“Nat Turner in Jerusalem” at New York Theatre Workshop
Richard Gilman, an old teacher of mine and a terrific critic, used to say that whenever he read...
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New York
“Black & Blue” by Kevin Demoan Edwards: A Theater Review
Black & Blue, the first full-length play by writer/producer Kevin Demoan Edwards, takes on the...
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Taylor Mac, Patriot: “A 24-Decade History of Popular Music”
Taylor Mac calls his extraordinary theatrical marathon, five years in the making, A 24-Decade...
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Genius Refound – “The Other Mozart”
A prodigy, a scholar, and an artist determined to break out of a mold, Maria Anna Mozart found her...
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Karen Finley for President
Unicorn Gratitude Mystery, July 31-August 21, The Laurie Beechman Theatre, New York City The...
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What is “Ketamine: The Musical?”
A “profound and numbing” play dedicated to the powerful psychedelic drug ketamine is due to open...
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Alex Nichols’ Critique of Smash Musical “Hamilton”
Hamilton won a number of Tonys and received glowing reviews. Alex Nichols from Current Affairs...
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The Wooster Group, Liberated
The Town Hall Affair, May 11-27, 2016, The Performing Garage, New York City Sometimes a hasty...
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Tony Awards: A Brief History Of The Woman Behind The Biggest Event In Show Business
This Sunday, the Tony Awards will light up screens around the world, with Britain’s James Corden –...
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Where are Women’s Voices in Translation?
Our correspondent Amelia Parenteau attended a “consciousness-raising” discussion of...
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Built for Collapse: “Red Wednesday”
The evening that I saw Red Wednesday by Built for Collapse at the LaGuardia Performing Arts...
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Comparing New York and Parisian Theatre
American playwright, translator, and journalist Amelia Parenteau is currently in residence in...
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Spectacle and Tradition at the 2014 Lincoln Center Festival
In 2014, Marcina Zaccaria wrote about The Lincoln Center Festival, including productions of...
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“I Am Me” Returns to Brooklyn After Russia
Raphael Schklowsky writes about Nicole Kontolefa, an American actress trained in Russia, who is...
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