Shakespeare on Zoom: How a Theatre Group in Isolation Conjured up a “Tempest”
While theatres remain closed, the way we watch Shakespeare is changing. When I picture the...
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Kosmopolis Rebound: Sopot, 2020
Professor S.E. Gontarski is the honorary patron of Beckett Research Group in Gdańsk, created and...
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Serbian Balcony Performances in Times of COVID-19: Clapping, Protesting, Confrontation
How did diverse balcony performances emerge in Serbia during the coronavirus epidemic and how did...
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Italian Resilience Against COVID-19: Dancers in Quarantine
Because of COVID-19, Italian dancers’ work has abruptly stopped. In order to underline this...
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Wit and Wisdom: “Much Ado About Nothing” at the Delacorte Theater
In this time of isolation, wouldn’t it be nice to take a virtual visit to the park? Fear...
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Stage Design: Tradition of Diversity
Germany has more theatres and concert halls than almost any other country in the world. From its...
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Anya Richkind: The Spontaneous Playwright in Experimental Theatre
Anya Richkind is an emerging Brooklyn-based playwright who has taken many different roles in...
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Polish Shakespeare Online: Maja Kleczewska’s “Macbeth”
L. P. Hartley’s much-recycled observation that ‘the past is a foreign country’ seems an oddly...
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Capturing the Ephemeral: Marc J. Franklin on Theatre Photography, Inspiration, and Community
His photography is undoubtfully radiating, soulful, with a hint of edgy energy. Marc J. Franklin...
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“Breaking Glass” Review: Sydney Chamber Opera Livestreams Premiere
There are very few silver linings that have developed from the current catastrophic health crisis,...
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How to Support the Arts During a Pandemic
Steadily gathering supporters online is a crowd-funding campaign that trains its specific energies...
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“#aiww: The Arrest of Ai Weiwei” at The Hampstead Theatre
London’s Hampstead Theatre has recently been very successful in bringing some of its best shows to...
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“Beauty & the Beast:” Children’s Story, a Universal Message
It is a full house. Full house on a Friday? That’s rare here. Anyway, we’re almost packed like...
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“Gators” at Tramp Productions
She’s an ordinary young woman, and she really doesn’t know what to think. After all, things are...
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A Theatre Project Explores Collective Solutions to Saving the Ocean
The earth’s oceans are under grave threat. Scientists in many fields have pointed to the...
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Lockdown: A Testing Time for Surabhi Theatre Artistes in Hyderabad
With their sole means of livelihood being out of bounds, members of Sri Venkateswara Surabhi...
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“De Lege Zaal: Broken Shapes” – Rimah Jabr and Dareen Abbas / Moussem
The coronavirus empties streets and theatres. Because we prefer virtual theatre to none at all, we...
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“Wise Children” at York Theatre Royal
Reviewing theatre now means reviewing the film. Knowing that Emma Rice’s Old Vic 2018 production...
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Drink From The Well of Yourself: “Play In Your Bathtub” as Quarantine Comfort Theatre
Individual tastes notwithstanding, it can be argued that the best theatre is that which connects...
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Try Again. Fail Again. Fail Better.
Milo Rau was to receive an honorary doctorate from the UGent in March. Corona decided differently,...
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“XXX Neon Sign” Review: Embodied… 31st October 2019 
International Online Theatre Festival 2020. A… 15th May 2020 
The Magic is in the Miniature: Toy Theatre Thrives… 26th April 2020 
Serbian Balcony Performances in Times of COVID-19:… 12th May 2020 
Culture Matters: Lluís Pasqual, Pedro Almodóvar and… 28th April 2020 
Stage Design: Tradition of Diversity 10th May 2020 
VR, Theatre and the Importance of Immersion 26th April 2020 
Italian Resilience Against COVID-19: Dancers in Quarantine 11th May 2020 
Try Again. Fail Again. Fail Better. 30th April 2020 
The WaxFactory’s “Lulu XX” 28th September 2019