“Rhinoceros”, The Almeida Theatre
This Guardian pick of the year 2025 recently closed at London’s Almeida theatre, but it is...
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Theatre and Politics
A “Self-Portrait” By Davide Enia
Playwright, actor, director and novelist Davide Enia had his first success as a theatrical...
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“The Cherry Orchard” By Benedict Andrews: A Stark Mirror For A Collapsing Present
Benedict Andrews’ reinvention of Chekhov’s The Cherry Orchard at St. Ann’s Warehouse raises the...
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The Showcase Is To Feed From Academic Research And Knowledge, But It Is Hands-On Job Rather Than Dry Research
Interview with Handan Salta – co-founder of the Istanbul Theatre Showcase – TheatreIST, theatre...
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Giuliana Musso Performs Franz Kafka’s “The Ape”
In his short story, A Report to an Academy, written and published in 1917, Franz Kafka imagines...
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The Horror of Mundanity in NYTW’s A Knock On the Roof
Any frequent theater-goer is likely familiar with the “two block rule”, a piece of etiquette that...
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Dropping Balms
With the United States now governed by swaggering, ignorant bigots spewing xenophobic venom,...
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Culture Belongs To Humanity! Not To The Armies
An Interview with Bouboulina Nikaki, Thessaloniki-Athens, Greece – International theatre...
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Europe As a Beautiful Mess: An Interview with Heidi Wiley, Executive Director of ETC
For 15 years now, Heidi Wiley has been Executive Director of the largest and most influential...
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The Beginnings of Theatre in Iraq
Theatre in Iraq has some deep roots in ancient Mesopotamia, but its formal development was delayed...
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“We Live in Cairo”-Off-Broadway
We Live in Cairo, written by The Lazours, is a historical musical set in Egypt during the Arab...
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Six Against Turkey – We Are All a Little Turkish
Six Against Turkey, at The Kosovo Albania Showcase, is a new satire from playwright Jeton Neziraj...
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Shakespeare In Iraq: An Interview With Dr. Samir Talib
Dr. Samir Talib is an Iraqi scholar specializing in Shakespeare and Renaissance studies. He earned...
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“Ghosts of My House” In İstanbul: A Contemporary Canadian Play Out Of Context Or Domesticating Whiteness
It is the 24th of September 2024 in İstanbul, and I’m finding my way through the curvy streets of...
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Trauma In Translation: Stratford’s Milestone Salesman In China
“My head feels like a bridge that all of Beijing has been walking over.” The stage is...
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La Vie En Sickly Rose: Florian Zeller’s “The Son” at the German State Theatre
The entire stage is the same shade of pale, dusty pink: the extra-long couch and side tables, the...
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On State Theatres and Minoritarian Theatres: Interview with Andrea Wolfer, Head of the Dramaturgy and PR Department of the German State Theatre in Timișoara, Romania
How is the German State Theatre different from other Romanian public theatres? Last year, when...
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Mark Rosenblatt’s Giant at the Royal Court: Provocative Drama About Anti-Semitism Is A Superb Play Of Ideas
Roald Dahl evokes mixed feelings. He’s one of the greatest children’s storytellers, whose macabre...
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Report From The Underground: A New Iranian Theatre
For many Iranians, the contemporary history of the country is divided into before and after...
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Timberlake Wertenbaker’s “Our Country’s Good” at the Lyric Hammersmith: Slightly Updated Classic Grounded by an Awkward Production
Although the idea of deporting people to Rwanda as a punishment is now, following the defeat of...
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