About “Outside In”
With many theatres now reopening again, it is surely a good moment to celebrate all those venues...
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Featured
Ali Al-Zaidi: A Playwright Who Lives Through His Characters
Based on a recent phone interview with Al-Zaidi, the most prominent Iraqi playwright. Ali Al-Zaidi...
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Can the World be Saved on Stage?
In the virtual space of the 12th Between.Pomiędzy Festival of Literature and Theatre, a question...
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From Daily to Beckett: Godot in Wuhan. Wang Chong and Peng Tao in Conversation with Tomasz Wiśniewski and Katarzyna Kręglewska. Part 2.
This is PART 2 of the interview. To read PART 1, click here. Wiśniewski: When I watched your...
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From Daily to Beckett: Godot in Wuhan. Wang Chong and Peng Tao in Conversation with Tomasz Wiśniewski and Katarzyna Kręglewska. Part 1.
Godot in Wuhan was a special session at the Twelfth Between.Pomiędzy Festival conducted within the...
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The Happening “12” – The 12th Between.Pomiędzy Festival of Literature and Theatre, 2021
On a pavement alongside a busy road, a line of people march one behind the other. The person at...
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About “Sweatbox” and “Blis-ta”
Although some theatres are tentatively reopening, the creative vigor of other companies is...
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“Harm” at The Bush Theatre
After months (and months) of watching theatre on screens large, medium, small and tiny, I...
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Vikrant Koul Journeys From Stage to The Digital Space
The Hello Mini 3 actor reveals how audience’s applause helped him overcome stage fright. Actor...
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“The Brooklyn Job” Stole My Heart
With a themed cocktail box, a program that doubled as a coloring book, and incredibly performed...
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NEMPAC Opera Project’s “Juneteenth”: Opera in the Key of Freedom
After more than a year of American racial unrest since the high-profile deaths of George Floyd and...
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Guide to the Classics: Samuel Beckett’s “Waiting for Godot,” a Tragicomedy for Our Times
Vladimir: Well? Shall we go? Estragon: Yes, let’s go. [They do not move.] Samuel Beckett...
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Get Down: A New Way to Rise. Professionalizing Urban Dances, From Street to Stage.
With Get Down, Belgium now has its first management agency dedicated to street dancers. That is...
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Theatre in the Time of Protest: “Glass Menagerie” at the Théâtre de l’Odéon
History, as they say, has a habit of repeating itself. When French theatre-makers seized hold of...
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On the Basis of Sustainability: Artemisia Theatre’s “Goods”
“I meant to do something about it, but I didn’t.” So goes the refrain when we, as flawed human...
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Democratizing the Theatre-Making Process: “Six Characters in Search of An Author”
To re-open its season after the lifting of COVID-19-related restrictions, Paris’s Théâtre de la...
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Laughing in Darkness: Reading Różewicz Anew
Tadeusz Różewicz (1921-2014) might need a few words of introduction for English-speaking readers,...
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The Personal is Political: Theatre as Therapy in Madrid
The Spanish capital ranks amongst the European cities with the highest mortality rates for...
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About “The Elephant in the Room”
Online performance, streamed instead of attended, has given theatre companies an immense amount of...
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After the Pandemic: Nicola Piovani and the Reopening of the Trianon Viviani Theatre in Naples
The Trianon Viviani Theatre is located in the Forcella quarter of the ancient center of Naples. It...
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