Queer Surrealism in Two Sisters Find a Box of Lesbian Erotica in the Woods
Space Lesbians! Portals! Psychic Sisters! Oh my! These are just some of the elements introduced in...
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New York
Uncle Actor
Andrew Scott’s Vanya—a solo show in which he plays all the roles in Anton Chekhov’s classic...
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The Beauty of Cultural Specificity in “Bubble Schmeisis”
The room is thick with steam (ok, it’s smoke machine smoke), an accordion and clarinet cycle...
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Underneath the Grass Roots
Alice Childress has been having a moment the past few years. This extraordinary Black playwright,...
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The Rebellious Power of “Liberation” at Roundabout Theatre Company
Much like the women it centers on, Roundabout Theatre Company’s Liberation is rebellious and not...
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Beyond the Canvas: The Art of Candida Alvarez
A leading figure in contemporary art, Candida Alvarez is an American painter and studio artist...
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Show/Boat: A River Slashes Open an Old Classic
“The singing is nice, but the staging is atrocious.” So remarked the couple sitting behind me at...
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The Horror of Mundanity in NYTW’s A Knock On the Roof
Any frequent theater-goer is likely familiar with the “two block rule”, a piece of etiquette that...
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Disability, Kink, and Joy as Resistance in The Dan Daw Show
The Dan Daw Show’s long list of potentially triggering content includes depictions of kink...
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Sitting Down with Theater Artist Kate Rankine
Lyricist/Librettist Kate Rankine has a list saved on her phone of “golden moments”, or “little...
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A Feline Farewell: “MEOW!” Excavates Americana at Exponential Fest
What started as a farewell to a beloved cat has become a farewell to a fading starlet, New York in...
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The Fire This Time Festival Enters Its 16th Year
Finding artists, nurturing them, supporting them. Seeing their work to fruition, and creating a community of support. We really try to do this at the Apollo New Works, too. It’s really how we continue to keep people and community.
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“We Live in Cairo”-Off-Broadway
We Live in Cairo, written by The Lazours, is a historical musical set in Egypt during the Arab...
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“DRAG: The Musical.” An exclusive interview with Alaska Thunderfuck
One of the main achievements of DRAG: The Musical, which premiered at the New World Stages in New...
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The Revolutionary Spirit is Alive in “We Live in Cairo”
Though many people rushed to them post election, the musical of our political moment is not...
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The Many Monsters of Ars Nova’s “The Beastiary”
Created by On the Rocks Theatre Co. (the two person co-writer and designer team Christopher Ford...
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“Kafkaesque!” A Musical That Is As Hilarious As It Is, Well, Kafkaesque
Emily Bronte doesn’t have an acronym but Franz Kafka does and Kafkaesque! Directed by Ashley...
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Trans Joy in The Christine Jorgensen Show
The Christine Jorgensen Show isn’t perfect, but it’s just so delightfully charming it’s hard...
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Deep Thoughts on Deep History at The Public Theater
Inside the Public Theater it’s 2019 and Australia is on fire. Outside the theater it’s 2024 and...
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The Perils of Parody in Forbidden Broadway: Merrily We Stole A Song
All around me people are laughing uproariously, slapping their knees, bursting into applause mid...
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