Bodies and Bodies and Bodies of Work: A Feminist Perspective on the Notion of ‘Oeuvre’
What does it mean to build an oeuvre as a woman? There are still obstacles on the road that are...
Read More
Featured
Accessibility: Pushing the Boundaries of Theatre Performance
Have you ever been nervous about going to the theatre? Maybe you’re unfamiliar with theatre...
Read More
Big Bolshoi: How the Theatre Got Its Name
The Moscow-located Bolshoi theatre quite literally translates to “Big” Theatre. And...
Read More
Broadway: Does “The Great White Way” Live Up to Its Name?
Ntozake Shange, author of the famous Broadway play For Colored Girls Who Have Considered Suicide /...
Read More
Review: “Antigone” at the New Diorama Theatre
In her contemporary re-working of Sophocles’ tragedy, Lulu Raczka has chosen to forego the...
Read More
Alexandra Wood’s “The Tyler Sisters” at the Hampstead Theatre: The Future Is Female In Epic Family Saga
What has Saint Augustine of Hippo got to do with new writing? At first sight, not very much. That...
Read More
“Magdalene” at Prototype Festival
What are the first words you think of when you hear the name Mary Magdalene? Prostitute? Saved?...
Read More
Dramaturgs Reflect on the ATHE Dramaturgy Focus Group (DRFG) Part II: The Present
The annual ATHE (Associations for Theatre in Higher Education) conference took place in Orlando,...
Read More
Dramaturgs Reflect on the ATHE Dramaturgy Focus Group (DRFG) Part I: The Foundation
Originally, this article was conceived as a section of an extended piece called, “Dramaturgs...
Read More
“Cyrano De Bergerac” at The Playhouse Theatre
Actor James McAvoy is much in demand: in the BBC’s His Dark Materials he is busy saving a parallel...
Read More
A Space Divided: GCTC’s “Cottagers and Indians” an Evocative Disavowal of White Privilege
The split is clear upon first glance. He wears muddy jeans and rain boots, while she dons...
Read More
“Chicago:” Presenting Crime as a Show
Chicago combines passion, adultery, crime, murder, greed, corruption, violence, exploitation and...
Read More
Chris Medvitz: Finding Artistic Solutions
With a background in theatrical lighting, Chris Medvitz is a current Partner and Principal at...
Read More
Groundbreaking Festival of Indigenous Theatre at the National Arts Centre in Ottawa: Inaugural Season
Under the direction of Kevin Loring in collaboration with artistic associate Lindsay Lachance, the...
Read More
Rachel Pickup on Her Role in “London Assurance” at NYC’s Irish Repertory Theatre
Rachel Pickup is currently playing Lady Gay Spanker in London Assurance, written by Dion...
Read More
“Touching the Void” at The Duke of York’s Theatre
Theatre can touch thousands of lives. But can it compete with the success of a bestselling book?...
Read More
Kitchen Aromas and Angels with Water Guns: Japanese Visual Storytelling Comes Alive at OzAsia
Review: The Dark Master and Totes Adorbs ♥ Hurricane, OzAsia Festival, Adelaide, 22 October...
Read More
An Interview with Romanian-Born, Award-Winning Playwright, Poet and Scholar Saviana Stănescu
In the past five months, Romanian-born award-winning playwright, poet, and scholar Saviana...
Read More
“A Kind of People” at The Royal Court
The trouble with prejudice is that you can’t control how other people see you. At the start of her...
Read More
“Trojan Horse” at the Battersea Arts Centre
Media hysteria needs good branding. So when in March 2014 an email letter was leaked to the press,...
Read MoreLike Us On Facebook
Featured Writers
Most Popular Posts
“XXX Neon Sign” Review: Embodied… 31st October 2019 
The WaxFactory’s “Lulu XX” 28th September 2019 
How “Six” Became The Biggest New Musical… 23rd January 2019 
I Can’t Hear You in the Dark: How Scenic Designer… 29th November 2019 
“Magdalene” at Prototype Festival 16th January 2020 
“School Girls; Or The African Mean Girls Play”: A… 30th May 2019 
Top Twelve Indian Plays Of 2018 30th January 2019 
“Medea” By Simon Stone, The New Stage Sensation 14th February 2019 
Martin Crimp’s “Cyrano de… 12th December 2019 
Teatr Brama’s “Ghost Dance” 3rd January 2020