“71 Minutes of Movement:” Dance and Activism in the Twin Cities
As a dance artist, you are, at a young age, bestowed with the supposed gift to make people feel....
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Theatre and Politics
Beautiful Detours: An Interview with Taiwanese Playwright Cheng-Chun Lee
Cheng-Chun Lee was an underperforming student in his high school composition classes. It was...
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Boundary Problems
For the second time in two years, a flashy, big-budget Romeo and Juliet has opened in New York...
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“Don’t Look Now”: Directing Theatre About the Climate Crisis
I’m trying to sell my theatre show to my neighbour, a retired farmer. He’s out walking his...
Read MoreWriting On An Empty Page: An Interview with Taiwanese Playwright Chien-Cheng Chen
Taiwanese playwright Chien-Cheng Chen is set to release A Chronicle of Consciousness, his second play collection, this August. However, the plays in this collection bear little resemblance to the realist dramas that launched his...
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“No Man’s Land:” Architecture As Collective Enactment – From Scenography Toward Activated Space
STONE DESIGN Architects – Authors of the project No Man’s Land (2015/2016). Connected by a...
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A Magical “Tempest” In Stratford-Upon-Avon
Seats have long been sold out for this production of Shakespeare’s The Tempest, which brings...
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Performing Between Six Languages: An Interview With Anissa Naji
Anissa Naji is a Moroccan-German multilingual actor, comedian, singer, writer, and teaching artist...
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Oldenburg’s Production Of “Mephisto” Continues And Expands The Important Debate Of The Artistic Response To Adverse Political Circumstances
Klaus Mann’s novel Mephisto, published in 1936, deals with the opportunistic rise of its main...
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Itai Erdal’s Soldiers of Tomorrow at the Finborough Theatre: An Uninhibited Account Of The Conflict Between Israel And The Palestinians
The Finborough Theatre is one of the smallest in London, yet it has a great track record in...
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From A Basketball Athlete To A Political Dissident
Belarus Free Theatre, which currently operates in exile in London, recently presented its...
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Richard III at MITEM: When the Monster Is Not Alone
There was something almost suspiciously neat about the programming. MİTEM opened with Richard III...
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“Managed Approach” – Two Contrasting Stories – Open Aire Theatre, Riverside Studios, London
It’s been six years since the end of Managed Approach, a project in Holbeck, Leeds, which...
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From Richard To Richard: MITEM 2026 And a Europe in a State of Alarm
MITEM (Madách International Theatre Meeting), held annually at the National Theatre in Budapest,...
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Memories Of And Acting In Old Age Are Central To “Ein Deutsches Leben”
In 2016, Austrian director Christian Krönes and colleagues launched their two-hour documentary...
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When It Comes For Us: “Prophet Song”
Adapted from the Booker Prize–winning novel by Irish author Paul Lynch, Prophet Song is staged by...
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“An Enemy Of The People:” An Oblique Look At Democracy From Schaubühne Berlin
An Enemy of the People was first introduced to Greek audiences in 1902 by the pioneering “New...
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Olga Braga’s “Donbas” at Theatre 503: Complex Account Of The Start Of The Ukraine War Is Deeply Humanistic
Today, in Geneva, there are tentative peace talks between Ukraine and Russia; today, in London,...
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In the City of al-Sayyab, Theatre Still Speaks
Basra is shaped by louder forces such as oil, politics, and the constant negotiation of visible...
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“A Place Of Safety, A Journey In The Central Mediterranean”
A Place of Safety, A Journey in the Central Mediterranean, produced by the Kepler-452 Company...
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