“The Iliad” at Betty Nansen Theatre, Copenhagen
It’s about two years since I moved to the Oresund region, the liminal place between southern...
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Duška Radosavljević
“A Drop of Midnight”
There is a palpable sense of world-class musicianship as the ensemble of six instrumentalists and...
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“Who Killed My Father,” Young Vic
‘If this were a text for the theatre, here is how it would begin’ – these are the opening words of...
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“Flo & Joan,” Lund Comedy Festival
Here’s a few things to start with. Following my recent relocation from London to the Swedish...
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Ivo Van Hove’s Water-turgy: “Ingolstadt” at the Salzburg Festival
Just over a hundred years since its founding (by impresario and theatre director Max Reinhardt),...
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“The Burnt City,” One Cartridge Place
Punchdrunk theatre, the eponymous progenitors of “immersive theatre,” have been wowing...
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Ivo van Hove’s “Age of Rage” at Barbican
Ivo van Hove’s production of Age of Rage is sourced from six plays by Euripides and one by...
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“The Chairs” at The Almeida Theatre
Eugene Ionesco’s 1952 play The Chairs belongs to the moment of post-second world war European...
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“Uncanny Valley” at The Battersea Arts Centre
When Uncanny Valley premiered back in 2018, the idea of artificial intelligence augmenting or...
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“RashDash: Look at Me, Don’t Look at Me,” Paines Plough Roundabout
Imagine you suffered terrible injustices that in your day and age were just the norm, that your...
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The Song Project, Royal Court
As its name suggests, The Song Project is more a collaborative experiment than a conventional...
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Lucy McCormick’s “Life: LIVE!” at Battersea Arts Centre
I cannot imagine a better way to end one’s Covid-19 lockdown than to head to a Lucy McCormick show...
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Invisible Diaries: A Problem With Walls (Covid-19 Week 3, Day 2)
This article is part of the Dramaturgs’ Network Invisible Diaries series. Woke up today to...
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“Poet in Da Corner” at The Royal Court
The last time I took my non-theatre-going husband to the Royal Court was in the autumn of 2013,...
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Lucy McCormick: Post-Popular at Soho Theatre
Lucy McCormick specializes in historical re-enactments, she tells us, and she is here to play all...
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“Total Immediate Collective Imminent Terrestrial Salvation” at The Royal Court
Fresh from a sold-out run at the Edinburgh International Festival, Tim Crouch’s latest piece (a...
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Edinburgh Fringe 2019: Gig Theatre
The official stats have it that in its 73rd year of existence, the Edinburgh Fringe Festival 2019...
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Edinburgh International Festival 2019: “Roots” at Church Hill Theatre
Shooting to stardom with their 2007 Edinburgh Fringe debut Between the Devil and the Deep Blue...
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Edinburgh Fringe 2019: “Are We Not Drawn Onward to New Era” at Zoo Southside
Since their first understated but instantly successful visit to Edinburgh in 2008 with their...
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“The Damned”: La Comédie Française On the Barbican Stage.
Ivo Van Hove directed the theatrical adaptation of Luchino Visconti’s 1969 Nazi-era film The...
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