“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part II]
To read PART I of this interview, go to this link. Hayel Ali Al-Mathabi: In light of this...
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Transcultural Collaborations
“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part I]
Marina Hanganu is a theatre director, cultural manager and researcher exploring the intersection...
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The Many Publics Of “The Marché Des Arts Du Spectacle D’Abidjan”
The Marché des Arts du Spectacle d’Abidjan (Abidjan Market for Performing Arts), or MASA, is one...
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“The Hope Theory:” A Recipe For Believing In Your Dreams
“Don’t take freedom for granted!” This saying is what Helder Guimarães heard...
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“We Have To Bring Awareness About The Consequences Of Our Habits Here And Now.”
On a cool July day, in between heat waves, five people gather in a virtual meeting to talk about...
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“Kiss” at the Wilma Theater
Directed by Fadi Skeiker with Wilma Hothouse Company favorites, the show’s physical and visual...
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Plans for Kenya International Theatre Festival in Full Gear
Plans for the 2023 Kenya International Theatre Festival are in high gear. The 8th edition of the...
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“KPOP” On Broadway: A Multisensory Feast of HEUNG
KPOP is a new musical, with a book by Jason Kim and music by Helen Park and Max Vernon. It...
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“The Arabian Nights” in Taiwan: Deserted in the Oriental Dream
Originally a collection of West Asian folktales, The Arabian Nights may be the series of...
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ENTRE: A Dispersed Festival of Literature and Theater in Goiania and São Paulo, Brazil
An ambitious plan to fly from Gdańsk, Poland to Goiânia, Brazil and co-organize as well as lead a...
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Theatre and Social Justice in Brazil: The Successful Case of the São Paulo Theatre School
Introduction São Paulo Theatre School was founded in 2009 with the aim to establish a democratic...
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The ENTRE Festival in Midwest Brazil
ENTRE, is a Portuguese verb in the imperative tense that invites us to enter. That says to us:...
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The Brazilian Experience with Different Forms of Technopresence in Theatre: Os Satyros and SP Escola de Teatro
Praça Roosevelt (Roosevelt Square) is a square located in downtown São Paulo. It was a historic...
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Black Theatre in Asia—Spotlight Query
It began as a direct message conversation between two black creatives: Ghanniy Oyedele from...
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Coming Soon: The 1st International Symposium on Contemporary Asian Theatre, University of Göttingen (Hybrid)
The University of Göttingen would like to invite you to The 1st International Symposium on...
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Bodies of Knowledge – Facilitating Alternative and Humane Ways of Learning
Bodies of Knowledge (BOK) is a semi-nomadic classroom that facilitates alternative and...
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“The Aliens Make Thanksgiving Dinner:” An Interview With Co-Creators James Clements, Derya Celikkol, and Maamoun Tebbo
“The Aliens Make Thanksgiving Dinner” is a new devised play, co-written, co-directed...
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“The Legend of the Waitress & the Robber”: World Premiere of NYC-Seoul Collaboration Inspired by Schiller and Hong Gildong
The Legend of The Waitress & The Robber is a collaboration between the Korean theatre...
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Independent Theatre in Romania: “You Can’t Change the System from the Inside”
Founded in 2015, Theatre Arts Group (TAG) is an independent theatre company in Romania that trains...
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When Languages Fall Apart: InlanDimensions International Arts Festival
Looking at the titles in the InlanDimensions theater lineup, I was hard put to find a common...
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