Avignon 2019: In Search Of Multiple Selves: “Multiple-S” By Salia Sanou And “Oskara” By Kukai Dantza
The focus of this review is inspired by the title and the theme of Salia Sanou’s multidisciplinary...
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Theatres Are Evolving To Reconnect Us To Each Other And The Environment
Theatre is a dynamic art form that combines bodies, light, sound and materials into exciting live...
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Oriza Hirata’s “In the Heart of a Forest”: Mastering Multilingual Performance
Tokyo’s cozy 60-odd-seat Komaba Agora Theater isn’t perhaps where you would expect a cutting-edge...
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“Europe” at The Donmar Warehouse
In the middle of the current decade, there was a mild vogue for reviving a handful of the great...
Read More![Avignon 2019: Seeking Truth: On History, Memory and Fiction in Alexandra Badea’s Points de Non-Retour [Quais de Seine]](https://thetheatretimes.com/wp-content/uploads/2019/07/quais-627x376.jpg)
Avignon 2019: Seeking Truth: On History, Memory and Fiction in Alexandra Badea’s Points de Non-Retour [Quais de Seine]
Following the themes of the Avignon 2019, Alexandra Badea’s Points de non-retour [Quais de...
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Lorca, Lopez, and Translating Desire: “Yerma” at the Huntington Theater Company
Yerma, the titular character of Federico García Lorca’s play is terribly desperate. She...
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Latinx Stories Front and Center: Cara Mía Theatre Co’s 2019-2020 Season
Ask anyone about the best theatre cities in the United States and they will inevitably mention New...
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They Didn’t Give Us Permission to Sing Love Songs: A Look on Ruhollah J’afari’s Performance of “Richard III Will Not Take Place”
About this performance and its director also read Theatre of Inquiry: Matei Vișniec’s Richard III...
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Avignon 2019: Reading the Open Ending of “Sous D’autres Cieux” (“Under Different Skies”)
An imaginative, dynamic, and visually striking production Sus d’autres cieux continues the...
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A Radical New Adaptation Eviscerates the Dominance of Male Voices in Wake in Fright
Australian literary classics are currently enjoying a comeback at our major theatre companies....
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Shax, The Hong Kong Theatre Group That Is Shaking Up Shakespeare
Rosalind Wong didn’t plan to win the Hecklers Award 2016 for Best Director – but she did, walking...
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“Twelfth Night” at Will Geer’s Theatricum Botanicum, Topanga Canyon, CA
Tucked in the middle of one of Los Angeles’ many canyons, Will Geer’s Theatricum Botanicum...
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“Made in Italy”: Tale of Generational an Italian-Canadian Migrant’s Life and Family
Playing in the intimate black box space of the Firehall Theatre at TIP, Farren Timoteo’s one-man...
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Hollywood Fringe Festival – “To Richard!”
Somewhere along a wooded trail in the middle of Connecticut, something wonderful happened –...
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Hollywood Fringe Festival – “¡YA BASTA!: TIME’S BEEN UP”
Theatre-goers who were willing to tread off the beaten path at Hollywood Fringe Festival were...
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In Memory of Great Actress and Singer Pina Cipriani
The death of Pina Cipriani, on the 19th of June, is a great loss for Italian and specifically...
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Presence Is The Lingua Franca
Chris Salter is an artist and theoretician based in Montreal, Canada. In his artistic work, he...
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Samuel Beckett’s “Waiting for Godot” is brought into the Reiwa Era
Why are thespians the world over so drawn to Waiting for Godot, that for many older actors playing...
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Working With a Cultural Consultant When Writing an International Play: Interview With U.S. Playwright Gabriel Jason Dean and Humaira Ghilzai, an Afghan Expert
The playwright “I spring from ministers, murderers, rebels, addicts, closeted queens, soldiers,...
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Theatre of Inquiry: Matei Vișniec’s “Richard III” Takes Place in Tehran – Interview With Rūhollah J’afarī
About this performance and its director also read Self-Censorship Is a Castration of Ideas: A...
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