Victor’s Journey
Rarely have I spent such an intense ninety minutes watching a show, as I did the other evening at...
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Theatre and Science
![Language Is Leaving Me: A Cinematic AI Opera Of The Skin [Part II]](https://thetheatretimes.com/wp-content/uploads/2025/01/WK2023-10-07_0075-627x376.jpg.webp)
Language Is Leaving Me: A Cinematic AI Opera Of The Skin [Part II]
Ellen Pearlman interviewed by Ivo Marais To read PART I of this interview, go to this link. ...
Read More“Language Is Leaving Me: A Cinematic AI Opera Of The Skin” [Part I]
Ellen Pearlman interviewed by Ivo Marais Ivo: These questions are crafted to reflect the...
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A Dystopian Sci-Fi: “Honey, I’m Home”
Factory Theatre, renowned for showcasing the latest works from Canada’s alternative and...
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Fruiting Body: What Mushroom-To-Human Conversations Reveal In A New Off-Broadway Play
How do you explain the concept of childbirth to an alien intelligence, such as that of fungi? Are...
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Deep Thoughts on Deep History at The Public Theater
Inside the Public Theater it’s 2019 and Australia is on fire. Outside the theater it’s 2024 and...
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“In Two Minds.” Female Led Irish Storytelling
In Two Minds, produced by Dublin’s celebrated multi-award winning Fishamble, is playing at...
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The “ETC Theatre Green Book” and Theatre-making During Climate Crisis
The European Theatre Convention (ETC) in collaboration with Renew Culture officially launched in...
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Exploring A Dystopian World: Where Water Reigns Supreme In Human Transactions
In a world devastated by the apocalypse, where water has become the new currency of human...
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“Haywire:” An Unsettling Account On Mental Health Issues
When Chenura Trust a Zimbabwean media company announced that they were working on a theatrical...
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A Theatre Festival Where Nature Was the Co-actor
The man moved through the trees like an evening breeze. He mumbled chants to the leaves. His...
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Stephen Brown And Mark Rylance’s “Dr Semmelweis” At The Harold Pinter Theatre
Today’s obvious was most likely yesterday’s incredible. This is the conceit at the heart of Dr...
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Sarah Middleton’s “Shewolves” at the Southwark Playhouse: Energetic Teen Fairy Tale
Climate-change activist Greta Thunberg is great at doing two things: irritating complacent adults...
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Theater, A Major Job Sector
That AI is poised to take over countless jobs, wipe out entire job sectors, is all over the news...
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More Than 2,000 People from Wittenoom Died of Asbestos-Related Diseases. A Powerful and Compelling Requiem Brings Their Story to the Stage
Deep in the remote Pilbara region of Western Australia, the town of Wittenoom lies empty,...
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The Brazilian Experience with Different Forms of Technopresence in Theatre: Os Satyros and SP Escola de Teatro
Praça Roosevelt (Roosevelt Square) is a square located in downtown São Paulo. It was a historic...
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“Sonne, los jetzt!”: Elfriede Jelinek’s Reversed Heliotropism for the End Times
Sonne, los jetzt!, Elfriede Jelinek’s new theater piece, is imperative with an unknown addressee....
Read MoreCoding Confronting Stories
Boris Vitázek is a new media artist based in Bratislava, but his work can be seen at various international festivals. He gave a workshop on coding in VR at the 4th Zip-Scene Conference and with this occasion we asked him about...
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Martin Crimp’s “Not One of These People” at the Royal Court: Radical Investigation of Presence and Absence in Fiction
The fictional world is our world, but at the same time it’s another place; likewise, the digital...
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VR and Theater Finally Make a Climate Baby: “From Sea To Rising Sea” Interview with Creator-Director-Choreographer Mary John Frank
Technology and the theater are closer together than ever, and our hope for the planet may depend...
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