“The Iliad” at Betty Nansen Theatre, Copenhagen
It’s about two years since I moved to the Oresund region, the liminal place between southern...
Read MoreDuška Radosavljević is a writer, dramaturg and academic. She is the author of the award-winning Theatre-Making: Interplay Between Text and Performance in the 21st Century (2013) and editor of The Contemporary Ensemble (2013) and Theatre Criticism: Changing Landscapes (2016). She teaches at the Royal Central School of Speech and Drama.
Posted by Duška Radosavljević | 6th Apr 2023 | Adaptation, Denmark, Musical Theatre, Review
It’s about two years since I moved to the Oresund region, the liminal place between southern...
Read MorePosted by Duška Radosavljević | 5th Dec 2022 | Adaptation, Musical Theatre, Review, Sweden
There is a palpable sense of world-class musicianship as the ensemble of six instrumentalists and...
Read MorePosted by Duška Radosavljević | 16th Sep 2022 | Adaptation, Design, London, Netherlands, Review, United Kingdom
‘If this were a text for the theatre, here is how it would begin’ – these are the opening words of...
Read MorePosted by Duška Radosavljević | 10th Sep 2022 | Festivals, Musical Theatre, Review, Sweden, United Kingdom
Here’s a few things to start with. Following my recent relocation from London to the Swedish...
Read MorePosted by Duška Radosavljević | 8th Aug 2022 | Adaptation, Austria, Dramaturgy, Festivals, Review
Just over a hundred years since its founding (by impresario and theatre director Max Reinhardt),...
Read MorePosted by Duška Radosavljević | 24th May 2022 | Adaptation, Immersive Theatre, London, Review, United Kingdom
Punchdrunk theatre, the eponymous progenitors of “immersive theatre,” have been wowing...
Read MorePosted by Duška Radosavljević | 19th May 2022 | Adaptation, Netherlands, Review, United Kingdom
Ivo van Hove’s production of Age of Rage is sourced from six plays by Euripides and one by...
Read MorePosted by Duška Radosavljević | 3rd Mar 2022 | Acting, London, Review, Translation, United Kingdom
Eugene Ionesco’s 1952 play The Chairs belongs to the moment of post-second world war European...
Read MorePosted by Duška Radosavljević | 2nd Mar 2022 | Germany, London, Review, Theatre and Science, Transmedia, United Kingdom
When Uncanny Valley premiered back in 2018, the idea of artificial intelligence augmenting or...
Read MorePosted by Duška Radosavljević | 8th Sep 2021 | London, Review, United Kingdom
Imagine you suffered terrible injustices that in your day and age were just the norm, that your...
Read MorePosted by Duška Radosavljević | 29th Aug 2021 | London, Musical Theatre, Review, United Kingdom
As its name suggests, The Song Project is more a collaborative experiment than a conventional...
Read MorePosted by Duška Radosavljević | 5th Aug 2021 | London, Musical Theatre, Review, United Kingdom
I cannot imagine a better way to end one’s Covid-19 lockdown than to head to a Lucy McCormick show...
Read MorePosted by Duška Radosavljević | 15th May 2020 | Covid-19, Dramaturgs’ Network: Invisible Diaries, Dramaturgy, Essay
This article is part of the Dramaturgs’ Network Invisible Diaries series. Woke up today to...
Read MorePosted by Duška Radosavljević | 13th Feb 2020 | London, Review, Transmedia, United Kingdom
The last time I took my non-theatre-going husband to the Royal Court was in the autumn of 2013,...
Read MorePosted by Duška Radosavljević | 21st Dec 2019 | Review, Theatre and Gender, United Kingdom
Lucy McCormick specializes in historical re-enactments, she tells us, and she is here to play all...
Read MorePosted by Duška Radosavljević | 13th Sep 2019 | Review, United Kingdom
Fresh from a sold-out run at the Edinburgh International Festival, Tim Crouch’s latest piece (a...
Read MorePosted by Duška Radosavljević | 18th Aug 2019 | Dramaturgy, Edinburgh 2019, Essay, Scotland, United Kingdom
The official stats have it that in its 73rd year of existence, the Edinburgh Fringe Festival 2019...
Read MorePosted by Duška Radosavljević | 16th Aug 2019 | Edinburgh 2019, Festivals, Review, Theatre for Young Audiences, United Kingdom
Shooting to stardom with their 2007 Edinburgh Fringe debut Between the Devil and the Deep Blue...
Read MorePosted by Duška Radosavljević | 16th Aug 2019 | Belgium, Edinburgh 2019, Festivals, Immersive Theatre, Review, United Kingdom
Since their first understated but instantly successful visit to Edinburgh in 2008 with their...
Read MorePosted by Duška Radosavljević | 29th Jun 2019 | Adaptation, France, Review, United Kingdom
Ivo Van Hove directed the theatrical adaptation of Luchino Visconti’s 1969 Nazi-era film The...
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