From the Moscow Stage to Monroe and De Niro: How the Method Defined 20th-Century Acting
When an actor is criticized for peculiarly excessive preparation for a role, or an inability to...
Read MorePosted by Adrian Danks | 5th Jun 2022 | Acting, Books, Essay, United States of America
When an actor is criticized for peculiarly excessive preparation for a role, or an inability to...
Read MorePosted by Siting Yang | 4th Jun 2022 | Adaptation, China, New York, News, Theatre and Decolonization, United States of America
Sky of Darkness is enjoying its US premiere June 2-12 at Theaterlab in Midtown Manhattan. The...
Read MorePosted by Ati Metwaly | 3rd Jun 2022 | Festivals, News, Theatre and Decolonization, United Kingdom
Celebrating Arab culture, the Liverpool Arab Arts Festival (LAAF) is gearing up for its upcoming...
Read MorePosted by Jonathan Kalb | 2nd Jun 2022 | LGBTQ Theatre, Playwriting, Review, United States of America
Walking out of the spiffy new production of Richard Greenberg’s Take Me Out, my canny friend Tom,...
Read MorePosted by Philippa Wehle | 1st Jun 2022 | Musical Theatre, New York, Review, South Korea, Theatre and Politics, United States of America
The Legend of The Waitress & The Robber, a new musical theater piece by Renee Philippi, a...
Read MorePosted by Vassili Schedrin | 31st May 2022 | Directing, News, Playwriting, Russia, United States of America
Why do we still remember theater that became history many decades ago? How do we remember plays...
Read MorePosted by William Peterson | 30th May 2022 | Australia, Design, Review, Theatre and Science
Review: Cathedral, directed by Shannon Rush for the State Theatre Company of South Australia...
Read MorePosted by Jonathan Kalb | 29th May 2022 | Review, Theatre and Gender, United States of America
Paula Vogel’s How I Learned to Drive is, famously, the play that blew the lid off the subject of...
Read MorePosted by Jenna Lourenco | 28th May 2022 | Education, Musical Theatre, New York, News, Theatre and Disability, United States of America
Autistic adults in the United States are unemployed at estimated rates of more than 80%. Those who...
Read MorePosted by Cherine Fahd | 27th May 2022 | Australia, Review, Theatre and Decolonization, Theatre and Gender
Review: Son of Byblos, directed by Anna Jahjah for Brave New World Theatre Company The downstairs...
Read MorePosted by Scena.ro | 26th May 2022 | Adaptation, Belgium, News
In 1999, Viviane De Muynck and Jan Lauwers set to work with the last chapter of James...
Read MorePosted by Duška Radosavljević | 24th May 2022 | Adaptation, Immersive Theatre, London, Review, United Kingdom
Punchdrunk theatre, the eponymous progenitors of “immersive theatre,” have been wowing...
Read MorePosted by Lara Cox | 23rd May 2022 | Essay, Theatre and Decolonization, Worldwide
Over the years, our contributors have been addressing the topic of decolonization in theatre and...
Read MorePosted by Antonio Hernández Nieto | 22nd May 2022 | Immersive Theatre, Participatory Theatre, Review, Spain
It is the second time that Los números imaginarios (The imaginary numbers), a Spanish company of...
Read MorePosted by Walter Byongsok Chon | 21st May 2022 | Interview, New York, South Korea, Transcultural Collaborations, United States of America
The Legend of The Waitress & The Robber is a collaboration between the Korean theatre...
Read MorePosted by Duška Radosavljević | 19th May 2022 | Adaptation, Netherlands, Review, United Kingdom
Ivo van Hove’s production of Age of Rage is sourced from six plays by Euripides and one by...
Read MorePosted by Raluca Rădulescu | 18th May 2022 | Interview, Playwriting, Theatre and Politics, Ukraine
Andriy Bondarenko is the dramaturg of the Puppet Theater in Lviv, Ukraine, where he lives, but he...
Read MorePosted by Niro Kandasamy | 17th May 2022 | Australia, LGBTQ Theatre, Review
Review: Stay Woke, by Aran Thangaratnam, directed by Bridget Balodis. The lingering smell of...
Read MorePosted by Lara Cox | 16th May 2022 | Adaptation, France, Review, Theatre and Decolonization
What do you do when you are blown away by a show, and yet you know that there is something...
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