They Were People: Brittany K. Allen’s “Redwood” at EST
I stopped taking notes about halfway through Brittany K. Allen’s Redwood. I can think of no better...
Read MoreRhiannon Ling (she/her) is a New York-based playwright, screenwriter, dramaturg, actor, and director. Having graduated from Molloy University/CAP21 Conservatory in 2021, she specializes in the creation and development of politically-driven, community-engaged story across mediums. Her work often revolves around gender and sexuality and its entwining with history, politics, the arts, and identity; she is passionate about amplifying the voices of those silenced, providing unity in discomfort, and sparking genuine query between opposition.
Posted by Rhiannon Ling | 20th Nov 2023 | New York, Review, Theatre and Decolonization, United States of America
I stopped taking notes about halfway through Brittany K. Allen’s Redwood. I can think of no better...
Read MorePosted by Rhiannon Ling | 14th Nov 2023 | Adaptation, New York, Review, United States of America, Worldwide
The Sheen Center is, I find myself thinking, the perfect place to host Locus29’s Hell Dialogues....
Read MorePosted by Rhiannon Ling | 1st Nov 2023 | New York, Playwriting, Review, Theatre and Gender, United States of America
To begin as we proceed, with full transparency, I have to admit how big a fan I am of SheNYC Arts...
Read MorePosted by Rhiannon Ling | 22nd Oct 2023 | Adaptation, New York, Review, Theatre and Gender, United States of America, Worldwide
Anat Gov’s Best Friends lives in a world of dichotomy. The title is both entirely true and...
Read MorePosted by Rhiannon Ling | 18th Oct 2023 | Interview, New York, Theatre and Gender, Theatre and Politics, United States of America, Worldwide
Agnieszka Kazimierska has always been an artist. From the age of six, she told as much to her...
Read MorePosted by Rhiannon Ling | 13th Sep 2023 | News, Participatory Theatre, Theatre and Politics, United States of America
When it comes to Wild Home: An American Odyssey, the project is best-described by its subtitle....
Read MorePosted by Rhiannon Ling | 2nd Sep 2023 | LGBTQ Theatre, New York, Review, Theatre and Gender, United States of America
It’s no secret that I’m an advocate for feminist, queer theatre. Or that I enjoy worlds of the...
Read MorePosted by Rhiannon Ling | 26th Jul 2023 | Devised Theatre, Editorial, New York, Theatre and Decolonization, United States of America
Fifteen years ago, The Anthropologists came to be in New York City, a group of devisers born of a...
Read MorePosted by Rhiannon Ling | 24th Jul 2023 | New York, Review, Theatre and Gender, United States of America
Upon one’s first step into the Players Theatre, one knows exactly what they’re in for. The stage...
Read MorePosted by Rhiannon Ling | 30th May 2023 | New York, Review, Theatre and Gender, United States of America
Empty Gregory’s coffee cups and PureLeaf bottles reside on a table, Trader Joe’s bags are against...
Read MorePosted by Rhiannon Ling | 23rd Mar 2023 | Adaptation, New York, Review, United States of America
It can be difficult to gain contemporary audience for Shakespearean performance. Though the Bard’s...
Read MorePosted by Rhiannon Ling | 22nd Feb 2023 | Devised Theatre, New York, Review, Theatre and Politics, United States of America
Entering the theatre at HERE Arts, there is already a sense of broken ground. My companion and I...
Read MorePosted by Rhiannon Ling | 13th Feb 2023 | Devised Theatre, New York, Review, Theatre and Gender, Theatre and Politics, United States of America
Only a week after the invasion of Ukraine, three creatives found themselves nestled around a...
Read MorePosted by Rhiannon Ling | 4th Dec 2022 | New York, News, Playwriting, Theatre and Gender, United States of America
Walking to the back of Sisters on Fulton, the excitement is palpable. A sizable group has gathered...
Read MorePosted by Rhiannon Ling | 10th Oct 2022 | Adaptation, New York, Review, Theatre and Gender, United States of America
“Patriarchy is a judge that judges us for being born” proclaims the banner wrapped above our...
Read MorePosted by Rhiannon Ling | 25th Aug 2022 | Dramaturgy, Interview, Musical Theatre, New York, United States of America
This is part 2 of the bipartite interview. To read part 1, click here. Welcome back to the second...
Read MorePosted by Rhiannon Ling | 24th Aug 2022 | Dramaturgy, Interview, Musical Theatre, New York, United States of America
Regan Hicks is one of my dearest friends and closest collaborators. We’ve worked on a number of...
Read MorePosted by Rhiannon Ling | 22nd Aug 2022 | Adaptation, New York, Review, Theatre and Gender, United States of America
I went to theatre school. Know this before reading on. I went to theatre school, trained as an...
Read MorePosted by Rhiannon Ling | 16th Feb 2022 | Interview, Theatre and Film, United States of America
These past two years have proven how much of a home the theatre is, something many only realized...
Read MorePosted by Rhiannon Ling | 12th Feb 2022 | Interview, Playwriting, United States of America
Dietrich Bonhoeffer is not a name typically associated with the theatre. Though the Bonhoeffer...
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