In the Mind’s Eye: Collective Imagination at the Edinburgh Fringe 2026
I started my Edinburgh Fringe 2026 lying down. On a white bunk bed – a middle height one of a...
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Beyond the Velvet Ropes: Inside Lincoln Center’s Next Act
For Lincoln Center for the Performing Arts, home to the New York Philharmonic, the Metropolitan...
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From Bacon to Bananas: Edinburgh Festival Fringe 2026 in 24 Shows
With more than 4,200 shows making up this year’s Edinburgh Festival Fringe, twenty-four...
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A Fish Swimming Across Tanks: An Interview with Taiwanese Playwright Yu-Hsuan Chou
Even with solid training in xiqu, or Chinese opera, Yu-Hsuan Chou tried to leave traditions behind...
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Most Importantly, The Child Should Experience How Theatre Can Make Kindness, Patience, Courage And Curiosity Matter
An interview with Laouni Bellil, a gentle and inspiring Algerian storyteller and theatre maker....
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Monumental Environment For 9-Hour Celebration Of Goethe’s “Faust” At The Goetheanum
Rudolf Steiner (1861-1925) is recognized internationally as the founder of anthroposophy, which,...
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Confidence Is A Rollercoaster – Don’t Ever Pay Money To Become Famous
An Interview with deeply inspiring Tanja Tzarovska – musician, singer (for film/theatre projects),...
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Dancing With Bob: Visual Arts And Dance In Dialogue With Each Other
On 11 and 12 July, in Spoleto (Italy), there was the European premiere of a significant...
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“The Story of the Stone”: A Chinese Classic as an Epic Musical Awes Korean Audience
The Chinese musical The Story of the Stone was staged at the 600-seat ARKO (Arts Council Korea)...
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Laughing in Transit: Humor and Absurdism in Arab Canadian Theatre
Arab Canadian theatre is frequently discussed through the language of war, displacement, exile,...
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“Low German” Theatre in Bremerhaven: “The Physicists” by Dürrenmatt
In terms of linguistics, Low German (Plattdeutsch) is a language of its own, not a dialect, and...
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Iraqi Theatre in Canada: Exile Beyond Arrival
Iraqi theatre did not remain in Iraq. Over the past several decades, Iraqi playwrights, actors,...
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Alan Ayckbourn’s “How the Other Half Loves” at the Old Vic: Technically Brilliant if Rather Overlong and Old-Fashioned West End Farce
Is there a crisis in British new writing? The comparative paucity of new work in mainstream...
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CATS: Expanding the Horizons. An Exclusive Interview with Betty Buckley – Broadway’s Original Grizabella
Dedicated to the 45th anniversary of the world premiere of the musical “Cats” The concept...
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A Man Without Shadows: An Interview with Theatre Artist Koh Choon Eiow, Part 2
(Read the first part of the interview here.) Chen: In your plays, or the ways you answer...
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A Man Without Shadows: An Interview with Theatre Artist Koh Choon Eiow, Part 1
(Read the second part of the interview here.) Outside the bright, modern meeting room on the 10th...
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Beyond the Storm, a New York City Opera Thrives
That day, I aimed to view a production of The Tempest through a difficult flood. Prepared to pique an interest in the larger “theater is life” argument, I got my notebook ready. The hours passed. I sought to leave my apartment, and my transit app reported possible subway interruption. Ugh! Cancel culture, after three days of extraordinary weather, somehow won the play card again. Why hadn’t I seen the opera on opening night on Thursday?
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“71 Minutes of Movement:” Dance and Activism in the Twin Cities
As a dance artist, you are, at a young age, bestowed with the supposed gift to make people feel....
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Wondering Jews
Jonathan Spector’s new play Birthright—just opened at MCC Theater in a sharp, superbly acted...
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Spring Roundup 2026
Once again, the forsythias are in bloom, and that means new openings are arriving way too fast for...
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