On Lone Borders: Juan Mayorga’s “Los Yugoslavos”
Juan Mayorga’s Los yugoslavos [The Yugoslavs] is, to-date, the only one of the acclaimed Spanish...
Read MoreAlma Prelec is a postdoctoral fellow at the Royal Central School of Speech and Drama, University of London. She joined the Theatre Times during the Covid-19 pandemic as Co-Artistic Director of the International Online Theatre Festival (2020 and 2021 editions). During her tenure, the IOTF featured works by the Berlin Schaubühne, Stanislavsky Electrotheatre, and the Actors Touring Company (ATC), among other performance collectives. Her first monograph, forthcoming with Legenda, explores cultural connections between Spain and the former Yugoslavia, and expands on her AHRC-funded doctoral thesis, which was awarded the Association of Hispanists' dissertation prize in 2025. While pursuing her doctorate, she worked as a film researcher for Nico Marzano at the London ICA, as a curator and interviewer for the Theatre Times, and as a Stipendiary Lecturer in Spanish literature at the University of Oxford (2021-24).
Posted by Alma Prelec | 25th Jun 2025 | Review, Spain, Transcultural Collaborations
Juan Mayorga’s Los yugoslavos [The Yugoslavs] is, to-date, the only one of the acclaimed Spanish...
Read More
Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
A Theatre Like Society In The Fundamentalist… by Ivanka Apostolova Baskar 23rd May 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026 
The Precipitation Of Performance: Braddy And Burns… by Paul Shields 6th June 2026 

Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026