The Theater of Metaverse
Introduction It seems that the mission of the father of arts, “theatre”, as well as...
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Theatre and AI
![Language Is Leaving Me: A Cinematic AI Opera Of The Skin [Part II]](https://thetheatretimes.com/wp-content/uploads/2025/01/WK2023-10-07_0075-627x376.jpg.webp)
Language Is Leaving Me: A Cinematic AI Opera Of The Skin [Part II]
Ellen Pearlman interviewed by Ivo Marais To read PART I of this interview, go to this link. ...
Read More“Language Is Leaving Me: A Cinematic AI Opera Of The Skin” [Part I]
Ellen Pearlman interviewed by Ivo Marais Ivo: These questions are crafted to reflect the...
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A Dystopian Sci-Fi: “Honey, I’m Home”
Factory Theatre, renowned for showcasing the latest works from Canada’s alternative and...
Read More![“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part II]](https://thetheatretimes.com/wp-content/uploads/2024/09/FIGURE4-627x376.jpg.webp)
“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part II]
To read PART I of this interview, go to this link. Hayel Ali Al-Mathabi: In light of this...
Read More“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part I]
Marina Hanganu is a theatre director, cultural manager and researcher exploring the intersection...
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AI, Sci-Fi, Neuroscience and ChatGPT – An Interview with Playwright Saviana Stănescu
Within the past six years, prominent Romanian playwright Saviana Stănescu has written two “AI...
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Sensing Others through Dancing Bodies as Data: Review of Sense Datum by UBIN DANCE
In this day and age, the word data evokes preconceived images of algorithms, artificial...
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Floating Islands of AI: Agrupación Señor Serrano’s “La isla/The Island” in Madrid
Agrupación Señor Serrano go where other theatre-makers fear to tread. They are always one step...
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Lauren Gunderson’s Anthropology at the Hampstead Theatre: Interesting Digital Thriller Falters On The Edge of Darkness
Androids no longer dream of electric sheep — instead they inhabit our dreams. Whether it is novels...
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The Sphinx’s Riddle Remains Unsolved. Scattering Chinese Art with “The First-Ever Metaverse Theatre Festival”
Even though for the last decade there have been numerous attempts to unleash Chinese theatre’s...
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Theater, A Major Job Sector
That AI is poised to take over countless jobs, wipe out entire job sectors, is all over the news...
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Art and Tech Imaginings of Kat Mustatea
Creating art that reflects our time, Kat Mustatea is a playwright and technologist whose...
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Coding Confronting Stories
Boris Vitázek is a new media artist based in Bratislava, but his work can be seen at various...
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Imagine/: Artificial Intelligence Comes to Theatrical Design
Lately, I have been seeing examples of Jason Jamerson’s theatrical design work on Instagram...
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metaLAB’s futureSTAGE: Sentient AI and the Arts
Embodying a portfolio of projects, metaLAB (at) Harvard is a think tank spotlighting the networked...
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To Be a Machine: Is Hong Kong the Last Place Where Lockdown Theatre Has a Place?
This article is brought to you by Hong Kong Arts Festival. We know that what separates humans from...
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Lance Weiler on the Future of Storytelling and the Film “The Last Broadcast”
A connoisseur of new art forms and emergent technology, Lance Weiler is a highly sought-after...
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Interview with Ellen Pearlman about AIBO, an “Emotionally Intelligent” Artificial Intelligent Brainwave Opera. Part 2.
This is PART 2 of the interview. To read PART 1, click here. AB: What questions were you exploring...
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Interview with Ellen Pearlman about AIBO, an “Emotionally Intelligent” Artificial Intelligent Brainwave Opera. Part 1.
Conducted 2/17/20 by Allison Berkoy, Assistant Professor City Tech, CUNY New York. This interview...
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