“Jeppe on the Hill”, Directed By Christian Lollike at Aarhus Theatre
‘People say that Jeppe drinks, but no one asks why Jeppe drinks’. This saying in the Danish...
Read More
Duška Radosavljević
“Bérénice” by Racine, adapted and directed by Romeo Castelucci, on tour at Gothenburg Dance and Theatre Festival
Romeo Castelucci – primarily renowned for the singularity of his aesthetic vision developed over...
Read More
In the Mind’s Eye: Collective Imagination at the Edinburgh Fringe 2026
I started my Edinburgh Fringe 2026 lying down. On a white bunk bed – a middle height one of a...
Read More
“Chroniques” by Peeping Tom at Østre Gasværk Teater Copenhagen
Rocks and rolling, in a most literal sense, is probably the closest it gets to describing the...
Read More
“The Copenhagen Trilogy” by Tove Ditlevsen, adapted by Tom Silkeberg, directed by Anja Suša at Malmö City Theatre
Tove Ditlevsen was a Danish working-class poet, novelist and feminist icon. Her memoir The...
Read More
“Mothers: A Song for Wartime” by Marta Górnicka at Gothenburg City Theatre
Marta Górnicka’s choral theatre has been wowing Europe for the last 15 years. At the age of 51,...
Read More
Chekhov’s “Uncle Vanja”, directed by Yana Ross at the Royal Theatre, Copenhagen
Already active across a number of north European theatre contexts – from her base in Lithuania to...
Read More
Tim Crouch’s “The Tempest” at The Globe
Who better to breathe new life into Shakespeare’s Tempest than Tim Crouch – a magician...
Read More
Edinburgh Festival Fringe 2025: Provisional Futures in a World on Fire
For the last thirty years of my attendance, the Edinburgh Festival Fringe has always been too big...
Read More
“No Apologies” by Emma Frankland, Edinburgh Festival Fringe 2025
Emma Frankland’s No Apologies achieves something genuinely rare: a radical reimagining that...
Read More
“The Ego” by Anemone Valcke and Verona Verbakel, Edinburgh Festival Fringe 2025
Anemone Valcke and Verona Verbakel’s The Ego emerges from Ontroerend Goed’s theatrical...
Read More
“Riot Days” by Pussy Riot, Edinburgh Festival Fringe 2025
What is the purpose of performing arts when the stakes are literally life and death? Pussy...
Read More
“Thanks for Being Here” by Ontroerend Goed, Edinburgh Festival Fringe 2025
The Belgian Company Ontroerend Goed have been coming to the Edinburgh Fringe for so long that I...
Read More
“Aether”, Edinburgh Festival Fringe 2025
Emma Howlett’s Aether arrives with impressive academic credentials—consultations with...
Read More
“Little Bulb: Listen Dance”, Edinburgh Festival Fringe 2025
What does it take to get you up on your feet and into the groove? Whatever your disposition,...
Read More
“The Butterfly Who Flew Into The Rave”, Edinburgh Festival Fringe 2025
Oli Mathiesen’s dance piece The Butterfly Who Flew Into The Rave has been described by this...
Read More
Fix+Foxy’s “A Doll’s House” by Henrik Ibsen: A Playful Study in Radical Intimacy
Imagine Ibsen’s A Doll’s House, staged as a sort of salon game, in a real couple’s home serving as...
Read More
”The Village”, Revolver Copenhagen
There is a big screen hanging above the stage on which four faces in four individual frames are...
Read More
“Hamlet”, Teatro La Plaza, Barbican
’To be or not to be’, that is a question with a completely new ring to it in Teatro La Plaza’s...
Read More
“Rhinoceros”, The Almeida Theatre
This Guardian pick of the year 2025 recently closed at London’s Almeida theatre, but it is...
Read MoreLike Us On Facebook
