgräfe | Jan 8, 2026 | Directing, Germany, Review
Bremen’s Packhaustheater set its agenda with a focus on the local, so as not to compete with the...
READ ALL LATEST
For Bremen’s Re-Launched Packhaustheater, The Emphasis Shifts From Local Topics To Local Acting Celebrities
by Daniel Meyer-Dinkgräfe | Jan 8, 2026 | Directing, Germany, Review
Bremen’s Packhaustheater set its agenda with a focus on the local, so as not to compete with the...
Read MoreAlan Ayckbourn’s Woman in Mind at the Duke of York’s Theatre: Starry West End Staging Is More Visually Delightful Than Emotionally Compelling
by Aleks Sierz | Jan 8, 2026 | Acting, London, Playwriting, Review, United Kingdom
New Year, new line up of West End stars. This time it’s the turn of Olivier-Award-winner Sheridan...
Read MoreLeading with Risk, Trust, and Intuition: An Exclusive Interview with Director Charles Newell on Berlin’s Rehearsal Room
by Susanna Sun | Jan 7, 2026 | Chicago, Directing, Interview, United States of America
A towering figure in Chicago theatre, Charles Newell—former Marilyn F. Vitale Artistic Director of...
Read MoreWriting Across Taiwan and Macau: An Interview with Taiwanese Playwright Chiao-Jung Chen
by Kuan-Ting Lin | Jan 6, 2026 | Interview, Playwriting, Taiwan
It’s very hard to define Chiao-Jung Chen as one kind of artist, for she is someone who works...
Read MoreEchoes of a Crumbling Republic: Review of “Berlin” at Chicago’s Court Theatre (2025)
by Susanna Sun | Jan 4, 2026 | Review, Theatre and Politics, United States of America
Berlin at Chicago’s Court Theatre (April–May 2025) was nothing short of a theatrical...
Read More“Leili And Majnun:” An Ancient Love Story For Modern Times
by L. Peter Callender | Jan 3, 2026 | Iran, Review, Theatre and Politics, United States of America
We all know the iconic closing lines: “For never was a story of more woe / Than this of...
Read More“With Ruby and I” – review – more McDonagh than Robinson
by Verity Healey | Jan 3, 2026 | Review, United Kingdom
“So high you can kiss the sky” is one of the many iconic lines from With Ruby and I, a debut show...
Read MoreTruth and Reconciliation in “Under the Shade of a Tree I Sat and Wept” – Kosovo
by Verity Healey | Jan 2, 2026 | Kosovo, Review, South Africa
How do forgiveness and reconciliation projects help heal a country’s collective trauma and...
Read MoreThought-Provoking Crime Drama And Star Vehicle: “Nebenan” At The Renaissance Theater, Berlin
by Daniel Meyer-Dinkgräfe | Jan 2, 2026 | Directing, Germany, Review
The play Nebenan was premiered at Burgtheater Wien in 2022, based on the film of the same title...
Read MoreLearning To Listen, Struggling To Hear: Katie Mitchell’s “Cow / Deer”
by Savas Patsalidis | Jan 2, 2026 | Directing, Greece, Review, Transcultural Collaborations, United Kingdom
There are directors who have gotten us accustomed to treading on unconventional paths. They have...
Read MoreGender Allows A Different Perspective On Ibsen’s “Der Volksfeind” (“An Enemy Of The People”) In Bremerhaven
by Daniel Meyer-Dinkgräfe | Jan 1, 2026 | Directing, Germany, Review
In 2019, Landestheater Salzburg used a new translation of Ibsen’s An Enemy of the People as the...
Read MoreWhat Happens In Mecca, Stays In Mecca: “Pilgrimage” By Humaira Ghilzai And Bridgette Dutta Portman
by Marina Johnson | Dec 31, 2025 | Review, Theatre and Religion, United States of America
Golden Thread Productions’ world premiere of Pilgrimage, written by Humaira Ghilzai and Bridgette...
Read More“Historia de una maestra” (Story of a Teacher) at Madrid’s Teatro Valle-Inclán: Arguing for Education as a Way of Life
by Maria Delgado | Dec 28, 2025 | Review, Spain
The power of education as a tool for emancipation and democratic thinking has been the subject of...
Read MoreLolita Flores Places Poncia Centre-stage: A New Re-fashioning of “The House of Bernarda Alba”
by Maria Delgado | Dec 28, 2025 | Review, Spain
The House of Bernarda Alba has engendered no shortage of spin-offs — dance and film adaptations...
