History Play. “All My Sons” By Arthur Miller At The Lyric Stage Company Of Boston
As I was reading this early play of Arthur Miller’s before attending the performance I was...
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Theatre Doesn’t Work Miracles And It Shouldn’t Try Replace Social Services, Lawyers, Schools, Or Politics
An interview with a deeply thoughtful European theatre director Valbona Xibri (Albania/Italy). ...
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Hannah Reilly’s “Roleplay” at Soho Theatre: New Play About Sex-Positivity On The Internet Is Sadly Superficial And Banal
I’ve lost count of how many new female monologues have been called the “next Fleabag”. Really. But...
Read More![Beyond Visibility – The Role Of Major Cultural Institutions In Helping Artists Find Their Place In The World [Part II]](https://thetheatretimes.com/wp-content/uploads/2026/10/2-Photo-Credit-by-Showcase-NTG-Athens-627x376.png?crop=1)
Beyond Visibility – The Role Of Major Cultural Institutions In Helping Artists Find Their Place In The World [Part II]
To read PART I of this interview, go to this link. IAB: What role can translation play in...
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Beyond Visibility – The Role Of Major Cultural Institutions In Helping Artists Find Their Place In The World [Part I]
An Interview with the Motivating and Deeply Creative Dr. Irene Moundraki, Dramaturg and Theatre...
Read More![Perhaps What Needs To Change Is Not The Performance, But Our Way Of Listening [Part II]](https://thetheatretimes.com/wp-content/uploads/2026/10/1-Sasa-Spacal-by-Spela-Urbanc-627x376.jpg?crop=1)
Perhaps What Needs To Change Is Not The Performance, But Our Way Of Listening [Part II]
To read PART I of this interview, go to this link. IAB: Atmosphere as Performance – Your...
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Perhaps What Needs To Change Is Not The Performance, But Our Way Of Listening [Part I]
An Interview with Ms. Saša Spačal (Ljubljana, Slovenia), a beautiful, wise and deeply inspiring...
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From Dramatic Theatre To Post-Dramatic Stage: Form, Performance, And The Spectator
The social, political, environmental, and economic changes of the twentieth century have generated...
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“The Producers”: A Show of Many Media. An Exclusive Interview With Mel Brooks. Part I
Dedicated to the 25th anniversary of the Broadway premiere of the Musical ‘The Producers’ and the...
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Gurpreet Kaur Bhatti’s “Baby” at Brixton House: Compelling Performance Of A Powerful Story About Motherhood And Poverty
Poor Baby. She’s in real trouble, and it all started with her name — which “means you’ll never...
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Death, Grief And Mourning In Performance And Comedy
Stereotypically, the fact that all life ends in death is the one thing all human beings have in...
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“The Prime Of Miss Jean Brodie”
On a recent trip to Scotland, I was fortunate to attend the opening night of The Prime of Miss...
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When Painting Becomes Theatre: Scenography, Spectatorship And The Performance Of Life
An interview with Prof. Tatjana Filipovska (Skopje, Republic of North Macedonia/UKIM Skopje), an...
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Canned Spam: The 2026 Touring Production of “Monty Python’s Spamalot”
What is the shelf life of British sketch-company Monty Python? How to keep its bits, catchphrases...
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BRKFST performs “STORMCLUTTER” at College of the Holy Cross
The breaking bodies on the bare black stage are bodies of political discord, bodies of a strife...
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International Cooperation Takes Time: Building Relationships Through Presence, Trust And Encounter
Hi Performancz: Visitors’ Programme, Ostrava 2026 PerformCzech is the Czech platform for the...
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“Accidental Overheards” At Fringe Off Milano International Festival
Celebrating its tenth anniversary, Fringe Off Milano International Festival, directed by Francesca...
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(Married) Couples In German Theatre: Comedies By, With And About
Across the ages, there have been dynasties of actors, most recently, among others, Redgrave and...
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“Jeppe on the Hill”, Directed By Christian Lollike at Aarhus Theatre
‘People say that Jeppe drinks, but no one asks why Jeppe drinks’. This saying in the Danish...
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James Graham’s “The Standard of Living” at the Theatre Royal Haymarket: All-Embracing Account Of The Life And Career Of John Maynard Keynes
Timing is everything: James Graham’s new political history play, The Standard of Living, aptly...
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