Bombastic Intimacies: Sophie McIntosh’s “cityscrape”
Empty Gregory’s coffee cups and PureLeaf bottles reside on a table, Trader Joe’s bags are against...
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Rhiannon Ling
The Envy of Baz Luhrmann: A Parkside “Romeo + Juliet” to Remember
It can be difficult to gain contemporary audience for Shakespearean performance. Though the Bard’s...
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Brecht, Kabarett, and Pussy Riot: The Impact of AnomalousCo’s “(beyond) Doomsday Scrolling”
Entering the theatre at HERE Arts, there is already a sense of broken ground. My companion and I...
Read MoreThe Poeticism of Woman’s War: AnomalousCo’s “(beyond) Doomsday Scrolling”
Only a week after the invasion of Ukraine, three creatives found themselves nestled around a...
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“In a World Without Roe,” Hedgepig Ensemble Theatre Fosters Theatrical Parity
Walking to the back of Sisters on Fulton, the excitement is palpable. A sizable group has gathered...
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Patriarchy as Judge: Smith Street’s Contemporary “Measure for Measure”
“Patriarchy is a judge that judges us for being born” proclaims the banner wrapped above our...
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In Conversation with Regan Hicks: Part Two
This is part 2 of the bipartite interview. To read part 1, click here. Welcome back to the second...
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In Conversation with Regan Hicks: Part One
Regan Hicks is one of my dearest friends and closest collaborators. We’ve worked on a number of...
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“Don’t You Hate It When Assholes Are Talented?”: “macbitches” at Chain Theatre
I went to theatre school. Know this before reading on. I went to theatre school, trained as an...
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“Final Curtain Call:” Theatre, Home, and Determination
These past two years have proven how much of a home the theatre is, something many only realized...
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“This Mortal Life Also:” A Conversation with Playwright Nancy Shank
Dietrich Bonhoeffer is not a name typically associated with the theatre. Though the Bonhoeffer...
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Cry Havoc Theater Company Lets Slip the Dogs of War
In the midst of the vibrant Dallas theatre scene, there lies a company of prize-winning political...
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On the Basis of Sustainability: Artemisia Theatre’s “Goods”
“I meant to do something about it, but I didn’t.” So goes the refrain when we, as flawed human...
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Women in the Lead: Julie Proudfoot on Artemisia Theatre’s 2021 Digital Season
As a female-identifying artist deeply invested in women’s stories (and as a staunch feminist),...
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Amir Nizar Zuabi’s “This Is Who I Am:” A Reminder of Family, Humanity, and the Power of Theatre
The issue with Zoom theatre is that, oftentimes, the two do not comply: theatrical performance is...
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“Keely and Du” at The Seeing Place
Keely and Du, Jane Martin’s seminal work from 1993, is a piece often touted for its emotional...
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Accessibility in the Time of Corona: An Overview
There’s no denying that COVID-19 has been a financial and connectivity nightmare for artists....
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“Call From”: A Web Series with Hilarity and Heart
Zoom plays can feel a little dry. I’m sure, after months of this quarantine, we’ve all had the...
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“Different Stars:” A Song Cycle in Digital Form
Beginning with the erecting of a green screen and ending with its dismantling, Different Stars: A...
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“The Atlantis Project:” Creator Chris Harris on the Intersection of Culture and Climate Change in His New Audio Series for Young Audiences
It’s no secret that climate change is a universal topic, a subject that has only just begun to...
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