“Russia Is My Country, Who Better Than Me to Clean Up the Ruins of Our Humanity:” Interview with Elena Kovalskaya – Part II
This is Part II of the two-part interview. To read Part I, click here. Yana Meerzon: Should we...
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Management
“Russia Is My Country, Who Better Than Me to Clean Up the Ruins of Our Humanity”: Interview with Elena Kovalskaya – Part I
Russia is my country, who better than me to clean up the ruins of our humanity. – Elena...
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Exit interview: Dubravka Vrgoč
Dubravka Vrgoč, General and Artistic Director of the Croatian National Theatre in Zagreb, is set...
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Nairobi Hosts Major Performing Arts Conference
A stellar line-up of speakers, moderators and facilitators is scheduled to grace the event. They include academics, thespians and art critics.
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“Peggy For You,” Hampstead Theatre
Peggy Ramsay is a theater legend. Around the time of her death in 1991, the Australian-born agent...
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One Actor, One Audience Member: Innovations in the Time of COVID
‘The pandemic did interesting things for creativity, forcing us to sequester ourselves and finish works that we hadn’t yet finished. It gave us an opportunity to really hanker down. We’re glad that some of the writers we have been working with a gonna present some of their material here, at Theatre For One.’
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West End Scene: London’s Trafalgar Theatre to Open with “Jersey Boys”
Trafalgar Entertainment’s Sir Howard Panter and Dame Rosemary Squire are leading theatre...
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Impact of COVID-19 on Creative Industries Among Core Topics of Culture Summit Abu Dhabi
Held under the theme “The Cultural Economy and the Economy of Culture” the Culture...
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Paresh Rawal to Head National School of Drama
Actor and former BJP MP Paresh Rawal has been appointed as the chairperson of the National School...
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Exploring Funding in Zimbabwean Theatre
Funding in Zimbabwean Theatre is a key challenge. There is no doubt that if one were to do an...
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Theater in The Time of COVID-19: Must The Show Go On?
Amidst the COVID-19 pandemic, people around the world turned to the arts and creative sector for...
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Drama Collective of Serbian National Theatre as an Example of Solidarity
There are more and more calls for help, appeals for solidarity when it comes to the most...
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Cultural Participation Policies: A Poverty of Ambitions
This series of articles was commissioned in preparation for the IETM Plenary Meeting in Rijeka,...
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All We Need is Audience Development?
This series of articles was commissioned in preparation for the IETM Plenary Meeting in Rijeka,...
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Zimbabwe’s Jasen Mphepo Little Theatre
The construction of performance spaces for creatives in Zimbabwe has been somewhat on the slow...
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Why Every Theatre Needs A Digital Strategy
Arts Council England is the investment, development and advocacy agency for the arts, museums, and...
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Should Our Funds For The Arts Pay For Cultural Democracy?
You can also read this article in French here. This series of articles, commissioned together...
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Bangalore Has Easily Become India’s No. 2 Theatre Hub
With growing talent and audiences, Bangalore has easily become the country’s No. 2 theatre hub,...
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To Be Public or Private That’s the Question: A Short Note
Around fifteen years ago performing arts in Tehran were bound to perform in six major venues...
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Financing Theatre: Public Funding And Freedom Of Art
Public funding and freedom of art–do the two sit well together? There is no right to state arts...
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