“Invisible Lands,” Bodies, Gods, and… People
Invisible Lands, a two-performer act, initially presents itself as a nonverbal production with...
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Romania
“Pericles” – An Odyssey from Timișoara
Depicting an odyssey on stage is rather a challenge, especially when the main means of transport...
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“Youth Without God;” Unkind, Realistic Reminder
TESZT 2024 brings, from Zagreb Youth Theatre, Borut Šeparović’s production Youth Without God, on a...
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Death Is Funny, Death is Lame, Death is Sudden, Death Can Happen to “Anybody”
A bitter-sweet, funny memento mori (and memento vivere, for that matter), Forte Company – Szkéné...
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TESZT 15: Euroregional Theatre Festival Timișoara, Romania (19-26 May, 2024)
Within the rich landscape of Romanian theatre festivals, TESZT has carved out a niche as an...
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“The Book of Ruth”: Kaddish For Peaceful Life
The 10th edition of the Madách International Theatre Meeting in Budapest coincided with the Jewish...
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The Digital Spectator. Romanian Experiences During the Pandemic
The topic of the digital spectator and, implicitly, the one of the multi-stratified co-presence,...
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Acting Coach Bettina Lohmeyer In Conversation With Florentina Bratfanof: ”I Was Surprised To See Romanian Actors Were So Open”
Florentina Bratfanof, Casting Director, has been observed for five years in a row Susan Batson’s...
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The Revolution of Tragedies: An Interview with Romanian Director Andrei Majeri
During the very agonic and snail-slow, first foggy year under COVID of 2020, I met theater...
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Independent Theatre in Romania: “You Can’t Change the System from the Inside”
Founded in 2015, Theatre Arts Group (TAG) is an independent theatre company in Romania that trains...
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“Youth Everlasting and Life Without Death”: Performing Folk-tale and “Centriphery”
A Theoretical and Organizational Premise “Centriphery” is an on-going large-scale...
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Disrupting Taboos, Staging Cancer: Snowdrops and Chlorine’s Eruptive Intervention
The following review is based on the Snowdrops and Chlorine script, which differs slightly from...
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Performativity and Worldmaking: An Interview with Chiel M. Kattenbelt
This interview was made within the framework of the exploratory research project rethinking...
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An Interview with Romanian-Born, Award-Winning Playwright, Poet and Scholar Saviana Stănescu
In the past five months, Romanian-born award-winning playwright, poet, and scholar Saviana...
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“Bun de Export:” A Personal Exploration of Romanian Migration
That the hallway beside the theatre is filled to its breaking point is a good sign: artists,...
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Iasi Theatre Festival for Young Audiences: “153 Seconds,” A Documentary of Contemporary Tragedy
The exposed nerve of a reignited public tragedy hangs in the ether of Teatrul Luceafărul Iaşi. We...
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Zilele Teatrului Matei Vişniec/Festival of the Matéi Visniec Theatre in Suceava (Romania), Or Breaking Into the Festival Circuit
Arguably, it is not common practice to name a theatre after a living playwright, and neither is to...
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Herta Müller’s “Niederungen” and The Dramaturgy of The Body
The talented Romanian director Mihaela Panainte adapts Nobel laureate Herta Müller’s visceral...
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Interview with Saviana Stănescu: “One could say that I am a 17-year-old American playwright”
A well-known poet and journalist, Saviana Stănescu left Romania for the US thanks to a Fulbright...
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Puccini’s “Turandot” In Galati: From The Fairy Tale To The Inner Life
In 2018, the Nae Leonard Teatrul Muzical in Galati, Romania, was declared the National Opera...
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