Girish Karnad Speaks to Arshia Sattar and Anmol Tickoo just a Few Days Before His Death
Karnad spoke about his life as a writer and cultural administrator, his accidental foray into...
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Management
“Russia Is My Country, Who Better Than Me to Clean Up the Ruins of Our Humanity:” Interview with Elena Kovalskaya – Part II
This is Part II of the two-part interview. To read Part I, click here. Yana Meerzon: Should we...
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“Russia Is My Country, Who Better Than Me to Clean Up the Ruins of Our Humanity”: Interview with Elena Kovalskaya – Part I
Russia is my country, who better than me to clean up the ruins of our humanity. – Elena...
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Exit interview: Dubravka Vrgoč
Dubravka Vrgoč, General and Artistic Director of the Croatian National Theatre in Zagreb, is set...
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Nairobi Hosts Major Performing Arts Conference
A stellar line-up of speakers, moderators and facilitators is scheduled to grace the event. They include academics, thespians and art critics.
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“Peggy For You,” Hampstead Theatre
Peggy Ramsay is a theater legend. Around the time of her death in 1991, the Australian-born agent...
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One Actor, One Audience Member: Innovations in the Time of COVID
There are some lyrics in Simon & Garfunkel’s The Dangling Conversation that really get to me:...
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West End Scene: London’s Trafalgar Theatre to Open with “Jersey Boys”
Trafalgar Entertainment’s Sir Howard Panter and Dame Rosemary Squire are leading theatre...
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Impact of COVID-19 on Creative Industries Among Core Topics of Culture Summit Abu Dhabi
Held under the theme “The Cultural Economy and the Economy of Culture” the Culture...
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Paresh Rawal to Head National School of Drama
Actor and former BJP MP Paresh Rawal has been appointed as the chairperson of the National School...
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Exploring Funding in Zimbabwean Theatre
Funding in Zimbabwean Theatre is a key challenge. There is no doubt that if one were to do an...
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Theater in The Time of COVID-19: Must The Show Go On?
Amidst the COVID-19 pandemic, people around the world turned to the arts and creative sector for...
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Drama Collective of Serbian National Theatre as an Example of Solidarity
There are more and more calls for help, appeals for solidarity when it comes to the most...
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Cultural Participation Policies: A Poverty of Ambitions
This series of articles was commissioned in preparation for the IETM Plenary Meeting in Rijeka,...
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All We Need is Audience Development?
This series of articles was commissioned in preparation for the IETM Plenary Meeting in Rijeka,...
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Zimbabwe’s Jasen Mphepo Little Theatre
The construction of performance spaces for creatives in Zimbabwe has been somewhat on the slow...
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Why Every Theatre Needs A Digital Strategy
Arts Council England is the investment, development and advocacy agency for the arts, museums, and...
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Should Our Funds For The Arts Pay For Cultural Democracy?
You can also read this article in French here. This series of articles, commissioned together...
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Bangalore Has Easily Become India’s No. 2 Theatre Hub
With growing talent and audiences, Bangalore has easily become the country’s No. 2 theatre hub,...
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To Be Public or Private That’s the Question: A Short Note
Around fifteen years ago performing arts in Tehran were bound to perform in six major venues...
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