“La Fiesta del Viejo”: A Fresh Perspective on a Classic Tale
It’s a beautiful Sunday morning in Buenos Aires, and while most tourists are rushing off to the...
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Argentina
“The Foundation” by Susana Torres Molina: A Mask Hiding Inside Other Masks
Susana Torres Molina, with her own dramatic text and very successful direction, is currently...
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Argentine Playwright Is Bold and Real in Two One-Acts
It’s good to be shaken off our predictable paths, and Ithaca’s Cherry Arts productions do that...
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Paula Marull’s “Yo no duermo la siesta” Delights Audiences at the Espacio Callejón
When Prince Charming shows up on a dilapidated motorcycle in the middle of the night, seemingly...
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Wagner’s “Forbidden Love” (“Das Liebesverbot”) at the Teatro Colón in Buenos Aires
German composer’s Forbidden Love is premièred at the Teatro Colón The Colón hasn’t offered Richard...
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Polish Director, Michal Znaniecki, in Argentina, on Globalization of Art
Polish stage director on his version of Dallapiccola’s Volo di notte and Il Prigioniero at the...
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Conversation with Mauricio Kartún, Argentinian Playwright and Director
Born in San Martín, Buenos Aires province, Argentina in 1946. Plays: Sacco y Vanzetti (1992), El...
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New Drama Based on Hieronymus Bosch’s “Table of the Seven Deadly Sins”
La terquedad is the culmination of the Heptalogy of Hieronymus Bosch — inspired by the...
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New Leadership for the Colón Theatre in Buenos Aires
After the resignation of Darío Lopérfido, the theatre is set to undergo several changes with newly...
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“Clara” Boasts A Closet Full Of Surprises
How can a play about a serious matter such as a fatal illness turn into a hilarious comedy and a...
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Open-air Opera and Music at Plaza Vaticano in Buenos Aires
Adelaide di Borgogna highlights the beauty of its music and the very good cast The Plaza Vaticano...
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Latin America Theatre Anthology Is Available Online
Latin America Theatre Anthology: 78 Plays, Biographies, and Historical-Cultural Introductions....
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New Leadership Brings Innovation to the Teatro 25 de Mayo
Buenos Aires is widely recognized by many as the theater capital of South America, and both the...
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The 5th Edition of the High Season Festival in Buenos Aires (TABA) With Works from Spain, Chile, Perú, Uruguay
The fifth edition of TABA, organized by TIMBRe4 and the Girona High Season Festival, a classic of...
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“Injured Neighborhood” (Herido barrio), by Matemurga Takes on Gentrification
The communitarian theatre group Matemurga, from Villa Crespo (Buenos Aires), closed the 2016...
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The Latin American Center for Creation and Theatrical Research (CELCIT)
The Latin American Center for Creation and Theatrical Research, CELCIT (www.celcit.org.ar) was...
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Argentinean Communitarian Theatre: A Different Form of Theatre Born of Crisis
The communitarian theatre movement in Argentina formed in 1983 as its worst dictatorship was...
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Jorge Dubatti’s “Escuela de Espectadores” Sparks a Passion for Theater in Buenos Aires
Independent theater in Buenos Aires is currently thriving, despite a number of severe economic...
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Interview with Ricardo Bartis: The Dead and the Actor
Ricardo Bartis (born in Buenos Aires, 1949), one of the major figures of Argentine theatre, took...
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