“All About Making Things”: An Exclusive Interview with Matthew C. Yee (Part II)
For Part I of the interview, click here. Susanna: The play deals with the Asian American topic,...
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Chicago
“All About Making Things”: An Exclusive Interview with Matthew C. Yee (Part I)
A personal interview with the visionary and multi-talented Matthew C. Yee reveals exclusive...
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Exploring Palestinian Allyship in “Decolonizing Sarah”
Hummus is not appropriated hipster dip, it’s Palestinian food. So argues Wally, a...
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Emerging Playwright Embarks on Gershwin Era Musical
American playwright and concert pianist, William Robert Martin, is an emerging artist whose star...
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On the Basis of Sustainability: Artemisia Theatre’s “Goods”
“I meant to do something about it, but I didn’t.” So goes the refrain when we, as flawed human...
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Women in the Lead: Julie Proudfoot on Artemisia Theatre’s 2021 Digital Season
As a female-identifying artist deeply invested in women’s stories (and as a staunch feminist),...
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The Annoyance’s “Splatter Theater:” Sharing a Chicago Halloween Tradition with an Online Audience
While theaters around the United States typically produce The Rocky Horror Picture Show around...
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Paranoia at the Fore in Steppenwolf’s Revival of Tracy Letts’s “Bug”
Tracy Letts’s Bug may be fourteen years old, but this tale of a couple convinced that they are...
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Welcome to the Age of the Latina Nerd: “I Am Not Your Perfect Mexican Daughter” at Steppenwolf For Young Adults
Welcome to the Age of the Latina Nerd! Anywhere you look—on stage, on screen, on the written page,...
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Keeping Faith, Spreading Hope: Rohina Malik’s “Keeping Faith: Sisters of Story”
The music was audible before I entered the theatre. As I walked down the aisle to my seat, the...
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Shakespeare, Sinatra, And The Philosophy Of Aging
Aging in the world of entertainment is portrayed in a variety of ways. In some cases it’s graceful...
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French Highlights At Chicago International Puppet Theater Festival
The Chicago International Puppet Theater Festival is proud to announce the establishment of The...
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Who Is Theater Maker Ellenor Riley-Condit?
Ellenor Riley-Condit is an actor, producer, creator, and artistic director of The Syndicate. She...
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Tekki Lomnicki And Tellin’ Tales Theatre: In Discussion
Tekki Lomnicki is the artistic director of Tellin’ Tales Theatre, located in Chicago, and...
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Our Streets, Our City: “Not For Sale” By Guadalís Del Carmen Premieres At UrbanTheater Company
One of the core components of the Latinx Theatre Commons Carnaval of New Latinx Work in July 2018...
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Jen Silverman’s “The Roommate” Updates The Narrative For Middle-Aged Women
Everyone has a bad roommate story. Whether it was your college roommate or your little sister...
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“This Is Modern Art”: A Scatterplot
This Is Modern Art, originally commissioned by Chicago’s Steppenwolf Theater, makes its New York...
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Metropolis Visits “Avenue Q” In Female-Led Production
Memory lane took on the form of a shabby New York City block dubbed “Avenue Q” for...
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Unpacking The Role Of Women In Ibsen’s “The Enemy Of The People”
Goodman’s Resident Dramaturg on how her work gives texture and specificity to a production....
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Steppenwolf’s Savage New Play -“The Minutes”
“Democracy is messy.” As we sit in our seats waiting for the show to begin we fix our gaze on a...
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