“The Cherry Orchard,” Portland Experimental Theatre Ensemble
What might Anton Chekov, that Russian master of the nineteenth century, have to say about the...
Read MorePosted by Justine Nakase | 12th Aug 2022 | Adaptation, Design, Review, Russian Theatre Abroad, United States of America
What might Anton Chekov, that Russian master of the nineteenth century, have to say about the...
Read MorePosted by Deborah Augustin | 11th Aug 2022 | Afghanistan, Applied Theatre, Interview, Malaysia, Theatre and Politics
The pioneering theatre company, founded and run by Afghan theatre maker and refugee, Saleh Sepas,...
Read MorePosted by Jonathan Kalb | 10th Aug 2022 | Adaptation, Afghanistan, Directing, Review, United States of America
Khaled Hosseini’s 2003 novel The Kite Runner is a vividly descriptive and often gripping tale of...
Read MorePosted by Andrew Agress | 9th Aug 2022 | Directing, Immersive Theatre, New York, Review, United States of America
Whispering the word BOTO into the speakeasy-style window of a door, I felt a sense of trepidation,...
Read MorePosted by Duška Radosavljević | 8th Aug 2022 | Adaptation, Austria, Dramaturgy, Festivals, Review
Just over a hundred years since its founding (by impresario and theatre director Max Reinhardt),...
Read MorePosted by Yana Meerzon | 6th Aug 2022 | Avignon 2022, Directing, Festivals, France, Review, Theatre and Religion
I arrived at the 2022 Avignon Theatre Festival seeking emotional rejuvenation after two years of...
Read MorePosted by Florida Kastrati | 5th Aug 2022 | Applied Theatre, Kosovo, Review, Theatre and Politics
Pristina Prison, a notorious building in the centre of the city, was built during the Yugoslav era...
Read MorePosted by Aleks Sierz | 4th Aug 2022 | Playwriting, Review, Theatre and Politics, United Kingdom
Yesterday evening I went to see Dog/Actor at the Etcetera Theatre in Camden. Written by Steven...
Read MorePosted by Andrej Čanji | 2nd Aug 2022 | Playwriting, Review, Serbia, Theatre and Politics
National Theatre, Belgrade, premiere 12th March 2022 The Years of Crows is the great comeback for...
Read MorePosted by Cătălina Florina Florescu | 1st Aug 2022 | Interview, New York, Playwriting, Theatre and Gender, United States of America
In 2011, I published my first medical humanities book, Transacting Sites of the Liminal Bodily...
Read MorePosted by Ivanka Apostolova Baskar | 31st Jul 2022 | Directing, Education, Interview, Macedonia
Milosh Andonovski (1989) was born in Kumanovo, North Macedonia. He graduated Comparative...
Read MorePosted by Daily Sabah | 30th Jul 2022 | Festivals, News, Theatre and Opera, Turkey
Turkish opera’s great master, composer, and conductor Okan Demiriş’s ‘Murat...
Read MorePosted by Vanessa Smith | 29th Jul 2022 | Adaptation, Australia, Review, Theatre and Gender
Review: The Tenant of Wildfell Hall, directed by Jessica Arthur for the Sydney Theatre Company...
Read MorePosted by Usha Raman | 28th Jul 2022 | India, Interview, Management, Theatre and Film
Karnad spoke about his life as a writer and cultural administrator, his accidental foray into...
Read MorePosted by Lisa Monde | 27th Jul 2022 | France, Musical Theatre, New York, Review, United States of America
At the turn of the century, in 1998, Luc Plamondon created one of the greatest musicals Notre Dame...
Read MorePosted by Ivanka Apostolova Baskar | 26th Jul 2022 | Education, Interview, Macedonia, Producing
Ana Stojanoska (1977, Prilep) is theatrologist, writer, and full professor at the Faculty of...
Read MorePosted by Chris Thompson | 25th Jul 2022 | Acting, Australia, Melbourne, Musical Theatre, Review
Review: Future. Joy. Club., Finucane & Smith The theatre of the occasion starts with a...
Read MorePosted by Aleks Sierz | 24th Jul 2022 | London, Review, Theatre and Decolonization, Theatre and Gender, United Kingdom
I live in Brixton, south London. A few days ago, the borough’s aptly named Windrush Square hosted...
Read MorePosted by Ivanka Apostolova Baskar | 23rd Jul 2022 | Interview, Playwriting, Serbia, Theatre and Art
An Interview with Katarina Saric – poet, writer, performer, activist-feminist (Montenegro)...
Read MorePosted by Emily Cordes | 22nd Jul 2022 | Devised Theatre, Interview, New York, Transcultural Collaborations, United States of America
“The Aliens Make Thanksgiving Dinner” is a new devised play, co-written, co-directed...
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