AI, Sci-Fi, Neuroscience and ChatGPT – An Interview with Playwright Saviana Stănescu
Within the past six years, prominent Romanian playwright Saviana Stănescu has written two “AI...
Read MorePosted by Anne Hamilton | 30th Nov 2023 | Interview, New York, Transmedia, United States of America
Within the past six years, prominent Romanian playwright Saviana Stănescu has written two “AI...
Read MorePosted by Martin Blaszk | 29th Nov 2023 | Brazil, Poland, Review
Waiting for Lucky and Quê Onde [1] were presented on the evening of Friday May 19, 2023 in Teatr...
Read MorePosted by Verity Healey | 28th Nov 2023 | Interview, Kosovo, Ukraine
Orest Pastukh is a theatre and film actor, director, playwright and educator. He was born in the...
Read MorePosted by Soo Ryon Yoon | 26th Nov 2023 | Review, South Korea, Theatre and Dance
In this day and age, the word data evokes preconceived images of algorithms, artificial...
Read MorePosted by Aleks Sierz | 25th Nov 2023 | London, Review, Theatre and Politics, United Kingdom, Worldwide
Journalism is a despised profession. And when you consider the story behind the interview that...
Read MorePosted by Rhiannon Ling | 20th Nov 2023 | New York, Review, Theatre and Decolonization, United States of America
I stopped taking notes about halfway through Brittany K. Allen’s Redwood. I can think of no better...
Read MorePosted by Verity Healey | 19th Nov 2023 | Kosovo, Review, Theatre and Politics
A persistent theme in this year’s Kosovo Theatre Showcase has been remembrance. A takeaway from...
Read MorePosted by Rhiannon Ling | 14th Nov 2023 | Adaptation, New York, Review, United States of America, Worldwide
The Sheen Center is, I find myself thinking, the perfect place to host Locus29’s Hell Dialogues....
Read MorePosted by Verity Healey | 13th Nov 2023 | Kosovo, Review, Theatre and Politics
The Shadow Garden, part of this year’s Kosovo Theatre Showcase, seems an almost impossible task to...
Read MorePosted by Victoria Chen | 10th Nov 2023 | Review, United Kingdom
One of the first questions anyone would ask after looking at a poster of Jonathan Maitland’s...
Read MorePosted by Lisa Monde | 9th Nov 2023 | Interview, Musical Theatre, United Kingdom, United States of America
The musical Wicked premiered on Broadway twenty years ago and quickly earned the title of the very...
Read MorePosted by Verity Healey | 8th Nov 2023 | Kosovo, Review, Theatre and Politics
There are wars, and then there are post wars, the kind of which take place around the negotiating...
Read MorePosted by Verity Healey | 6th Nov 2023 | Dramaturgy, Kosovo, Review
Some years ago, I discussed my love of buckwheat with the co-artistic director of Belarus Free...
Read MorePosted by Verity Healey | 2nd Nov 2023 | Kosovo, Review, Theatre and Politics
Everywhere’s a stage, but not all stages are equal. Some stages are empty of story and empathy,...
Read MorePosted by Rhiannon Ling | 1st Nov 2023 | New York, Playwriting, Review, Theatre and Gender, United States of America
To begin as we proceed, with full transparency, I have to admit how big a fan I am of SheNYC Arts...
Read MorePosted by Maria Delgado | 30th Oct 2023 | Review, Spain
It is not an easy prospect to adapt into opera one of the most acclaimed social realist novels of...
Read MorePosted by Maria Delgado | 28th Oct 2023 | Review, Spain
There is something beguiling, provocative and timely in Andrés Lima’s staging of Antonio San...
Read MorePosted by Maria Delgado | 27th Oct 2023 | Review, Spain
Agrupación Señor Serrano go where other theatre-makers fear to tread. They are always one step...
Read MorePosted by Emilija Kvočka | 26th Oct 2023 | Festivals, Review, Serbia
The Belgrade International Theater Festival was founded in 1967 and to this day represents one of...
Read MorePosted by Sarah Austin | 25th Oct 2023 | Adaptation, Australia, Review
Emerging from one of Australia’s most enduring and significant theatrical partnerships between...
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