Edinburgh Fringe 2019: Gig Theatre
The official stats have it that in its 73rd year of existence, the Edinburgh Fringe Festival 2019...
Read MoreDuška Radosavljević is a writer, dramaturg and academic. She is the author of the award-winning Theatre-Making: Interplay Between Text and Performance in the 21st Century (2013) and editor of The Contemporary Ensemble (2013) and Theatre Criticism: Changing Landscapes (2016). She teaches at the Royal Central School of Speech and Drama.
Posted by Duška Radosavljević | 18th Aug 2019 | Dramaturgy, Edinburgh 2019, Essay, Scotland, United Kingdom
The official stats have it that in its 73rd year of existence, the Edinburgh Fringe Festival 2019...
Read MorePosted by Duška Radosavljević | 16th Aug 2019 | Edinburgh 2019, Festivals, Review, Theatre for Young Audiences, United Kingdom
Shooting to stardom with their 2007 Edinburgh Fringe debut Between the Devil and the Deep Blue...
Read MorePosted by Duška Radosavljević | 16th Aug 2019 | Belgium, Edinburgh 2019, Festivals, Immersive Theatre, Review, United Kingdom
Since their first understated but instantly successful visit to Edinburgh in 2008 with their...
Read MorePosted by Duška Radosavljević | 29th Jun 2019 | Adaptation, France, Review, United Kingdom
Ivo Van Hove directed the theatrical adaptation of Luchino Visconti’s 1969 Nazi-era film The...
Read MorePosted by Duška Radosavljević | 22nd Jun 2019 | Review, Russia, Russian Theatre - Featured, Russian Theatre Abroad, United Kingdom
Three Sisters was the last play Chekhov wrote in 1900, in his dacha in Yalta, and in the final...
Read MorePosted by Duška Radosavljević | 1st Jun 2019 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
A hit of the Edinburgh Fringe 2017, Selina Thompson’s one-woman show salt is on at the Royal Court...
Read MorePosted by Duška Radosavljević | 10th May 2019 | London, Review, Theatre and Gender, United Kingdom
Written only as recently as 1981, Caryl Churchill’s modern classic Top Girls has already been on...
Read MorePosted by Duška Radosavljević | 30th Mar 2019 | Festivals, Participatory Theatre, Review, United Kingdom
Homegrown: Occupy Festival Battersea Arts Centre March 18 – April 12 When it comes to arts venues,...
Read MorePosted by Duška Radosavljević | 24th Feb 2019 | Germany, Review, Theatre and Dance
In the last ten years since the death of Pina Bausch, Tanztheater Wuppertal, the company she...
Read MorePosted by Duška Radosavljević | 21st Feb 2019 | London, Review, United Kingdom
Some seventy-odd years ago, New Yorker Mary Orr wrote a short story for the Cosmopolitan magazine...
Read MorePosted by Duška Radosavljević | 11th Jan 2019 | London, Review, United Kingdom
Dates: November 28-January 12 Writer: Ellie Kendrick Directors: Helen Goalen and Abbi...
Read MorePosted by Duška Radosavljević | 2nd Dec 2018 | London, Review, United Kingdom
Less is more. When it comes to theatre-making, there is hardly a more relevant maxim than this...
Read MorePosted by Duška Radosavljević | 11th Nov 2018 | Adaptation, Ireland, Review
Also known as Platonov or the Play Without A Title, Chekhov’s first playtext, written when he was...
Read MorePosted by Duška Radosavljević | 28th Oct 2018 | London, Review, Theatre and Gender, United Kingdom
On Friday, March 13, 2015, the Grand Hall at Battersea Arts Centre in South London went up in...
Read MorePosted by Duška Radosavljević | 27th Oct 2018 | London, Review, United Kingdom
Part of the Phoenix Season at the newly re-opened Grand Hall at Battersea Arts Centre is also BAC...
Read MorePosted by Duška Radosavljević | 25th Aug 2018 | Festivals, Review, Theatre and Politics, United Kingdom
“It’s not another Brexit show,” Chris Thorpe declares as he embarks on his...
Read MorePosted by Duška Radosavljević | 24th Aug 2018 | Adaptation, Festivals, Review, Theatre and Gender, Transcultural Collaborations, United Kingdom
As its title suggests, La Maladie De La Mort is not exactly an uplifting piece of theatre. In...
Read MorePosted by Duška Radosavljević | 15th May 2018 | Belgium, London, Review, Theatre and Age, Theatre and Politics, United Kingdom
It’s not often that a children’s theatre features a piece about a pedophile and child...
Read MorePosted by Duška Radosavljević | 9th Mar 2018 | Adaptation, London, Musical Theatre, Review, Theatre and Politics, United Kingdom
The idea here is both exquisitely complex and wonderfully simple. On the one hand, Chris Goode’s...
Read MorePosted by Duška Radosavljević | 27th Dec 2017 | Review, Theatre and Gender, United Kingdom
There are some shows that can simply never be made by men. I don’t mean in the sense of subject...
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