Read More“L’amor venia amb taxi” (Love Arrived By Taxi): La Cubana’s Affectionate Homage to the Catalan Amateur Theatre
by Maria Delgado | Dec 28, 2025 | Review, Spain
La Cubana have been making theatre for over 45 years – stagings that have reimagined popular...
Read MoreFaustin Linyekula’s Missing Bodies: “My body, my archive” at the Aichi Triennale 2025
by Ilinca Todoruţ | Dec 26, 2025 | Congo, Festivals, Japan, Review, Theatre and Dance
Laying Historical Ground, Wide-angle Towards the end of Faustin Linyekula’s theatrical dance piece...
Read More“El día del Watusi” (The Day of the Watusi): Iván Morales stages Francisco Casavella’s cult novel on Barcelona in transition
by Maria Delgado | Dec 26, 2025 | Review, Spain
El día del Watusi (The Day of the Watusi) gets a second outing at the Teatre Lliure. First seen in...
Read MoreDiego Garrido Sanz’s “Violencia” (Violence) at the Centro Dramático Nacional: exploring the possibilities of restorative justice
by Maria Delgado | Dec 26, 2025 | Review, Spain
How do we learn to forgive, especially in the aftermath of a massacre that has no rational...
Read More“El entusiasmo” (The Enthusiasm) at Madrid’s Teatro María Guerrero: Midlife crisis given a makeover in Pablo Remón’s new play
by Maria Delgado | Dec 26, 2025 | Review, Spain
There is no shortage of plays on the subject of mid-life crisis, from Alan Charles’ Midlife Crisis...
Read MoreInside Chicago Court Theatre’s “Berlin”–Turning a Graphic Novel into Live Theatre: An Exclusive Interview with Playwright Mickle Maher
by Susanna Sun | Dec 24, 2025 | Adaptation, Interview, United States of America
Praised by the Houston Chronicle as “one of the most original voices in American theater today,”...
Read More“The Phantom Of The Opera” Returns To Mexico: A Reinvented Masterpiece
by Lorena Meeser | Dec 12, 2025 | Mexico, Musical Theatre, Review
Mexico City becomes once again the stage for a major musical-theater event. After more than a year...
Read MoreWitty Revival Of 2022 Pollesch “Liebe, Einfach Außerirdisch” In Berlin
by Daniel Meyer-Dinkgräfe | Dec 12, 2025 | Directing, Germany, Review
When the production first opened in 2022, critics commented on the fact that the play was being...
Read MoreTom Block Sparks Arts Activists
by Marcina Zaccaria | Dec 11, 2025 | Festivals, LGBTQ+ Theatre, New York
“It’s completely organic. We take the best work from the United States, New York City, and around the world. We’ve worked with artists from 117 countries, 30 tribal nations. Every year in our Festival, you’re going to see, we have somewhere between 20 and 25 countries represented by maybe 30 states.”
Read MoreEmma Dante’s “The Angel of the Hearth”
by Margaret Rose | Dec 10, 2025 | Italy, Review, Theatre and Gender
In late November, Emma Dante brought her latest show, L’Angelo del focolare (The Angel of the...
Read MoreDostoevsky on Stage. “The Mutt” by Anoushka Nesterova and Elena Che at the IATI Theater, New York
by Vassili Schedrin | Dec 7, 2025 | Adaptation, Review, United States of America
Dostoevsky is hard to read, harder to translate, and even harder to adapt for stage. The Mutt by...
Read MoreBiography And Politics: “Der Zauberer Von Öz – Eine Fußballtragödie“ In Bremen
by Daniel Meyer-Dinkgräfe | Dec 4, 2025 | Directing, Germany, Review, Theatre and Politics
Theater Bremen is currently showing the world premiere production of Der Zauberer von Öz – Eine...
Read More“A Working Class Hero” – Identity And Class at Voila! Theatre Festival
by Verity Healey | Dec 2, 2025 | Acting, Review, Theatre and Politics, United Kingdom
Representation in the performing arts in the UK is in crisis. For years, voices have been warning...
