Bombastic Intimacies: Sophie McIntosh’s “cityscrape”
Empty Gregory’s coffee cups and PureLeaf bottles reside on a table, Trader Joe’s bags are against...
Read MoreRhiannon Ling (she/her) is a New York-based playwright, screenwriter, dramaturg, actor, and director. Having graduated from Molloy University/CAP21 Conservatory in 2021, she specializes in the creation and development of politically-driven, community-engaged story across mediums. Her work often revolves around gender and sexuality and its entwining with history, politics, the arts, and identity; she is passionate about amplifying the voices of those silenced, providing unity in discomfort, and sparking genuine query between opposition.
Posted by Rhiannon Ling | 30th May 2023 | New York, Review, Theatre and Gender, United States of America
Empty Gregory’s coffee cups and PureLeaf bottles reside on a table, Trader Joe’s bags are against...
Read MorePosted by Rhiannon Ling | 23rd Mar 2023 | Adaptation, New York, Review, United States of America
It can be difficult to gain contemporary audience for Shakespearean performance. Though the Bard’s...
Read MorePosted by Rhiannon Ling | 22nd Feb 2023 | Devised Theatre, New York, Review, Theatre and Politics, United States of America
Entering the theatre at HERE Arts, there is already a sense of broken ground. My companion and I...
Read MorePosted by Rhiannon Ling | 13th Feb 2023 | Devised Theatre, New York, Review, Theatre and Gender, Theatre and Politics, United States of America
Only a week after the invasion of Ukraine, three creatives found themselves nestled around a...
Read MorePosted by Rhiannon Ling | 4th Dec 2022 | New York, News, Playwriting, Theatre and Gender, United States of America
Walking to the back of Sisters on Fulton, the excitement is palpable. A sizable group has gathered...
Read MorePosted by Rhiannon Ling | 10th Oct 2022 | Adaptation, New York, Review, Theatre and Gender, United States of America
“Patriarchy is a judge that judges us for being born” proclaims the banner wrapped above our...
Read MorePosted by Rhiannon Ling | 25th Aug 2022 | Dramaturgy, Interview, Musical Theatre, New York, United States of America
This is part 2 of the bipartite interview. To read part 1, click here. Welcome back to the second...
Read MorePosted by Rhiannon Ling | 24th Aug 2022 | Dramaturgy, Interview, Musical Theatre, New York, United States of America
Regan Hicks is one of my dearest friends and closest collaborators. We’ve worked on a number of...
Read MorePosted by Rhiannon Ling | 22nd Aug 2022 | Adaptation, New York, Review, Theatre and Gender, United States of America
I went to theatre school. Know this before reading on. I went to theatre school, trained as an...
Read MorePosted by Rhiannon Ling | 16th Feb 2022 | Interview, Theatre and Film, United States of America
These past two years have proven how much of a home the theatre is, something many only realized...
Read MorePosted by Rhiannon Ling | 12th Feb 2022 | Interview, Playwriting, United States of America
Dietrich Bonhoeffer is not a name typically associated with the theatre. Though the Bonhoeffer...
Read MorePosted by Rhiannon Ling | 19th Aug 2021 | Devised Theatre, Interview, Theatre and Politics, United States of America
In the midst of the vibrant Dallas theatre scene, there lies a company of prize-winning political...
Read MorePosted by Rhiannon Ling | 16th Jun 2021 | Chicago, Review, Theatre and Film, United States of America
“I meant to do something about it, but I didn’t.” So goes the refrain when we, as flawed human...
Read MorePosted by Rhiannon Ling | 7th Mar 2021 | Chicago, Interview, Theatre and Gender, Transmedia, United States of America, Worldwide
As a female-identifying artist deeply invested in women’s stories (and as a staunch feminist),...
Read MorePosted by Rhiannon Ling | 2nd Jan 2021 | Covid-19, Review, United States of America
The issue with Zoom theatre is that, oftentimes, the two do not comply: theatrical performance is...
Read MorePosted by Rhiannon Ling | 15th Nov 2020 | Covid-19, New York, Review, Theatre and Politics, United States of America
Keely and Du, Jane Martin’s seminal work from 1993, is a piece often touted for its emotional...
Read MorePosted by Rhiannon Ling | 21st Oct 2020 | Essay, Theatre and Disability, Theatre and Politics, United States of America
There’s no denying that COVID-19 has been a financial and connectivity nightmare for artists....
Read MorePosted by Rhiannon Ling | 21st Sep 2020 | Adaptation, Covid-19, United States of America
Zoom plays can feel a little dry. I’m sure, after months of this quarantine, we’ve all had the...
Read MorePosted by Rhiannon Ling | 6th Sep 2020 | Covid-19, LGBTQ Theatre, New York, Review, Transmedia, United States of America
Beginning with the erecting of a green screen and ending with its dismantling, Different Stars: A...
Read MorePosted by Rhiannon Ling | 30th Aug 2020 | Interview, Norway, Theatre for Young Audiences, Transcultural Collaborations, United Kingdom
It’s no secret that climate change is a universal topic, a subject that has only just begun to...
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