Ivo van Hove’s “Age of Rage” at Barbican
Ivo van Hove’s production of Age of Rage is sourced from six plays by Euripides and one by...
Read MorePosted by Duška Radosavljević | 19th May 2022 | Netherlands, Review, United Kingdom
Ivo van Hove’s production of Age of Rage is sourced from six plays by Euripides and one by...
Read MorePosted by Raluca Rădulescu | 18th May 2022 | Interview, Playwriting, Theatre and Politics, Ukraine
Andriy Bondarenko is the dramaturg of the Puppet Theater in Lviv, Ukraine, where he lives, but he...
Read MorePosted by Niro Kandasamy | 17th May 2022 | Australia, LGBTQ Theatre, Review
Review: Stay Woke, by Aran Thangaratnam, directed by Bridget Balodis. The lingering smell of...
Read MorePosted by Lara Cox | 16th May 2022 | Adaptation, France, Review, Theatre and Decolonization
What do you do when you are blown away by a show, and yet you know that there is something...
Read MorePosted by Elizabeth Kerr | 15th May 2022 | Design, Essay, Hong Kong, Theatre and Film
This story is part of a collaboration between Zolima CityMag and the Hong Kong Design Centre’s new...
Read MorePosted by The Theatre Times | 13th May 2022 | Festivals, Interview, New York, Theatre and Disability, United States of America
Actor Gregg Mozgala describes himself as a “Triple Threat: “Actor, Writer, Cripple.” The...
Read MorePosted by Yana Meerzon | 12th May 2022 | Interview, Management, Russia, Theatre and Politics
This is Part II of the two-part interview. To read Part I, click here. Yana Meerzon: Should we...
Read MorePosted by Yana Meerzon | 12th May 2022 | Interview, Management, Russia, Theatre and Politics
Russia is my country, who better than me to clean up the ruins of our humanity. – Elena...
Read MorePosted by Bojana Cvejić | 11th May 2022 | Acting, Norway, Review, Theatre and Gender
OCEAN, or the touch of a relational lifeworld Sometimes, a performance, a work of art, reveals its...
Read MorePosted by May Selim | 10th May 2022 | Egypt, Interview, Playwriting, Theatre and Politics
Rasha Abd Elmonem — a playwright, independent theatre activist, and head of the training program...
Read MorePosted by Ivanka Apostolova Baskar | 9th May 2022 | Adaptation, Directing, Interview, Romania
During the very agonic and snail-slow, first foggy year under COVID of 2020, I met theater...
Read MorePosted by Borisav Matić | 8th May 2022 | Adaptation, Review, Serbia, Theatre and Politics, Theatre for Young Audiences
Youth Theatre, Novi Sad. Premiered February 27, 2022. A few days ago, a friend who is a teacher...
Read MorePosted by Emiliia Dementsova | 7th May 2022 | Adaptation, Review, Russia, Theatre and Politics
In a country at war, theatres continue to work… “(They) are so simple to offer war...
Read MorePosted by Florida Kastrati | 6th May 2022 | Devised Theatre, Kosovo, Review, Switzerland, Theatre and Politics
Teatri ODA, Prishtina, 17th March 2022 Two actresses, both speaking in German, start talking about...
Read MorePosted by Ananda Lal | 5th May 2022 | Essay, India, Playwriting, Theatre and Politics
The immediate trigger for the play was political and topical. West Bengal, in 1971, was passing...
Read MorePosted by Lucija Klarik | 4th May 2022 | Adaptation, Croatia, Review, Theatre and Politics, Theatre and Religion
Zagreb Youth Theater (ZKM), premiered on February 26, 2022 It is almost impossible to begin a...
Read MorePosted by Julian Meyrick | 3rd May 2022 | Australia, Playwriting, Review, Theatre and Politics
Why did 46.8% of Americans vote for Donald Trump in the 2020 election? Why did approximately 2,000...
Read MorePosted by Jamie Q. Roberts | 2nd May 2022 | Education, Essay, Transmedia, United Kingdom
Although I’m wary of declaring any literary work to be the greatest ever, Shakespeare’s Hamlet...
Read MorePosted by Aleks Sierz | 2nd May 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
Although the current government has blundered through both Brexit and the pandemic, and is now...
Read More