Foibles Of Upper-Class Philanderers
The irreverent stage persona of Naseeruddin Shah, cocking a snook at societal mores and...
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Translation
A Room Of One’s Own: A Theatre Translator In Residence
In October 2018, Theatre Times translation editor William Gregory became the inaugural translator...
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The Re-Invention Of Subtitling. A New Technical Approach To The International Market
“Pour bien faire, il faudrait un film qui tournerait la traduction intégrale (de la pièce) à la...
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I Saw The Most Remarkable Production Of “Hamlet” I’ve Ever Seen And Did Not Understand A Word Of It
Hamlet And Us was developed by Laboratorul de Arta, a collective within Bucharest of dancers,...
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Brecht Comes Home To Santa Monica With City Garage’s “Arturo Ui”
There are plays that feel timeless because they strike familiar chords and speak to something at...
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Confronting The Past: Anjon Bose’s “Garbh” Focuses on Rural Distress and Disintegration
Incorporating elements of post-modernism, surrealism and realism, Anjon Bose’s Garbh focuses on...
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“Winter Solstice” At Cannes
The thesis that fascism is encountered at all extremes of the political spectrum is a key to the...
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How To Make Plays In Foreign Languages Available To All Or Is This A Pipe Dream?
I was sitting expectantly in a theatre in Montreal to see Tom Na Fazenda (Tom A La Ferme or Tom At...
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Event Review: Ukrainian 1930s Avant-Garde Taking The Stage In London
Meet The team behind Maklena and become part of the story! Armed secret police were everywhere...
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Make Rome Great Again. A Revival Of Duerrenmatt’s “Romulus The Great” In New York
Review of Romulus the Great, Yangtze Repertory Theatre The Roman empire is under threat and is...
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ATIA Guest Blog: Translating For Theatre As Performative Translation: Interview With Dr. Stefano Muneroni
Translating a play for the stage may often be considered a form of literary translation, but it is...
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Elizaveta Boyarskaya: Acting And Directing Is More Than A Job—It Is A Mission
Following the premiere of Vassily Grossman’s Life And Fate at the Theatre Royal Haymarket on May...
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Keishi Nagatsuka Navigates Cultural Differences In Bringing Play About Capital Punishment To Japan
For casual fans of film, the name Martin McDonagh only became familiar after the movie he wrote,...
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Women Of The World Write: “Global Female Voices” At The Arcola Theatre
In April 2018, London’s Arcola Theatre staged Global Female Voices, an evening of play...
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The Importance Of “Hamlet”
The Bard’s tale on the machinations of Denmark’s royal family remains his most influential plays...
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Unpacking The Role Of Women In Ibsen’s “The Enemy Of The People”
Goodman’s Resident Dramaturg on how her work gives texture and specificity to a production....
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“Ballyturk” Delivers A Surreal Yet Exciting Challenge
When Akira Shirai first read the script for Ballyturk, he quickly understood why its creator,...
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Thou Art Translated! How Shakespeare Went Viral
In A Midsummer Night’s Dream, when Peter Quince sees Bottom turned into an ass-headed figure, he...
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The Greatest Play Ever Written: Translating “The Cherry Orchard”
Rory Mullarkey introduces his new version of Chekhov’s masterpiece for Bristol Old Vic. “The...
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A Place To Be Seen: Global Queer Plays At The Arcola Theatre
On March 3 and 4 2018, the Arcola Theatre in East London presented Global Queer Plays, a series of...
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