The Women Making Waves in Theatre in Africa Part 2
In most parts of Traditional Africa, theatre was a prerogative of the woman. Women were the...
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“We Wish We’d Had This Show When We Were Kids”: Interview With “The Glitter Garden” Playwrights George Fowler and Lori Leigh
The Glitter Garden by George Fowler and Lori Leigh. Directed by Lori Leigh. Circa Theatre,...
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Australia’s Settler and First Nations Histories Meet in The Wild of The Bush in “Dogged”
Review: Dogged, directed by Declan Greene. Griffin Theatre Company in association with Force...
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The Pandemic Made Their Women’s Suffrage Play Impossible. But the Show Went On — Virtually
Leaders of the women’s suffrage movement relied on public performance to promote their cause. They...
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A Conversation with Director Ashley Tata
Ashley Tata is a Brooklyn-based director and maker of multimedia works. I had the pleasure of...
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“The Empire Builders:” A Bold Experiment in Alternative Theatre
An intimate listening party of The Empire Builders, an immersive audio production performed by the...
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Nyokabi Macharia: Marching to the Beat of Her Own Drum
Nyokabi Macharia is a Kenyan, performer and all-around lover of life. You know those people who in...
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“Pass Over” – A Sobering and Unflinching Take on African-American Life in America
Performed as part of the Market Theatre’s annual Black History Month Celebrations, which have been...
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By Putting Tensions on Stage, Colleges Aim to Change Campus Culture
The new professor had a choice. He arrived early to a meeting to discover a senior faculty member...
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New Zealand Covid Response Dramatized in Moving Verbatim Play: “Transmission” by Stuart McKenzie
Transmission written by Stuart McKenzie. Directed by Miranda Harcourt and Stuart McKenzie. 20...
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Interview with Ramzi Choukair on Making the Detainees’ Stories Visible on the Stage
Ramzi Choukair is a Syrian-French actor and theater director. After obtaining his degree at the...
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Unchartered Territory: Dancers in Isolation, the Eryc Taylor Dance Company
In five years, in ten years, in twenty, we will remember what it felt like to live through the...
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Adishakti Theatre Arts’ Latest Musical Turns the Lens on Sexual Assault and Power Politics at the Workplace
Adishakti Theatre Arts’ latest musical, Bhoomi, is adapted from Sarah Joseph’s Malayalam play...
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Theatre “Production Jam” Risks Creating a Lost Generation of Young Artists, European Directors Warn
Leading theatre directors in Europe are warning that the pandemic shutdowns are not only...
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The Blurred Line Between Film and Theatre: An Experience of Simon Stone’s Medea at the Time of Pandemic
Simon Stone made a contemporary version of Medea by radically adapting Euripides’s Greek tragedy...
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Dancing the Emotions of the Professional Kitchen
The kitchen has long been a significant trope in our civilization. This began in ancient fires and...
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“Six Men for Every Four Women”: Gender Inequalities in Theatre Programming Revealed in New Cross-Europe Study
Men continue to outnumber women and hold the most prestigious positions in theatre programmes, a...
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What Will You Do This Summer? On An Interdisciplinary Summer Camp In Warsaw
Krzysztof Warlikowski’s Nowy Theatre in Warsaw together with Komuna/Warszawa, La Comedie de...
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Sound and Emotion: Anson Mak’s New Documentary
It’s hard to categorize Anson Mak Hoi-shan. In a video call in early March, the only time the...
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About “Mum. Can You Hear Me?”
Over the past year we’ve become used to a variety of home theatre: recordings of live...
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