Coming Soon: The 1st International Symposium on Contemporary Asian Theatre, University of Göttingen (Hybrid)
The University of Göttingen would like to invite you to The 1st International Symposium on...
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Education
How I Reunited the Most Important Documents in English Theater History for the First Time in 200 Years
Most of what we know about the beginnings of English professional theater as a financial...
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Registration Now Open: The International Mentorship Program, Workshops for Emerging Theatre Leaders
The International Association of Theatre Leaders (IATL) would like to invite you to The...
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Writing about African Arts 2022: Call for Participants
The African Theatre Magazine invites applicants to the second edition of the Writing about African...
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Generation XIII – A Documentary Podcast
Five dancers. Three years. One school. Every three years 1000 young dancers from all over the...
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How Drama Can Help Open Up Conversations on Suicide for Young People in Post-Pandemic Times
Suicide is the second highest cause of death in 15-to-29-year-olds around the world, according to...
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A Director Needs “to Practice What They Preach”: An Interview with Milosh Andonovski, Theatre Director and Educator
Milosh Andonovski (1989) was born in Kumanovo, North Macedonia. He graduated Comparative...
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An Interview with Prof. Ana Stojanoska—Theater Scholar, Writer, and Poet
Ana Stojanoska (1977, Prilep) is theatrologist, writer, and full professor at the Faculty of...
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“For They Do Not Know What They Dance”? (A Lecture-Essay Hesitantly Affirming the Idea that Every Lecture is Also a Performance) – PART II
This is Part II of the essay. To read Part I, click here. 8. (ON A-HUMANISM, AGAIN) A-humanism is...
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“For They Do Not Know What They Dance”? (A Lecture-Essay Hesitantly Affirming the Idea that Every Lecture is Also a Performance) – PART I
(A Lecture-Essay Hesitantly Affirming the Idea that Every Lecture is Also a Performance)[1]With...
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EPIC Players Creates Employment and Training Opportunities for Autistic & Neurodivergent Theatre Makers
Autistic adults in the United States are unemployed at estimated rates of more than 80%. Those who...
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Guide to the Classics: Shakespeare’s “Hamlet,” The Everest of Literature
Although I’m wary of declaring any literary work to be the greatest ever, Shakespeare’s Hamlet...
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Why Weren’t Women Allowed to Act in Shakespeare’s Plays?
Curious Kids is a series for children of all ages. If you have a question you’d like an expert to...
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Performing Arts Conference Sets the Pace for Future Theatrical Discourse
‘Whatever you teach action, it out. If you teach music, sing. If you teach language, write a novel. If you teach drama, act.’
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“Moving Beyond the Box”: A Triumph Of Dance And Togetherness In An Era Of Isolation
In March 2020, when we were all quarantined at home, director/choreographer Christie Kerr looked...
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Teaching Music Online in the Pandemic Has Yielded Creative Surprises, Like Mixing “Blob Opera” and Beatboxing
Learning to make music is a full mind-and-body activity. Whether teaching how to play a musical...
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“Toolbox Manoeuvre”: The Beat of Hong Kong On Stage
Louis Siu is performing the oldest known musical practice in the world, in a coffee shop in North...
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Together We Go On: A 36 Hour Non-Stop Festival on 28th and 29th August
The International Drama/Theatre and Education Association (IDEA) is organizing the Together We Go...
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By Putting Tensions on Stage, Colleges Aim to Change Campus Culture
The new professor had a choice. He arrived early to a meeting to discover a senior faculty member...
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“From the Fishbowl”: A Play for Scoundrels and Scamps
How many young-people-of-the pandemic-does it take to screw in a light bulb? Early in the...
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