On Fire: Luciana Acuña’s “Bailarinas Incendiadas” (Dancers in Flames)
Luciana Acuña is one of the most exciting figures in contemporary dance. Her energy lit up La edad...
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Argentina
To speak out or not to speak out?: Claudio Tolcachir directs “Mejor no decirlo/You Shouldn’t Have Said So” at Barcelona’s Teatre Goya
What does it mean to be honest with your partner? This is the premise that governs Salomé...
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Raising Fists and Sharing Bread: Tiziano Cruz’s “Wayqeycuna” (Argentina)
A shimmering Andes mountain range made of light and weave. The sound of rattling bells. A...
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Oscar Barney Finn and Paulo Brunetti Interview
I had the opportunity to interview frequent collaborators, writer-director Oscar Barney Finn and...
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An Argentinian Summer Theater Festival in Wintertime Madrid
February is summer in Argentina, and most Argentinian theaters and companies are on holiday....
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From Social Theatricality To Stage Theatricality: A Continuous Pandemic Script
The pandemic, like the tragedy of the 21st century, has a theatrical mode, and the social response...
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Isabelita Perón in the Spotlight: “Happyland” at Buenos Aires’ Teatro San Martin
Alfredo Arias has been based in France for many decades now, but he is an increasingly frequent...
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Trying to Transition with Asperger’s: Diego Casado Rubio’s “Millones de segundos/Millions of Seconds”
A performance for teenage schoolchildren of Diego Casado Rubio’s Millones de Segundos (English...
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Life on the Road: Mauricio Kartun’s “La vis cómica/A Humorous Streak”
There is no shortage of plays about troupes of traveling actors eking out a living on the road. To...
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Colonialism, Farce and Absurdism: Ignacio Bartolone’s “Piedra sentada, pata corrida/Sitting Stone, Running Foot”
In 2013 Ignacio Bartolone created a buzz with his first play, Piedra sentada, Pata corrida...
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Staging Forgotten Histories: “Kingdoms” at the Sarmiento Theatre
Romina Paula is perhaps best known outside Argentina for her work as an actress in seminal films...
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“Petróleo/Petroleum” – Piel de Lava’s Performed Deconstruction of Masculinity
For many in the English-speaking world, the company Piel de Lava is known primarily for its work...
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Plotting Yiddish Drama: A New Digital Resource
The history of Yiddish theatre is embedded – quite literally – in urban space. If you walk past...
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Popular Theater in Buenos Aires
The cliché phrase that Buenos Aires was the Paris of South America exemplifies the exaggerated...
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When Poetry Is The Protagonist: “Lugones,” The Lord Of All The Words
Traditional literary analysis has focused on a tripartite division of genres as if they were...
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The Power Of “La Pilarcita”: María Marull’s Opera Prima Celebrates Its Fourth Season In Buenos Aires
Pilgrimages have long served as expressions of both collective and individual faith, as well as...
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A Cyclical Tragedy: Poetry, Humor, Theatre, And Neoliberalism In Argentina
Remar, An Improper Destination, written and directed by Mariano Saba, premiered at the Sportivo...
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“Millions Of Seconds” by Diego Casado Rubio: On Being Transgender in Argentina
The desired body vis a vis tradition, and institutional normative sedimentation. ...
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The Words of The Plays
Continta me tienes, the Spanish publishing house, sent us the volume The Words of the Plays,...
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Fuerza Bruta Re-Interprets a Night Out at The Theater
Since Argentinian physical theater troupe Fuerza Bruta burst onto the scene in Buenos Aires in...
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