Duška Radosavljević

regional managing editor

d.radosavljevic@thetheatretimes.com

Duška Radosavljević is a writer, dramaturg and academic. She is the author of the award-winning Theatre-Making: Interplay Between Text and Performance in the 21st Century (2013) and editor of The Contemporary Ensemble (2013) and Theatre Criticism: Changing Landscapes (2016). She teaches at the Royal Central School of Speech and Drama.

“Frankenstein: How To Make A Monster” at Battersea Arts Centre

Posted by Duška Radosavljević | 27th Oct 2018 | London, Review, United Kingdom

Part of the Phoenix Season at the newly re-opened Grand Hall at Battersea Arts Centre is also BAC...

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“Status” by The Summerhall: “It’s Not Another Brexit Show,”

Posted by Duška Radosavljević | 25th Aug 2018 | Festivals, Review, Theatre and Politics, United Kingdom

“It’s not another Brexit show,” Chris Thorpe declares as he embarks on his...

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Marguerite Duras’ “La Maladie De La Mort”: Katie Mitchell and Alice Birch Collaboration

Posted by Duška Radosavljević | 24th Aug 2018 | Adaptation, Festivals, Review, Theatre and Gender, Transcultural Collaborations, United Kingdom

As its title suggests, La Maladie De La Mort is not exactly an uplifting piece of theatre. In...

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“Five Easy Pieces”: Milo Rau’s Extraordinary Work About Child Murderer

Posted by Duška Radosavljević | 15th May 2018 | Belgium, London, Review, Theatre and Age, Theatre and Politics, United Kingdom

It’s not often that a children’s theatre features a piece about a pedophile and child...

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Chris Goode’s “Jubilee” – The State of The (Punk) Nation

Posted by Duška Radosavljević | 9th Mar 2018 | Adaptation, London, Musical Theatre, Review, Theatre and Politics, United Kingdom

The idea here is both exquisitely complex and wonderfully simple. On the one hand, Chris Goode’s...

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“Lucy McCormick: Triple Threat” at Soho Theatre – Mad Genius at Work

Posted by Duška Radosavljević | 27th Dec 2017 | Review, Theatre and Gender, United Kingdom

There are some shows that can simply never be made by men. I don’t mean in the sense of subject...

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The Place Of A Dramaturg In Twenty-First Century England

Posted by Duška Radosavljević | 13th Dec 2017 | Dramaturgy, Essay, Participatory Theatre, United Kingdom

Between 2002–2005, I carried the professional title of a Dramaturg in the UK. Even when confronted...

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“The Suppliant Women” – A New Version for Modern Times

Posted by Duška Radosavljević | 24th Nov 2017 | London, Review, Theatre and Gender, United Kingdom

Lizzie Clachan’s set is a simple stone floor slanting downwards towards the audience in a warm...

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“Minefield” Review: Stories From The Soldiers

Posted by Duška Radosavljević | 11th Nov 2017 | London, Review, Theatre and Politics, United Kingdom

Every soldier has a story to tell–sometimes a joke, sometimes a parable, often a tragedy. The...

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RashDash – “Two Man Show”

Posted by Duška Radosavljević | 25th Oct 2017 | London, Review, Theatre and Gender, United Kingdom

Over the last ten years, a new form has evolved on the British stage, rather simply referred to as...

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“Beowulf” at The Unicorn Theatre

Posted by Duška Radosavljević | 24th Oct 2017 | Adaptation, London, Review, United Kingdom

How do you bring a 10th-century Old English epic closer to a 21st-century audience? And, more...

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“Kings of War” – A Dramaturgical Perspective

Posted by Duška Radosavljević | 11th May 2016 | Dramaturgy, Essay

As part of a series of essays on Ivo van Hove’s dramaturgy, Duska Radosavljevic unpicks the...

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