“Hero Alom”: Shattering Frameworks of Beauty in Modern Indian Theatre
Writer-director, Mahesh Ruprao Ghodeswar’s Hero Alom pays homage to the mainstream cinema even...
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Translation
En-route To Constructing Translation For The Stage: The UCL Theatre Translation Futures Forum
In March 2019, translators, directors, performers and researchers gathered at University College...
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Henrik Ibsen’s “Rosmersholm” At The Duke Of York’s Theatre: Vibrant Classic
Rosmersholm is considered a difficult and rarely performed play. But, judging from this...
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Theatre Centre-Stage At US Literary Translation Conference
In 2018, the American Literary Translators Association (ALTA) gave pride of place to theatre...
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Foibles Of Upper-Class Philanderers
The irreverent stage persona of Naseeruddin Shah, cocking a snook at societal mores and...
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A Room Of One’s Own: A Theatre Translator In Residence
In October 2018, Theatre Times translation editor William Gregory became the inaugural translator...
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The Re-Invention Of Subtitling. A New Technical Approach To The International Market
“Pour bien faire, il faudrait un film qui tournerait la traduction intégrale (de la pièce) à la...
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I Saw The Most Remarkable Production Of “Hamlet” I’ve Ever Seen And Did Not Understand A Word Of It
Hamlet And Us was developed by Laboratorul de Arta, a collective within Bucharest of dancers,...
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Brecht Comes Home To Santa Monica With City Garage’s “Arturo Ui”
There are plays that feel timeless because they strike familiar chords and speak to something at...
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Confronting The Past: Anjon Bose’s “Garbh” Focuses on Rural Distress and Disintegration
Incorporating elements of post-modernism, surrealism and realism, Anjon Bose’s Garbh focuses on...
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“Winter Solstice” At Cannes
The thesis that fascism is encountered at all extremes of the political spectrum is a key to the...
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How To Make Plays In Foreign Languages Available To All Or Is This A Pipe Dream?
I was sitting expectantly in a theatre in Montreal to see Tom Na Fazenda (Tom A La Ferme or Tom At...
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Event Review: Ukrainian 1930s Avant-Garde Taking The Stage In London
Meet The team behind Maklena and become part of the story! Armed secret police were everywhere...
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Make Rome Great Again. A Revival Of Duerrenmatt’s “Romulus The Great” In New York
Review of Romulus the Great, Yangtze Repertory Theatre The Roman empire is under threat and is...
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ATIA Guest Blog: Translating For Theatre As Performative Translation: Interview With Dr. Stefano Muneroni
Translating a play for the stage may often be considered a form of literary translation, but it is...
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Elizaveta Boyarskaya: Acting And Directing Is More Than A Job—It Is A Mission
Following the premiere of Vassily Grossman’s Life And Fate at the Theatre Royal Haymarket on May...
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Keishi Nagatsuka Navigates Cultural Differences In Bringing Play About Capital Punishment To Japan
For casual fans of film, the name Martin McDonagh only became familiar after the movie he wrote,...
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Women Of The World Write: “Global Female Voices” At The Arcola Theatre
In April 2018, London’s Arcola Theatre staged Global Female Voices, an evening of play...
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The Importance Of “Hamlet”
The Bard’s tale on the machinations of Denmark’s royal family remains his most influential plays...
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Unpacking The Role Of Women In Ibsen’s “The Enemy Of The People”
Goodman’s Resident Dramaturg on how her work gives texture and specificity to a production....
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