“In a World Without Roe,” Hedgepig Ensemble Theatre Fosters Theatrical Parity
Walking to the back of Sisters on Fulton, the excitement is palpable. A sizable group has gathered...
Read MoreRhiannon Ling is a recent student of Molloy College/CAP21 Conservatory, graduating Magna Cum Laude with a BFA in Theatre Arts and a minor in Writing in May of 2021. A writer, dramaturg, and performer, her interests and passions lie in creating, reimagining, and supporting works that elevate silenced voices and challenge society’s conventional view of history. In particular, she works in the realms of gender and sexuality, rape culture, and mental illness, exploring and provoking questions regarding their entwining with the arts, politics, history, and identity.
Posted by Rhiannon Ling | 4th Dec 2022 | New York, News, Playwriting, Theatre and Gender, United States of America
Walking to the back of Sisters on Fulton, the excitement is palpable. A sizable group has gathered...
Read MorePosted by Rhiannon Ling | 10th Oct 2022 | Adaptation, New York, Review, Theatre and Gender, United States of America
“Patriarchy is a judge that judges us for being born” proclaims the banner wrapped above our...
Read MorePosted by Rhiannon Ling | 25th Aug 2022 | Dramaturgy, Interview, Musical Theatre, New York, United States of America
This is part 2 of the bipartite interview. To read part 1, click here. Welcome back to the second...
Read MorePosted by Rhiannon Ling | 24th Aug 2022 | Dramaturgy, Interview, Musical Theatre, New York, United States of America
Regan Hicks is one of my dearest friends and closest collaborators. We’ve worked on a number of...
Read MorePosted by Rhiannon Ling | 22nd Aug 2022 | Adaptation, New York, Review, Theatre and Gender, United States of America
I went to theatre school. Know this before reading on. I went to theatre school, trained as an...
Read MorePosted by Rhiannon Ling | 16th Feb 2022 | Interview, Theatre and Film, United States of America
These past two years have proven how much of a home the theatre is, something many only realized...
Read MorePosted by Rhiannon Ling | 12th Feb 2022 | Interview, Playwriting, United States of America
Dietrich Bonhoeffer is not a name typically associated with the theatre. Though the Bonhoeffer...
Read MorePosted by Rhiannon Ling | 19th Aug 2021 | Devised Theatre, Interview, Theatre and Politics, United States of America
In the midst of the vibrant Dallas theatre scene, there lies a company of prize-winning political...
Read MorePosted by Rhiannon Ling | 16th Jun 2021 | Chicago, Review, Theatre and Film, United States of America
“I meant to do something about it, but I didn’t.” So goes the refrain when we, as flawed human...
Read MorePosted by Rhiannon Ling | 7th Mar 2021 | Chicago, Interview, Theatre and Gender, Transmedia, United States of America, Worldwide
As a female-identifying artist deeply invested in women’s stories (and as a staunch feminist),...
Read MorePosted by Rhiannon Ling | 2nd Jan 2021 | Covid-19, Review, United States of America
The issue with Zoom theatre is that, oftentimes, the two do not comply: theatrical performance is...
Read MorePosted by Rhiannon Ling | 15th Nov 2020 | Covid-19, New York, Review, Theatre and Politics, United States of America
Keely and Du, Jane Martin’s seminal work from 1993, is a piece often touted for its emotional...
Read MorePosted by Rhiannon Ling | 21st Oct 2020 | Essay, Theatre and Disability, Theatre and Politics, United States of America
There’s no denying that COVID-19 has been a financial and connectivity nightmare for artists....
Read MorePosted by Rhiannon Ling | 21st Sep 2020 | Adaptation, Covid-19, United States of America
Zoom plays can feel a little dry. I’m sure, after months of this quarantine, we’ve all had the...
Read MorePosted by Rhiannon Ling | 6th Sep 2020 | Covid-19, LGBTQ Theatre, New York, Review, Transmedia, United States of America
Beginning with the erecting of a green screen and ending with its dismantling, Different Stars: A...
Read MorePosted by Rhiannon Ling | 30th Aug 2020 | Interview, Norway, Theatre for Young Audiences, Transcultural Collaborations, United Kingdom
It’s no secret that climate change is a universal topic, a subject that has only just begun to...
Read MorePosted by Rhiannon Ling | 21st Aug 2020 | New York, Review, Transmedia, United States of America
With the coronavirus pandemic still running rampant and limiting in-person gatherings, theatre...
Read MorePosted by Rhiannon Ling | 6th Jun 2020 | Interview, Theatre and Film, United States of America
Michelle Memran is the documentarian behind The Rest I Make Up (2018), a touchingly candid...
Read MorePosted by Rhiannon Ling | 18th May 2020 | Covid-19, Interview, Theatre for Young Audiences, United States of America
BLIXT Locally Grown was born on “a car ride between Scottsbluff and Lincoln,” Becky Boesen...
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