Exploring Funding in Zimbabwean Theatre
Funding in Zimbabwean Theatre is a key challenge. There is no doubt that if one were to do an...
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Management
Drama Collective of Serbian National Theatre as an Example of Solidarity
There are more and more calls for help, appeals for solidarity when it comes to the most...
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Cultural Participation Policies: A Poverty of Ambitions
This series of articles was commissioned in preparation for the IETM Plenary Meeting in Rijeka,...
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All We Need is Audience Development?
This series of articles was commissioned in preparation for the IETM Plenary Meeting in Rijeka,...
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Zimbabwe’s Jasen Mphepo Little Theatre
The construction of performance spaces for creatives in Zimbabwe has been somewhat on the slow...
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Why Every Theatre Needs A Digital Strategy
Arts Council England is the investment, development and advocacy agency for the arts, museums, and...
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Should Our Funds For The Arts Pay For Cultural Democracy?
You can also read this article in French here. This series of articles, commissioned together...
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Bangalore Has Easily Become India’s No. 2 Theatre Hub
With growing talent and audiences, Bangalore has easily become the country’s No. 2 theatre hub,...
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To Be Public or Private That’s the Question: A Short Note
Around fifteen years ago performing arts in Tehran were bound to perform in six major venues...
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Financing Theatre: Public Funding And Freedom Of Art
Public funding and freedom of art–do the two sit well together? There is no right to state arts...
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Basma Hamed, A Remarkable Star Of Egypt’s Arts Management
A unique cultural player, Hamed’s work in the PR and marketing of the arts, helped launch,...
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Artistic Director Eric Coates remaking GCTC
Eric Coates is the artistic director of the Great Canadian Theatre Company. Now into his seventh...
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Prasanth Narayanan Is Giving Shape To A Novel Theatre Culture
The theatre director is bringing in a new visual language and dynamics through Prasanth Narayanan...
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When Theatre Meets Contemporaneity: Praktika Theatre In Moscow
Moscow theatre Praktika is the Russia’s first contemporary State theatre which played the key role...
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Indigenous Theatre Would Thrive With Funds From The Canadian Government
The Canadian government’s Department of Canadian Heritage has the opportunity to support a...
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The Gladstone Celebrates A Decade Of Drama
The Gladstone Theatre turns 10 years old this fall. That may make it a mere stripling in the art...
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Contemporary Performing Arts In Ukraine. In Search Of A Lost Identity
The theatre landscape in Ukraine is diverse and contradictory. Presently, there are more than 120...
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Open Letters To The Circus #3: Who Gets To Build The Future?
This is the third letter in a cycle of Open Letters To The Circus. This letter is written in the...
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G Kumara Swamy: Dramatizing Traditions
Founder of theatre group PlaneTG, G Kumara Swamy’s efforts in popularizing Telangana culture...
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Dreams And Reality: Fortune Theatre, Dunedin, New Zealand Closes
The mid-morning phone call I receive from a colleague brings bad news. The Fortune Theatre–the...
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