Should Our Funds For The Arts Pay For Cultural Democracy?
You can also read this article in French here. This series of articles, commissioned together...
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Management
Bangalore Has Easily Become India’s No. 2 Theatre Hub
With growing talent and audiences, Bangalore has easily become the country’s No. 2 theatre hub,...
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To Be Public or Private That’s the Question: A Short Note
Around fifteen years ago performing arts in Tehran were bound to perform in six major venues...
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Financing Theatre: Public Funding And Freedom Of Art
Public funding and freedom of art–do the two sit well together? There is no right to state arts...
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Basma Hamed, A Remarkable Star Of Egypt’s Arts Management
A unique cultural player, Hamed’s work in the PR and marketing of the arts, helped launch,...
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Artistic Director Eric Coates remaking GCTC
Eric Coates is the artistic director of the Great Canadian Theatre Company. Now into his seventh...
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Prasanth Narayanan Is Giving Shape To A Novel Theatre Culture
The theatre director is bringing in a new visual language and dynamics through Prasanth Narayanan...
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When Theatre Meets Contemporaneity: Praktika Theatre In Moscow
Moscow theatre Praktika is the Russia’s first contemporary State theatre which played the key role...
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Indigenous Theatre Would Thrive With Funds From The Canadian Government
The Canadian government’s Department of Canadian Heritage has the opportunity to support a...
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The Gladstone Celebrates A Decade Of Drama
The Gladstone Theatre turns 10 years old this fall. That may make it a mere stripling in the art...
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Contemporary Performing Arts In Ukraine. In Search Of A Lost Identity
The theatre landscape in Ukraine is diverse and contradictory. Presently, there are more than 120...
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Open Letters To The Circus #3: Who Gets To Build The Future?
This is the third letter in a cycle of Open Letters To The Circus. This letter is written in the...
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G Kumara Swamy: Dramatizing Traditions
Founder of theatre group PlaneTG, G Kumara Swamy’s efforts in popularizing Telangana culture...
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Dreams And Reality: Fortune Theatre, Dunedin, New Zealand Closes
The mid-morning phone call I receive from a colleague brings bad news. The Fortune Theatre–the...
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Going Places Interview With Lauren Clancy, The New Executive Director of The Bush Theatre
Lauren Clancy, the new Executive Director of the Bush Theatre, talks to us about her first few...
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Attempts at Self-Surprise: An interview with Ene-Liis Semper, the Artistic Director of Theatre NO99
Theatre NO99 is a theatre in Tallinn, Estonia with a troupe of 10 actors at the centre of it, lead...
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Change Is In The Air For New National Theater Tokyo In 2018
At the start of each year, the New National Theatre Tokyo holds a media event at which the...
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Dramatist Oriza Hirata Has A Vision For Theatre
Travel around 150 km northwest from the hustle and bustle of Kyoto, and another, far more peaceful...
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Managing The Floating Theatre in Denmark: Reality Always Wins
Actor and artistic director of the Danish theatre company Det Flydende Teater (literally...
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“Rocky Horror” Allegations Throw A Spotlight On Acting Boundaries, On And Off Stage
Where do the boundaries lie between exploring every possibility an acting role offers and still...
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