Kyoto Experiment 2024

From Hunting Ritual to Installation Art: Tianzhuo Chen and Siko Setyanto’s “Ocean Cage”

Posted by Ilinca Todoruţ | 31st Dec 2024 | Immersive Theatre, Indonesia, Japan, Kyoto Experiment 2024, Review

Ocean Cage engulfs its audience for almost two hours in a multi-sensorial, immersive performative...

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Humankind’s Search for the Living in Shinichi Anasako and Pijin Neji’s “Stand by Me”

Posted by Ilinca Todoruţ | 23rd Dec 2024 | Japan, Kyoto Experiment 2024, Review

How does a coming-of-age story look like today, at a time of a global ecological catastrophe and...

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Nanako Matsumoto and Anchi Lin (Ciwas Tahos) Trekking Mountains

Posted by Ilinca Todoruţ | 19th Dec 2024 | Japan, Kyoto Experiment 2024, LGBTQ+ Theatre, Review, Taiwan

As part of Kyoto Experiment, I watched at the black box of Theatre E9 two performers interact with...

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(LA)HORDE’s Flash Mob Revolution

Posted by Ilinca Todoruţ | 13th Dec 2024 | France, Japan, Kyoto Experiment 2024, Review

The enthusiastic applause and standing ovations received by Room with a View from the large...

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Melati Suryodarmo and Alessandro Sciarroni Moving Within Patriarchy

Posted by Ilinca Todoruţ | 12th Dec 2024 | Indonesia, Italy, Japan, Kyoto Experiment 2024, Review

Indonesian performance artist Melati Suryodarmo and Italian choreographer Alessandro Sciarroni...

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On Kyoto Experiment’s Curatorial Vision

Posted by Ilinca Todoruţ | 5th Dec 2024 | Festivals, Japan, Kyoto Experiment 2024, Management, News

The interdisciplinary theatre, dance, and performance art festival Kyoto Experiment (KEX) wowed me...

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