Developing Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part II
To read PART I of this essay, go to this link. Having consulted with mana whenua[1]People...
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Theatre and Decolonization
Developing Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part I
In her article “The Limits of Cross-cultural Dialogue: Pedagogy, Desire, and Absolution in the...
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Raising Fists and Sharing Bread: Tiziano Cruz’s “Wayqeycuna” (Argentina)
A shimmering Andes mountain range made of light and weave. The sound of rattling bells. A...
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Kia Mau Festival Brings Hana Keaka (Hawaiian Language Theatre) to Aotearoa: “Puana” by Tammy Haili‘ōpua Baker
In the opening scene of Puana, a musical play written and directed by Professor Tammy Haili‘ōpua...
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Thriving in an Either-Or World: An Interview with Taiwan-based Pangcah Theatre Artist Ihot Sinlay Cihek
Ihot Sinlay Cihek is a Taiwan-based Pangcah theatre artist whose work confronts the intersecting...
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Tanika Gupta’s “Hedda” at the Orange Tree Theatre: A Fresh And Fascinating Reinterpretation Of A Classic Which Foregrounds The Issues Of Race And Empire
In 2023, Malaysian actor Michelle Yeoh won the Best Actress Oscar for her performance in...
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Decolonizing Iraqi Theatre: Why We Need to Stop Quoting the West
Inherited Voices: A Theatre of Borrowed Authority Recently, I’ve found myself drawn to a popular...
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Coral Wylie’s Lavender, Hyacinth, Violet, Yew at the Bush Theatre: Tender And Original Debut About The Black Queer Experience
Diaries are dynamite — they hold secrets, and secrets can tear families apart. In Coral Wylie’s...
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Roy Williams’s The Lonely Londoners at the Kiln Theatre: Superb Stage Adaptation Of The Classic Sam Selvon Windrush Novel
Is resilience the most powerful character trait? When you think about the suffering of the...
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Electrifying Ensemble Performance and Political Satire in New Māori Play: “Unreel” by Helen Pearse-Otene
The stage explodes with ihi (essential force) and aroha (love, empathy) in Unreel, the new work by...
Read More![On The Other Side Of The Conundrum – A New Drama Inspired By “Picnic At Hanging Rock” In The National Theater Of Warsaw Poland [Part III]](https://thetheatretimes.com/wp-content/uploads/2024/09/PIKNIK_galeria_17_fot.-Magda_Hueckel-627x376.jpg.webp)
On The Other Side Of The Conundrum – A New Drama Inspired By “Picnic At Hanging Rock” In The National Theater Of Warsaw Poland [Part III]
To read PART I of this interview, go to this link. For Part II, click here. All the bad ones are...
Read More![On The Other Side Of The Conundrum – A New Drama Inspired By “Picnic At Hanging Rock” In The National Theater Of Warsaw Poland [Part II]](https://thetheatretimes.com/wp-content/uploads/2024/09/PIKNIK_galeria_12_fot.-Magda_Hueckel-627x376.jpg.webp)
On The Other Side Of The Conundrum – A New Drama Inspired By “Picnic At Hanging Rock” In The National Theater Of Warsaw Poland [Part II]
To read PART I of this interview, go to this link. For Part III, click here. Men –...
Read More![On The Other Side Of The Conundrum – A New Drama Inspired By “Picnic At Hanging Rock” In The National Theater Of Warsaw Poland [Part I]](https://thetheatretimes.com/wp-content/uploads/2024/09/PIKNIK_galeria_1_fot.-Magda_Hueckel-627x376.jpg.webp)
On The Other Side Of The Conundrum – A New Drama Inspired By “Picnic At Hanging Rock” In The National Theater Of Warsaw Poland [Part I]
It might seem that the indefinitely prolonged Covid epidemic, which contributed to the...
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Post-Colonial B-Horror: “The Visitors” at Volksbühne Berlin
This summer, Berlin’s Volksbühne presented The Visitors, a new work by the choreographer Constanza...
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Critical Generosity as a Decolonial Praxis
A view on EXÓTICA, by Amanda Piña / Studio Fortuna Art criticism is a stronghold of Western...
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Legacy of TiyatroTem on the Independent Theatre Scene of Turkey after 2000s
TiyatroTem (2001-2017) was established by Şehsuvar Aktaş (b. 1964) and Ayşe Selen (1955-2017) in...
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Translating the Act: Kenyan Producers Keeping Indigenous Languages in Auditoriums
In recent years, there has been a growing movement towards promoting and preserving indigenous...
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They Were People: Brittany K. Allen’s “Redwood” at EST
I stopped taking notes about halfway through Brittany K. Allen’s Redwood. I can think of no better...
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Tanika Gupta’s “The Empress” at the Lyric Hammersmith: Epic RSC History Play Tackles Race and Empire
Anniversaries are great moments for reassessment. Ten years ago, the Royal Shakespeare Company...
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God Is Alive, Magic Is Afoot
South African performance artist, writer and cultural worker Kopano Maroga interrogates the...
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