On Improvisation, Soundpainting, and Artistic Community: A Conversation with Leese Walker, the Founder of the Strike Anywhere Performance Ensemble
Established in 1997 by Leese Walker, the Strike Anywhere Performance Ensemble is an...
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Applied Theatre
Finding Something To Hold Onto: A Conversation About Art+Community
Playwright Chisa Hutchinson‘s Surely Goodness And Mercy follows 12-year-old Tino, an orphan...
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Off The Stage And Into Your Home
“The Stage in the Drawing-Room” is the title of a 19th-century instruction manual by Henry Dakin...
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“Oedipus Schmoedipus” at HKREP Black Box Theatre
Hong Kong Repertory Theatre (HKREP) has been presenting the biannual International Black Box...
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Practiced Empathy and Awareness with Atlantic Pacific Theatre
Atlantic Pacific Theatre challenged their regular audience with a diptych, part process theater,...
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Towards The Polski Theatre In The Underground
Protests against the new manager During the decade 2006–2016 the Polski Theatre in Wrocław became...
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World Theatre Day: How Theatre Is A Means To Educate
Clowns in hospitals, strangely dressed men in aeronautics class, and dance and music in a grim...
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Collaborating Across Borders: Theatre for Integration Project in Portugal
Between March 2016 and March 2017, students and staff from the Universidade do Minho in Portugal...
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Theatre of the Oppressed in Iraq
Theatre of the Oppressed was originated in the 1970s by a Brazilian theatre practitioner and...
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Anatomy of a Clown in Applied Theatre: From War-Torn Countries to Children Museums
“Laughter is the brush that sweeps away the cobwebs of your heart.” – Mort Walker,...
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Elixir Mime Workshops for Thailand 2016
Thanks to the cooperation of several NGOs in Thailand, Elixir Mime was able to give three mime...
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Jordan’s National Center for Culture and Arts: Defying Stereotypes, Leading Cultural and Artistic Dialogue for Social Change in The Middle East
Think of the Middle East and theatre would not be the first image that comes to the mind of most...
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“An Enemy of the People”: The Egyptian Experience
It was September 2012 that I had decided to stage An Enemy of the People, by Henrik Ibsen. A play...
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The Others: Ensemble Workshops with Syrian Refugees
I moved to Lebanon this August to join the faculty of ACS at Beirut, after having spent six years...
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Prison Theatre in Jordan
As Hakeem leaves the workshop that he leads in the Aljwaida prison for women in Jordan, he is...
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Dreams of Young Syrian Refugees Imagined
I am in the same room with three young asylum seekers from Syria—Abed, 17, from Deir al-Zour;...
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