Alma Prelec

artistic director
Alma Prelec is a Hispanist and theatre practitioner. Based in London, she holds a BA and Clarendon-funded MSt from the University of Oxford, where she specialised in Golden Age and contemporary Spanish theatre. As of October 2019, she is a member of the research project Staging Difficult Pasts as an AHRC-funded doctoral candidate at The Royal Central School of Speech and Drama, University of London. Her thesis (working title: Civil War on the Transnational Stage: Spain and Yugoslavia) examines cross-cultural depictions of civil war across artistic media and is co-supervised by Maria Delgado and Duska Radosaljevic. Current cultural engagement includes collaboration with Nico Marzano and the ICA in the curation of the 2020 Film Festival Frames of Representation. She is the co-artistic director of the 2020 Theatre Times IOTF (International Online Theatre Festival).
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Most Popular Posts
Mikhoels by Freud: “The Singing… by Vassili Schedrin 31st May 2022
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Recent Posts
- “Lotus Beauty,” Hampstead Theatre 22nd June 2022
- From a Position of Perspectives: An Interview with Patrice Pavis 21st June 2022
- Chennai Theatre Veteran PC Ramakrishna Turns Author with “Find Your Voice” 20th June 2022
- With the Hope to Make Telugu Theater a Sustainable Career Option 19th June 2022
- “House of Ife,” Bush Theatre 18th June 2022
- The Meaning of Theater: Slava Stepnov’s “Flawed Choir” at the Steps Theatre 17th June 2022
- When City Streets Record Fading Performance Traditions 16th June 2022
- Black Second-Act Problems: “Black No More” by The New Group 15th June 2022
- “The Haunting of Susan A” at The King’s Head Theatre 14th June 2022
- Director Maria Mileaf and Actor Aline Salloum on Oren Safdie’s High School Crush Gone Sideways, “Gratitude” 13th June 2022