Edinburgh Festival Fringe 2024 Overview
With nearly 4000 shows at hundreds of venues in the city, the Edinburgh Festival Fringe is a kind...
Read MoreDuška Radosavljević is a writer, dramaturg and academic. She is the author of the award-winning Theatre-Making: Interplay Between Text and Performance in the 21st Century (2013) and editor of The Contemporary Ensemble (2013) and Theatre Criticism: Changing Landscapes (2016). She teaches at the Royal Central School of Speech and Drama.
Posted by Duška Radosavljević | 29th Aug 2024 | Edinburgh 2024, Review, United Kingdom
With nearly 4000 shows at hundreds of venues in the city, the Edinburgh Festival Fringe is a kind...
Read MorePosted by Duška Radosavljević | 18th Jun 2024 | Denmark, Festivals, Review
The 12th annual edition of CPH Stage Festival has come to a close. The cultural highlight that...
Read MorePosted by Duška Radosavljević | 22nd Aug 2023 | Edinburgh 2023, Review, Scotland
There is a show at this year’s Fringe called Distant Memories of the Near Future written and...
Read MorePosted by Duška Radosavljević | 20th Aug 2023 | Edinburgh 2023, Review, Scotland
Lucy McCormick used to do music gigs and re-enactments, but she has now put her past and her...
Read MorePosted by Duška Radosavljević | 19th Aug 2023 | Denmark, Edinburgh 2023, Review, Scotland
There is a little red brochure going around the Edinburgh Fringe titled #Danish. It represents the...
Read MorePosted by Duška Radosavljević | 18th Aug 2023 | Belgium, Edinburgh 2023, Review, Scotland
It was exactly ten years ago that Big in Belgium – a season of work from Flanders – was first...
Read MorePosted by Duška Radosavljević | 17th Aug 2023 | Edinburgh 2023, Review, Scotland
You would not have been wrong to expect a feast in this show set at a giant dining table, fully...
Read MorePosted by Duška Radosavljević | 16th Aug 2023 | Edinburgh 2023, Poland, Review, Scotland
Thanks to the early 20th century ethnographic research of Milman Parry and Albert Lord, the word...
Read MorePosted by Duška Radosavljević | 16th Aug 2023 | Edinburgh 2023, Review, Scotland, South Korea
There are multiple ways to admire this production of a Greek classic, directed by Singaporean Ong...
Read MorePosted by Duška Radosavljević | 26th Jun 2023 | Review, Sweden
Laurie Anderson’s new show – currently on its European tour – is full of meteorological...
Read MorePosted by Duška Radosavljević | 6th Apr 2023 | Adaptation, Denmark, Musical Theatre, Review
It’s about two years since I moved to the Oresund region, the liminal place between southern...
Read MorePosted by Duška Radosavljević | 5th Dec 2022 | Adaptation, Musical Theatre, Review, Sweden
There is a palpable sense of world-class musicianship as the ensemble of six instrumentalists and...
Read MorePosted by Duška Radosavljević | 16th Sep 2022 | Adaptation, Design, London, Netherlands, Review, United Kingdom
‘If this were a text for the theatre, here is how it would begin’ – these are the opening words of...
Read MorePosted by Duška Radosavljević | 10th Sep 2022 | Festivals, Musical Theatre, Review, Sweden, United Kingdom
Here’s a few things to start with. Following my recent relocation from London to the Swedish...
Read MorePosted by Duška Radosavljević | 8th Aug 2022 | Adaptation, Austria, Dramaturgy, Festivals, Review
Just over a hundred years since its founding (by impresario and theatre director Max Reinhardt),...
Read MorePosted by Duška Radosavljević | 24th May 2022 | Adaptation, Immersive Theatre, London, Review, United Kingdom
Punchdrunk theatre, the eponymous progenitors of “immersive theatre,” have been wowing...
Read MorePosted by Duška Radosavljević | 19th May 2022 | Adaptation, Netherlands, Review, United Kingdom
Ivo van Hove’s production of Age of Rage is sourced from six plays by Euripides and one by...
Read MorePosted by Duška Radosavljević | 3rd Mar 2022 | Acting, London, Review, Translation, United Kingdom
Eugene Ionesco’s 1952 play The Chairs belongs to the moment of post-second world war European...
Read MorePosted by Duška Radosavljević | 2nd Mar 2022 | Germany, London, Review, Theatre and Science, Transmedia, United Kingdom
When Uncanny Valley premiered back in 2018, the idea of artificial intelligence augmenting or...
Read MorePosted by Duška Radosavljević | 8th Sep 2021 | London, Review, United Kingdom
Imagine you suffered terrible injustices that in your day and age were just the norm, that your...
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