“Chroniques” by Peeping Tom at Østre Gasværk Teater Copenhagen
Rocks and rolling, in a most literal sense, is probably the closest it gets to describing the...
Read MoreDuška Radosavljević is a writer, dramaturg and academic. She is the author of the award-winning Theatre-Making: Interplay Between Text and Performance in the 21st Century (2013) and editor of The Contemporary Ensemble (2013) and Theatre Criticism: Changing Landscapes (2016). She teaches at the Royal Central School of Speech and Drama.
Posted by Duška Radosavljević | 28th May 2026 | Belgium, Denmark, Review, Theatre and Dance
Rocks and rolling, in a most literal sense, is probably the closest it gets to describing the...
Read MorePosted by Duška Radosavljević | 16th May 2026 | Denmark, Review, Sweden
Tove Ditlevsen was a Danish working-class poet, novelist and feminist icon. Her memoir The...
Read MorePosted by Duška Radosavljević | 13th May 2026 | Poland, Review, Sweden, Ukraine
Marta Górnicka’s choral theatre has been wowing Europe for the last 15 years. At the age of 51,...
Read MorePosted by Duška Radosavljević | 14th Apr 2026 | Denmark, Review
Already active across a number of north European theatre contexts – from her base in Lithuania to...
Read MorePosted by Duška Radosavljević | 1st Apr 2026 | London, Review, United Kingdom
Who better to breathe new life into Shakespeare’s Tempest than Tim Crouch – a magician...
Read MorePosted by Duška Radosavljević | 25th Aug 2025 | Edinburgh 2025, Essay, Theatre and Politics, United Kingdom
For the last thirty years of my attendance, the Edinburgh Festival Fringe has always been too big...
Read MorePosted by Duška Radosavljević | 25th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
Emma Frankland’s No Apologies achieves something genuinely rare: a radical reimagining that...
Read MorePosted by Duška Radosavljević | 25th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
Anemone Valcke and Verona Verbakel’s The Ego emerges from Ontroerend Goed’s theatrical...
Read MorePosted by Duška Radosavljević | 25th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
What is the purpose of performing arts when the stakes are literally life and death? Pussy...
Read MorePosted by Duška Radosavljević | 25th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
The Belgian Company Ontroerend Goed have been coming to the Edinburgh Fringe for so long that I...
Read MorePosted by Duška Radosavljević | 24th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
Emma Howlett’s Aether arrives with impressive academic credentials—consultations with...
Read MorePosted by Duška Radosavljević | 24th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
What does it take to get you up on your feet and into the groove? Whatever your disposition,...
Read MorePosted by Duška Radosavljević | 24th Aug 2025 | Edinburgh 2025, Festivals, New Zealand, United Kingdom
Oli Mathiesen’s dance piece The Butterfly Who Flew Into The Rave has been described by this...
Read MorePosted by Duška Radosavljević | 2nd Jul 2025 | Adaptation, Denmark, Review
Imagine Ibsen’s A Doll’s House, staged as a sort of salon game, in a real couple’s home serving as...
Read MorePosted by Duška Radosavljević | 18th May 2025 | Denmark, Review, Theatre and Politics
There is a big screen hanging above the stage on which four faces in four individual frames are...
Read MorePosted by Duška Radosavljević | 15th May 2025 | Review, Theatre and Politics, United Kingdom
’To be or not to be’, that is a question with a completely new ring to it in Teatro La Plaza’s...
Read MorePosted by Duška Radosavljević | 14th May 2025 | Review, Theatre and Politics, United Kingdom
This Guardian pick of the year 2025 recently closed at London’s Almeida theatre, but it is...
Read MorePosted by Duška Radosavljević | 29th Aug 2024 | Edinburgh 2024, Review, United Kingdom
With nearly 4000 shows at hundreds of venues in the city, the Edinburgh Festival Fringe is a kind...
Read MorePosted by Duška Radosavljević | 18th Jun 2024 | Denmark, Festivals, Review
The 12th annual edition of CPH Stage Festival has come to a close. The cultural highlight that...
Read MorePosted by Duška Radosavljević | 22nd Aug 2023 | Edinburgh 2023, Review, Scotland
There is a show at this year’s Fringe called Distant Memories of the Near Future written and...
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Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
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“Translators As The Most Attentive And… by Ivanka Apostolova Baskar 26th June 2026 
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025 
Oldenburg’s Production Of “Mephisto” Continues And… by Daniel Meyer-Dinkgräfe 25th June 2026