“Five Easy Pieces”: Milo Rau’s Extraordinary Work About Child Murderer
It’s not often that a children’s theatre features a piece about a pedophile and child...
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Duška Radosavljević
Chris Goode’s “Jubilee” – The State of The (Punk) Nation
The idea here is both exquisitely complex and wonderfully simple. On the one hand, Chris Goode’s...
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“Lucy McCormick: Triple Threat” at Soho Theatre – Mad Genius at Work
There are some shows that can simply never be made by men. I don’t mean in the sense of subject...
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The Place Of A Dramaturg In Twenty-First Century England
Between 2002–2005, I carried the professional title of a Dramaturg in the UK. Even when confronted...
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“The Suppliant Women” – A New Version for Modern Times
Lizzie Clachan’s set is a simple stone floor slanting downwards towards the audience in a warm...
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“Minefield” Review: Stories From The Soldiers
Every soldier has a story to tell–sometimes a joke, sometimes a parable, often a tragedy. The...
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RashDash – “Two Man Show”
Over the last ten years, a new form has evolved on the British stage, rather simply referred to as...
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“Beowulf” at The Unicorn Theatre
How do you bring a 10th-century Old English epic closer to a 21st-century audience? And, more...
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“Kings of War” – A Dramaturgical Perspective
As part of a series of essays on Ivo van Hove’s dramaturgy, Duska Radosavljevic unpicks the...
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