Richard III at MITEM: When the Monster Is Not Alone
There was something almost suspiciously neat about the programming. MİTEM opened with Richard III...
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Hungary
“The Cherry Orchard”: The Comedy Of Ruins
Nikolai Kolyada’s The Cherry Orchard begins after loss has already become the furniture of the...
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“Broken Melody” at MITEM: A Music That Finds Its Way Home
There are productions that do not so much tell a biography as listen to it and Sardar Tagirovsky’s...
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In “The Aquarium” Nina Plavanjac Turns Family Memory Into a Transparent Cage
Nina Plavanjac’s The Aquarium, produced by the Subotica National Theatre in Serbia and presented...
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Pinocchio. What Is a Person? at MITEM: Who Gets to Be Seen as Fully Human?
Davide Iodice’s Pinocchio. What Is a Person?, created with Scuola Elementare del Teatro /...
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From Richard To Richard: MITEM 2026 And a Europe in a State of Alarm
MITEM (Madách International Theatre Meeting), held annually at the National Theatre in Budapest,...
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Tartuffe or the Hypocrite: Tartare of Tartuffe
One of the most popular dishes in French cuisine is tartare. Diced beef with egg yolk and lots of...
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“Gulliver’s Travels”: a Lesson in Satire for Children.
“The life of man to represent, And turn it all to ridicule, Wit did a puppet-show...
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Nice to MITEM you: the 10th edition of the Madách International Theatre Meeting Opens in the Hungarian Capital
Budapest is becoming a vibrant place and proving highly attractive to theatre lovers. All the...
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“Young Barbarians”: Non-serious Seriousness and Hungarian Drive
Young Barbarians – director: Attila Vidnyánszky Jr. They say the best way to get to know each...
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With Faith and Trust into the Future: The 10th International Theatre Olympics in Hungary
When the world is engulfed in flames of enmity, would another flame be superfluous? Not if it is...
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“Woyczek” at the National Theater of Hungary
Buchner’s “historically difficult explains modernity” in the performance of...
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Győr Is Once Again the Capital of Dance
The western Hungarian city of Győr will once again be dominated by dance this year from June 13 to...
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Legendary Actor Péter Haumann Dies at 81
Péter Haumann, a Kossuth and Jászai Mari Prize-winning actor, a full member of the Hungarian...
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If You See a Dragon Coming, You Pull a Sword: Interview with Robert Wilson
He supports the Freeszfe Association and condemns the curtailment of artistic freedom. We asked...
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New European Drama Repertory for Young People: Surface Chat or Silent Depth
Weöres Sándor Színház (WSSZ) joined the Age of Rage project group within Young Europe III and,...
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New European Drama Repertory for Young People: “Before Tomorrow”
As the generation known by the final letters of the alphabet continues to grow up and become...
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#FreeSzFE: A Photo Journal By Gabriella Csoszó
I am a photographer, teacher, and activist with over twenty years of practice. I live in Budapest....
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A Global, Colorful Community: An Interview with Éva Fodor About the Relationship of CEU and the End of Socialism
The idea of creating the Central European University was conceived in 1989, and its foundation...
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Lasting Friendships: An Interview with Philip Arnoult
When someone speaks about US and Hungarian theatrical relationships, you cannot miss his name....
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