Read MoreThe 12th Dangdai Xiao Juchang Xiqu Jie (Contemporary Black Box Xiqu Festival当代小剧场戏曲节) by Star Theatres (繁星戏剧村) in Beijing 2025
by Xunnan Li and Yuan Du | Dec 2, 2025 | China, Festivals, News
The Dangdai Xiao Juchang Xiqu Jie (Contemporary Black Box Xiqu Festival), operated at Star Theatres, has been a significant engine for contemporary experimentation of Xiqu (Chinese traditional theatre) since its establishment in 2014. Now entering its 12th year in 2025, the festival has supported more than 200 experimental Xiqu projects, drawing millions of audience members from across China. It remains one of the earliest and most influential cultural clusters where emerging Xiqu artists can articulate their creative voices in a flexible, low-cost, and artist-centred environment. Reading the slogan “He He” (和合harmony and collaboration) of this year’s festival and speaking with its founder and CEO, Mr. Fan Xing, I argue that this longstanding initiative has grown into a hybrid cultural space and the meaning of “He He” performatively means a harmonious collaboration between the futurist experimentation and the deep-rooted nostalgia.
Read MoreAdaptations On The German Stage (2): “Der Schimmelreiter” In Oldenburg
by Daniel Meyer-Dinkgräfe | Nov 28, 2025 | Adaptation, Directing, Germany, Review
Der Schimmelreiter (The Rider on the White Horse) is a novella by German writer Theodor Storm...
Read More“Aşınma” (“Corrosion”): A Solo Masterpiece About The Contemporary Human
by Seda Ilter | Nov 23, 2025 | Review, Theatre and Politics, Turkey, United Kingdom
In October 2025, Battersea Arts Centre hosted Aşınma (Corrosion) – a multi-award-winning theatre...
Read MoreEvil Can Appear Beautiful
by Margaret Rose | Nov 23, 2025 | Adaptation, Italy, Review
Two major productions of Richard III are touring Italy in the present season, a sign perhaps that...
Read More#Me Too Oedipus
by Jonathan Kalb | Nov 20, 2025 | Adaptation, Review, United States of America
The British directing star Robert Icke specializes in contemporary adaptations of classics. He...
Read More“Liebe Mit Taktgefühl” By Barbara Raue-Flajs, At Piccolo Teatro Haventheater, Bremerhaven: Directorial Reflections
by Daniel Meyer-Dinkgräfe | Nov 20, 2025 | Directing, Essay, Germany
Since August 2019, I have owned and run the chamber theatre, piccolo teatro Haventheater, in...
Read MoreThriving in an Either-Or World: An Interview with Taiwan-based Pangcah Theatre Artist Ihot Sinlay Cihek
by Kuan-Ting Lin | Nov 19, 2025 | Interview, Playwriting, Taiwan, Theatre and Decolonization
Ihot Sinlay Cihek is a Taiwan-based Pangcah theatre artist whose work confronts the intersecting...
Read MoreDimension Zero: All Judy, No Punch
by Morgan Skolnik | Nov 17, 2025 | New York, Puppetry, Review
Dimension Zero, the new sci-fi puppet musical from the Boxcutter Collective, arrives at HERE arts...
Read MoreDupes of Hazard
by Jonathan Kalb | Nov 16, 2025 | Review, Theatre and Politics, United States of America
The farcical premise of Rajiv Joseph’s play Archduke—just opened at the Roundabout’s Laura Pels...
Read MoreNearly Finished
by Jonathan Kalb | Nov 15, 2025 | Acting, Review, United States of America
With a depressingly vacuous, celebrity-circus Waiting for Godot sucking up so much oxygen on...
Read MoreThe Filmed Performance “Woodland Bird Woman” – a Collaboration Between Esther Salamon, Robert Laycock And David Stephenson: Between.Pomiędzy Dispersed Festival 2025
by Martin Blaszk | Nov 9, 2025 | Poland, Transcultural Collaborations, United Kingdom
Something flitters among the green leaves of bramble and the brown leaves of a previous autumn....
Read More3sisters at the Novi Sad Theatre
by Emilija Kvočka | Nov 7, 2025 | Adaptation, Review, Serbia
Before the audience of the play 3sisters, with their eyes wide open, a music box, the girls on...
Read MoreJack Holden’s The Line of Beauty at the Almeida Theatre: A Subtle And Appealing Adaptation Of A Modern Classic 1980s Story
by Aleks Sierz | Nov 2, 2025 | London, Review, Theatre and Politics, United Kingdom
Thatcher, and the image of Thatcher’s Britain, continues to cast a long shadow over contemporary...
Read MoreChecking The Boxes
by Jonathan Kalb | Nov 1, 2025 | Review, Theatre and Politics, United States of America
I went to Caroline Guiela Nguyen’s Lacrima at BAM with great eagerness and curiosity. This was a...
Read MoreFITPTI – International Festival For Young Audiences 2025 – A Northeastern Romanian Story
by Teodora Medeleanu | Oct 31, 2025 | Festivals, Review, Romania
In Romanian culture, a vital coming-of-age moment for every teenager is their eighteenth birthday,...
