Cultural Participation Policies: A Poverty of Ambitions
This series of articles was commissioned in preparation for the IETM Plenary Meeting in Rijeka,...
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Management
All We Need is Audience Development?
This series of articles was commissioned in preparation for the IETM Plenary Meeting in Rijeka,...
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Zimbabwe’s Jasen Mphepo Little Theatre
The construction of performance spaces for creatives in Zimbabwe has been somewhat on the slow...
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Why Every Theatre Needs A Digital Strategy
Arts Council England is the investment, development and advocacy agency for the arts, museums, and...
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Should Our Funds For The Arts Pay For Cultural Democracy?
You can also read this article in French here. This series of articles, commissioned together...
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Bangalore Has Easily Become India’s No. 2 Theatre Hub
With growing talent and audiences, Bangalore has easily become the country’s No. 2 theatre hub,...
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To Be Public or Private That’s the Question: A Short Note
Around fifteen years ago performing arts in Tehran were bound to perform in six major venues...
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Financing Theatre: Public Funding And Freedom Of Art
Public funding and freedom of art–do the two sit well together? There is no right to state arts...
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Basma Hamed, A Remarkable Star Of Egypt’s Arts Management
A unique cultural player, Hamed’s work in the PR and marketing of the arts, helped launch,...
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Artistic Director Eric Coates remaking GCTC
Eric Coates is the artistic director of the Great Canadian Theatre Company. Now into his seventh...
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Prasanth Narayanan Is Giving Shape To A Novel Theatre Culture
The theatre director is bringing in a new visual language and dynamics through Prasanth Narayanan...
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When Theatre Meets Contemporaneity: Praktika Theatre In Moscow
Moscow theatre Praktika is the Russia’s first contemporary State theatre which played the key role...
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Indigenous Theatre Would Thrive With Funds From The Canadian Government
The Canadian government’s Department of Canadian Heritage has the opportunity to support a...
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The Gladstone Celebrates A Decade Of Drama
The Gladstone Theatre turns 10 years old this fall. That may make it a mere stripling in the art...
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Contemporary Performing Arts In Ukraine. In Search Of A Lost Identity
The theatre landscape in Ukraine is diverse and contradictory. Presently, there are more than 120...
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Open Letters To The Circus #3: Who Gets To Build The Future?
This is the third letter in a cycle of Open Letters To The Circus. This letter is written in the...
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G Kumara Swamy: Dramatizing Traditions
Founder of theatre group PlaneTG, G Kumara Swamy’s efforts in popularizing Telangana culture...
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Dreams And Reality: Fortune Theatre, Dunedin, New Zealand Closes
The mid-morning phone call I receive from a colleague brings bad news. The Fortune Theatre–the...
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Going Places Interview With Lauren Clancy, The New Executive Director of The Bush Theatre
Lauren Clancy, the new Executive Director of the Bush Theatre, talks to us about her first few...
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Attempts at Self-Surprise: An interview with Ene-Liis Semper, the Artistic Director of Theatre NO99
Theatre NO99 is a theatre in Tallinn, Estonia with a troupe of 10 actors at the centre of it, lead...
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