More Equal Theatre-Making in Europe: Reflection on Creative Europe and Practical Difficulties from Multilingual Perspectives
The Jeune Théâtre Européen Jeunes Publics (Young European Theatre for Young Audiences) (JTEJP)...
Read MorePosted by Jeune Théâtre Européen Jeunes Publics | 29th Feb 2024 | Essay, France, Germany, Greece, Ireland, Producing, Serbia, Tunisia
The Jeune Théâtre Européen Jeunes Publics (Young European Theatre for Young Audiences) (JTEJP)...
Read MorePosted by Kasia Lech | 28th Feb 2024 | Essay, France, Germany, Greece, Ireland, Theatre and Politics, Theatre for Young Audiences, Tunisia
The growing levels of migration results in an increasing number of children across Europe growing...
Read MorePosted by Maria Delgado | 27th Feb 2024 | France, Review, Spain, Theatre and Opera
Vincenzo Bellini’s penultimate opera, Beatrice di Tenda, rests between two more frequently...
Read MorePosted by Lisa Monde | 2nd Jan 2024 | France, Interview, Theatre and Gender, United States of America
Dedicated to the 70th anniversary of the first publication and production of Jean Genet’s unique...
Read MorePosted by Brian Valente-Quinn | 5th Jun 2023 | Essay, France, Theatre and Decolonization
The stage adaptation of Léonora Miano’s Ce qu’il faut dire (or “What Must be Said”) addresses a...
Read MorePosted by Lisa Monde | 31st Jan 2023 | Acting, France, Musical Theatre, Review
The Italian American gangster – Al Capone (Alphonse Gabriel Capone), who reigned as a crime boss...
Read MorePosted by Alexander Nderitu | 4th Jan 2023 | Applied Theatre, France, Kenya, Participatory Theatre, Theatre for Young Audiences
Alliance Française de Nairobi celebrated of the fourth centenary of Molière’s birth with an...
Read MorePosted by Yana Meerzon | 7th Aug 2022 | Avignon 2022, Directing, Festivals, France, Theatre and Politics
This is Part 2 of the bipartite report. To read Part 1, click here. Anaïs Nin au Miroir, written...
Read MorePosted by Yana Meerzon | 6th Aug 2022 | Avignon 2022, Directing, Festivals, France, Review, Theatre and Religion
I arrived at the 2022 Avignon Theatre Festival seeking emotional rejuvenation after two years of...
Read MorePosted by Lisa Monde | 27th Jul 2022 | France, Musical Theatre, New York, Review, United States of America
At the turn of the century, in 1998, Luc Plamondon created one of the greatest musicals Notre Dame...
Read MorePosted by Kadry Al-Haggar | 17th Jul 2022 | Egypt, France, Interview, Theatre and Opera
I’m honored to be recognized by Egyptian and French presidents, says El Dibany. Egpytian...
Read MorePosted by Ivanka Apostolova Baskar | 21st Jun 2022 | Dramaturgy, France, Interview, Theatre and Politics, United Kingdom
There is always a cultural gap between scholars and artists, each group being suspicious of the...
Read MorePosted by Lara Cox | 16th May 2022 | Adaptation, France, Review, Theatre and Decolonization
What do you do when you are blown away by a show, and yet you know that there is something...
Read MorePosted by Lara Cox | 19th Apr 2022 | France, Playwriting, Review, Theatre and Decolonization, Theatre and Politics
One of France’s greatest prides is the network of African American artists who, in the...
Read MorePosted by Lara Cox | 15th Dec 2021 | Adaptation, France, Musical Theatre, Review, Translation
A week after Josephine Baker posthumously entered the French Panthéon, a musical about two...
Read MorePosted by Marisa C. Hayes | 18th Nov 2021 | France, Review, Theatre and Opera, Transcultural Collaborations
It’s been nearly 100 years since George Enesco’s Œdipe (Oedipus) was created to much success on...
Read MorePosted by Nicole Birmann Bloom | 1st Nov 2021 | France, Interview, Theatre and Dance
Aguibou Bougobali Sanou (known as Bougobali) is a choreographer, performer, and director of the...
Read MorePosted by French Culture | 19th Oct 2021 | Festivals, France, News
Sinking Ship Productions, a company established in 2008 by Jonathan Levin and Josh Luxenberg has...
Read MorePosted by Marisa C. Hayes | 6th Oct 2021 | Europe, France, Latest, Review, Theatre and Opera, Transcultural Collaborations
Gluck’s Iphégenie en Tauride doesn’t waste any time ushering the viewer into its mystical score....
Read MorePosted by Marisa C. Hayes | 20th Sep 2021 | Festivals, France, Review, Theatre and Opera, Transmedia
Does a diva ever really die? It’s a fitting question from the reigning queen of endurance art,...
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