Read MoreTanika Gupta’s “Hedda” at the Orange Tree Theatre: A Fresh And Fascinating Reinterpretation Of A Classic Which Foregrounds The Issues Of Race And Empire
by Aleks Sierz | Oct 30, 2025 | Adaptation, London, Review, Theatre and Decolonization, United Kingdom
In 2023, Malaysian actor Michelle Yeoh won the Best Actress Oscar for her performance in...
Read MoreThe Queen of Versailles Musical or the Funeral of the “American dream.”
by Lisa Monde | Oct 29, 2025 | Musical Theatre, Review, United States of America
The Queen of Versailles. A New Musical will officially open on Broadway, at the St. James Theatre...
Read MoreAdaptations On The German Stage (1): “Sein Oder Nicht Sein” In Bremerhaven
by Daniel Meyer-Dinkgräfe | Oct 29, 2025 | Directing, Germany, Review
Sein oder nicht sein is a play by Nick Whitby (b.1963), premiered on Broadway in 2008, and first...
Read MoreMeghan Tyler’s “Crocodile Fever” at the Arcola Theatre: Northern Ireland Sisters In A Darkly Funny Anti-Patriarchal Feast Of Symbols
by Aleks Sierz | Oct 27, 2025 | Ireland, Playwriting, Review, United Kingdom
Weird scenes inside the farmhouse; weird scenes in Northern Ireland; weird scenes of the 1980s....
Read MoreSix-Hour Tour De Force “Hamlet” In Hamburg, Directed, With Many Ironic Self-References, By Veteran Legendary Frank Castorf
by Daniel Meyer-Dinkgräfe | Oct 27, 2025 | Directing, Germany, Review
This six-hour production of Hamlet took Shakespeare’s play as the starting and end point, in...
Read MoreLegalAlien’s “The Flowers of Srebrenica”: Theatre as Healing
by Verity Healey | Oct 27, 2025 | Bosnia, Review, Theatre and Politics
The Flowers of Srebrenica should be impossible to stage. Irish academic Aidan Hehir’s book, a...
Read MoreNick Payne’s “The Unbelievers” at the Royal Court Theatre: Latest Play By A Top New Writer Is Disappointingly Unfocused
by Aleks Sierz | Oct 26, 2025 | London, Playwriting, Review, United Kingdom
The Royal Court, Britain’s premiere new writing venue, celebrates its platinum anniversary next...
Read MoreBarbarians in Midtown
by Jonathan Kalb | Oct 22, 2025 | Musical Theatre, Review, United States of America
The Terrence McNally/Stephen Flaherty/Lynn Ahrens musical Ragtime is not the subtlest theater...
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Truth and Reconciliation in “Under the Shade… by Verity Healey 2nd January 2026
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“L’amor venia amb taxi” (Love Arrived By… by Maria Delgado 28th December 2025 “With Ruby and I” – review –… by Verity Healey 3rd January 2026
Witty Revival Of 2022 Pollesch “Liebe, Einfach… by Daniel Meyer-Dinkgräfe 12th December 2025
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 “El entusiasmo” (The Enthusiasm) at… by Maria Delgado 26th December 2025
Tom Block Sparks Arts Activists by Marcina Zaccaria 11th December 2025
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Recent Posts
- For Bremen’s Re-Launched Packhaustheater, The Emphasis Shifts From Local Topics To Local Acting Celebrities 8th January 2026
- Alan Ayckbourn’s Woman in Mind at the Duke of York’s Theatre: Starry West End Staging Is More Visually Delightful Than Emotionally Compelling 8th January 2026
- Leading with Risk, Trust, and Intuition: An Exclusive Interview with Director Charles Newell on Berlin’s Rehearsal Room 7th January 2026
- Writing Across Taiwan and Macau: An Interview with Taiwanese Playwright Chiao-Jung Chen 6th January 2026
- Echoes of a Crumbling Republic: Review of “Berlin” at Chicago’s Court Theatre (2025) 4th January 2026
- “Leili And Majnun:” An Ancient Love Story For Modern Times 3rd January 2026
- “With Ruby and I” – review – more McDonagh than Robinson 3rd January 2026
- Truth and Reconciliation in “Under the Shade of a Tree I Sat and Wept” – Kosovo 2nd January 2026
- Thought-Provoking Crime Drama And Star Vehicle: “Nebenan” At The Renaissance Theater, Berlin 2nd January 2026
- Learning To Listen, Struggling To Hear: Katie Mitchell’s “Cow / Deer” 2nd January 2026

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