Festivals
LATEST REPORTS FROM THEATRE FESTIVALS
Edinburgh Fringe 2019: “Interbeing – Stories Of A Current War”, Cockpit Theatre: Putting A Forgotten War Back Into The Spotlight
“There are bombardments constantly on the outskirts of Donetsk, while in central Donetsk they...
PQ 2019: Noise Music
The Rudolfinum is the main classical music performance hall in Prague. The house of the Czech...
A Review of “Notes From Exile” from the 2018 Boska Komedia Festival: Reverberations of Antisemitism
Zapiski Z Wygnania [Notes from Exile] directed by Magda Umer. Presented at Narodowy Stary...
ALL LATEST FESTIVAL REPORTS
Self-Ish Dramaturgy: Personal Practice At The Kennedy Center College Theatre Festival
I’m Aysha Zackria. I’m a 23 year old Queer Pakistani-American woman living in D.C. Through my...
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Theatre “Haunts” People
An Interview with Mr. Horia Gârbea – Playwright, dramaturg, translator, Bucaresti, Romania Horia...
Read More![2024 Dublin Theatre Festival – Subjective Report [Part II]](https://thetheatretimes.com/wp-content/uploads/2025/03/Picture5-627x376.jpg)
2024 Dublin Theatre Festival – Subjective Report [Part II]
To read PART I of this report, go to this link. The line of Irish productions at 2024...
Read More![2024 Dublin Theatre Festival – Subjective Report [Part I]](https://thetheatretimes.com/wp-content/uploads/2025/03/Picture2-627x376.jpg)
2024 Dublin Theatre Festival – Subjective Report [Part I]
My carefully planned visit to the 2024 Dublin Theatre Festival started and ended in unexpected...
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A Feline Farewell: “MEOW!” Excavates Americana at Exponential Fest
What started as a farewell to a beloved cat has become a farewell to a fading starlet, New York in...
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From Hunting Ritual to Installation Art: Tianzhuo Chen and Siko Setyanto’s “Ocean Cage”
Ocean Cage engulfs its audience for almost two hours in a multi-sensorial, immersive performative...
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Humankind’s Search for the Living in Shinichi Anasako and Pijin Neji’s “Stand by Me”
How does a coming-of-age story look like today, at a time of a global ecological catastrophe and...
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Nanako Matsumoto and Anchi Lin (Ciwas Tahos) Trekking Mountains
As part of Kyoto Experiment, I watched at the black box of Theatre E9 two performers interact with...
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(LA)HORDE’s Flash Mob Revolution
The enthusiastic applause and standing ovations received by Room with a View from the large...
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Melati Suryodarmo and Alessandro Sciarroni Moving Within Patriarchy
Indonesian performance artist Melati Suryodarmo and Italian choreographer Alessandro Sciarroni...
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Big Bang Professional Week, Temporada Alta Fights Against ‘Mierda Bonita’
Mierda bonita, or beautiful shit in English, is the term used in La luz de un lago/The light of a...
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On Kyoto Experiment’s Curatorial Vision
The interdisciplinary theatre, dance, and performance art festival Kyoto Experiment (KEX) wowed me...
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Six Against Turkey – We Are All a Little Turkish
Six Against Turkey, at The Kosovo Albania Showcase, is a new satire from playwright Jeton Neziraj...
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Fruiting Body: What Mushroom-To-Human Conversations Reveal In A New Off-Broadway Play
How do you explain the concept of childbirth to an alien intelligence, such as that of fungi? Are...
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“Dear Shameless Death – Dirmit” by Tiyatro Hemhâl: A Gift of Resistance
Based on a well-loved Turkish novel by Latife Tekin, Dear Shameless Death – Dirmit by Tiyatro...
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The Images of Me: 2024 Prologue New Play Festival
Staged readings are a liminal period for new plays in development. For rough ideas, they can be a...
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“Flower Sajza” at The National Experimental Theater of Tirana- Kosovo Albania Theatre Showcase
In Flower Sajza, directed by Endri Çela at the National Experimental Theater of Tirana, two women...
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“How I Learned To Drive” – Heartefact Fund at the Kosovo Albania Theatre Showcase
Heartefact Fund is a young company based in Serbia. Normally, the company performs in an apartment...
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The Kosovo Albania Theatre Showcase 2024 – A Review of “The Internationals”
The Director, a positive character The Critic is a sitter on fences and neither a positive nor...
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“In The Name Of Profit” At Fringe Milano Off
The city of Milan hosts two annual Fringe events, the first in June, and the second, in late...
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“Paisatges Compartits (Shared Landscapes)”, A Pleasant Day of Theatrical Land Art
The meeting point is in l’Animal a l’esquena, Malpelo dance company rehearsals site....
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“Border” And “Sheol/שאול” – Wachowicz/Fret Studio At Edinburgh Festival Fringe 2024
At this year’s Edinburgh Festival in the Grotowski Institute Residence Cube at Fringe 2024...
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Meet ONG Keng Sen, the Artistic Director of Singapore’s T:>Works and Keynote Speaker at the 2024 Singapore Literature Festival in NYC
The 6th biennial Singapore Literature Festival is held in New York City on October 19 and 20,...
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It Takes Artistry to Make Theatre for Young Audiences: New Theatre for Children Festival, Wrocław 2024
Theatre for broadly understood young audiences (0-16 years) is one of the most important cultural...
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“Dziwna Wiosna”: About Cruelty Without Brutality or a War Story for the Young Children
In Poland, the war is no longer just the national memory and has been present in our everyday life...
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Performance That Every Man Should See, And No Child Should
Introduction Gdzie Jest Tata? (Where is Daddy?) as seen at the New Theatre for Children Festival...
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“Ja Goryl, Ty Człowiek:” Understanding Koko
The story about Koko the gorilla who learns sign language has been well documented in scientific...
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“My Mother’s Funeral”
Every year at the Edinburgh Fringe, Paines Plough, a UK touring company specialised in...
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“PÚPÄTKO” from the Slovak Ján Palárik Theatre
Creating theatre for the very young – one that can hold their attention, stimulate the right...
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“Drapando:” Scratching For A Connection
The play Drapando, czyli Atak Zamszałego Starucha (Drapando, or the attack of the mossy old man)...
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