With Faith and Trust into the Future: The 10th International Theatre Olympics in Hungary
When the world is engulfed in flames of enmity, would another flame be superfluous? Not if it is...
Read MorePosted by Emiliia Dementsova | 24th Mar 2023 | Festivals, Hungary, News, Theatre and Politics
When the world is engulfed in flames of enmity, would another flame be superfluous? Not if it is...
Read MorePosted by Rhiannon Ling | 23rd Mar 2023 | Adaptation, New York, Review, United States of America
It can be difficult to gain contemporary audience for Shakespearean performance. Though the Bard’s...
Read MorePosted by Melissa Denzer | 20th Mar 2023 | Interview, Musical Theatre, New York, United States of America
On March 17, 2023, New York City’s Bedlam hosted the first industry reading of Best Time to Be...
Read MorePosted by Tarlan Rasulov | 18th Mar 2023 | Azerbaijan, Directing, Dramaturgy, Essay
The term of ritual has always been an object for endless discussions amongst theologians, cultural...
Read MorePosted by Alexander Nderitu | 17th Mar 2023 | Acting, Kenya, News
‘We have approved some funds to our (Kenya Cultural Centre/Kenya National Theatre) very progressive CEO Mr. Mike Opundo, who will make sure that each winner here – each of the 37 winners here – will have a token of a hundred thousand shillings…We want to monetize your talents. We want you to feel that what you’re doing is right and is worth your while.’
Read MorePosted by Trevor Boffone | 15th Mar 2023 | Interview, Musical Theatre, United States of America
Productions of Broadway musicals have body issues. Full stop. From casting norms for Broadway...
Read MorePosted by Lisa Moravec | 13th Mar 2023 | Directing, Greece, Review, Theatre and Dance, Theatre and Gender
Alexandra Bachzetsis’s latest group performance, 2020: Obscene, estranges the word obscene from...
Read MorePosted by Aleks Sierz | 13th Mar 2023 | London, Norway, Playwriting, Review, Translation, United Kingdom
Bjørg Vik’s The Journey to Venice at the Finborough Theatre: Norwegian memory play is tender if slight
Read MorePosted by Alexander Fatouros | 10th Mar 2023 | Interview, New York, Theatre and Art, Transmedia, United States of America
Creating art that reflects our time, Kat Mustatea is a playwright and technologist whose...
Read MorePosted by Maria Delgado | 8th Mar 2023 | Education, Review, Spain, Theatre and Politics
Xavier Bobés is one of those remarkable artists able to conjure a world through a few objects that...
Read MorePosted by Allison Newey and Kasia Lech | 7th Mar 2023 | Belarus, Festivals, Interview, London, Theatre and Politics, United Kingdom
Olga Voronkova is a London-based, Belarusian video editor, scriptwriter, copywriter, and producer...
Read MorePosted by Aleks Sierz | 6th Mar 2023 | London, Playwriting, Review, United Kingdom
Is anyone still nostalgic about their teen years? The coming-of-age drama is a staple of...
Read MorePosted by Natalia García-Casarrubios | 5th Mar 2023 | Festivals, Interview, Producing, Spain
Jesús Cimarro is the current President of the Spanish Academy of Performing Arts (Academia de las...
Read MorePosted by The Theatre Times | 5th Mar 2023 | Education, News, Theatre and Gender, Theatre and Politics
Dear Friends, Roshan Institute for Persian Studies, The Theatre Times, and the University of...
Read MorePosted by Clare Cioffero | 2nd Mar 2023 | Festivals, New York, Review, Theatre and Opera, United States of America
It has been so challenging to write these reviews of three recent works presented as part of the...
Read MorePosted by Maria Delgado | 1st Mar 2023 | Playwriting, Review, Spain
Juan Mayorga, one of Spain’s most decorated dramatists — a member of Spain’s Spanish Royal Academy...
Read MorePosted by Morgan Skolnik | 27th Feb 2023 | Directing, Interview, New York, United States of America
The work of Thalia Ranjbar may be challenging– pushing beyond norms and expectations, but at its...
Read MorePosted by Rhiannon Ling | 22nd Feb 2023 | Devised Theatre, New York, Review, Theatre and Politics, United States of America
Entering the theatre at HERE Arts, there is already a sense of broken ground. My companion and I...
Read MorePosted by Călin Ciobotari | 17th Feb 2023 | Covid-19, Essay, Festivals, Romania, Transmedia
The topic of the digital spectator and, implicitly, the one of the multi-stratified co-presence,...
Read MorePosted by Lisa Monde | 17th Feb 2023 | Interview, Musical Theatre, New York, Producing, United States of America
Dedicated to the 35th anniversary of the Broadway musical “The Phantom of the Opera.” It is known...
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