From Hunting Ritual to Installation Art: Tianzhuo Chen and Siko Setyanto’s “Ocean Cage”
Ocean Cage engulfs its audience for almost two hours in a multi-sensorial, immersive performative...
Read MorePosted by Ilinca Todoruţ | 31st Dec 2024 | Immersive Theatre, Indonesia, Japan, Kyoto Experiment 2024, Review
Ocean Cage engulfs its audience for almost two hours in a multi-sensorial, immersive performative...
Read MorePosted by Ilinca Todoruţ | 23rd Dec 2024 | Japan, Kyoto Experiment 2024, Review
How does a coming-of-age story look like today, at a time of a global ecological catastrophe and...
Read MorePosted by Ilinca Todoruţ | 19th Dec 2024 | Japan, Kyoto Experiment 2024, LGBTQ+ Theatre, Review, Taiwan
As part of Kyoto Experiment, I watched at the black box of Theatre E9 two performers interact with...
Read MorePosted by Ilinca Todoruţ | 13th Dec 2024 | France, Japan, Kyoto Experiment 2024, Review
The enthusiastic applause and standing ovations received by Room with a View from the large...
Read MorePosted by Ilinca Todoruţ | 12th Dec 2024 | Indonesia, Italy, Japan, Kyoto Experiment 2024, Review
Indonesian performance artist Melati Suryodarmo and Italian choreographer Alessandro Sciarroni...
Read MorePosted by Ilinca Todoruţ | 5th Dec 2024 | Festivals, Japan, Kyoto Experiment 2024, Management, News
The interdisciplinary theatre, dance, and performance art festival Kyoto Experiment (KEX) wowed me...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 

“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026 
