The Wooster Group’s “Nayatt School Redux” at the Coronet Theatre: Made-Over Experimental Classic Marks A Great Comeback
At a time when, in the post-Brexit years, British theatre is increasingly insular, a visit by the...
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Devised Theatre
Isolation, Consumer Desire and the Human Spirit: A Review of “The Chair and the Cello”
By a fortuitous coincidence, a new theatre-work The Chair and The Cello – which features an...
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Hyderabad This Weekend: Three plays with Different Storylines to Think and Entertain
An ensemble of around 18 actors takes the stage this weekend in Hyderabad to present three plays...
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“Amahemhem”: Walking Alongside the Ghosts of Our Past
At the University of Pretoria, South Africa’s Student Gallery, I was met with the open space of...
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Doulas as Resistance: The Anthropologists’s “axes, herbs and satchels”
Fifteen years ago, The Anthropologists came to be in New York City, a group of devisers born of a...
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“Love”—A Dissenting View
Alexander Zeldin’s Love— a much-celebrated, quietly confrontational, British-devised piece from...
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Brecht, Kabarett, and Pussy Riot: The Impact of AnomalousCo’s “(beyond) Doomsday Scrolling”
Entering the theatre at HERE Arts, there is already a sense of broken ground. My companion and I...
Read MoreThe Poeticism of Woman’s War: AnomalousCo’s “(beyond) Doomsday Scrolling”
Only a week after the invasion of Ukraine, three creatives found themselves nestled around a...
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When Nobel Met Booker: Dario Fo, Barry Unsworth, and One Shambolic Italian Summer
The summer of 1985 is oppressive around the medieval Italian town of Gubbio. Thick heat is held...
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Tamil Theatre’s New Voice: Chennai Audiences Cheer for Fresh Ideas and New Faces
Tamil contemporary theatre in the city sees a promising resurgence as new faces debut on stage...
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“The Aliens Make Thanksgiving Dinner:” An Interview With Co-Creators James Clements, Derya Celikkol, and Maamoun Tebbo
“The Aliens Make Thanksgiving Dinner” is a new devised play, co-written, co-directed...
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With the Hope to Make Telugu Theater a Sustainable Career Option
Production-oriented workshops culminate in ticketed Telugu plays in Hyderabad. A manager by day...
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Mohamed Sobhy’s “Nogoum El-Dohr” Continues Successful Run
Egyptian actor and director Mohamed Sobhy is celebrating the success of his latest theatrical play...
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“King Lori – Instagration” at The Theatre ODA
Teatri ODA, Prishtina, 17th March 2022 Two actresses, both speaking in German, start talking about...
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“The Smallest Stage” is an Intricately-Crafted Play for Families about Incarceration – And The Power of Stories
Review: The Smallest Stage, by Kim Crotty for Perth Festival A small, white rectangle taped onto...
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“Clouds Like Waves” Review
CLOUDS LIKE WAVES. Written by Megan Choritz. Directed by Megan Choritz and Rudy Nadler-Nir. With...
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“Theatre of the Real”: How Artists at Perth Fringe World are Stripping Down to Reveal Their Vulnerabilities
At this year’s Fringe World Festival in Perth, the “theatre of the real” is everywhere: theatre,...
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Cry Havoc Theater Company Lets Slip the Dogs of War
In the midst of the vibrant Dallas theatre scene, there lies a company of prize-winning political...
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“From the Fishbowl”: A Play for Scoundrels and Scamps
How many young-people-of-the pandemic-does it take to screw in a light bulb? Early in the...
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Creating Theatrical Ceremonies for Healing: An Interview with Gia Forakis
Gia Forakis is the Founder and Artistic Director of GF&CO in Brooklyn, NY. Gia is also the...
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