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TheTheatreTimes.com and Digital Theatre+ teamed up to launch IOTF: The International Online Theatre Festival.

In the span of one month, IOTF will stream online and on-demand the work of 30 international theatre artists and companies, including Complicité, Frantic Assembly, National Theatre of Australia, Vakhtangov Theatre and Grand Teatre de Liceu, and such iconic productions as A Disappearing Number, Things I Know to Be True and The Blue Bird trilogy.

April 1 – April 30, 2019

DOWNLOAD PRESS RELEASE HERE

Transcultural Collaboration Can Change The Game.

IOTF is a celebration of innovative global theatre artists working in diverse mediums and styles. As a collaboration between TheTheatreTimes.com and Digital Theatre+, IOTF strives to showcase the urgent and enticing work being produced on stages across the globe.

Open Fringe

In addition, IOTF will include the Open Fringe programme, presenting online the best of contemporary global fringe theatre. The Open Fringe invites video submissions from artists and companies across the globe who feel that their work can reach a wider audience. We welcome productions from all theatrical mediums in any language, and we encourage works that cross disciplinary boundaries or that are performed in non-conventional theatrical spaces.

Applications for the Open Fringe will be accepted from March 1 to March 20, 2019.

SUBMIT YOUR PROPOSAL

Founded in 2009, Digital Theatre+ is already the world’s leading educational platform for the performing arts. Today, Digital Theatre+ provides 3 million students in over 1,600 schools, colleges, and universities across 65 countries unlimited access to over 1,000 full-length productions and educational resources.

TheTheatreTimes.com is a global theatre portal. Since its launch in November 2016, TheTheatreTimes.com has published over 2,700 articles covering theatre in 88 countries and regions. With 28 thematic sections, more than 140 Regional Managing Editors, over 60 media partners around the world, and 60,000+ followers on social media, we have grown to be the most far-reaching and comprehensive global theatre portal today.

IOTF: The International Online Theatre Festival is headed by the international team of Artistic Directors: Chris Harris, writer, dramaturg and recent graduate of MA International Dramaturgy at the University of Amsterdam; and Xunnan Li, doctoral candidate at Royal Holloway University of London (RHUL).

Chris Harris & Xunnan Li

Artistic Directors, The International Online Theatre Festival

PROGRAM

The International Online Theatre Festival

April 1 – April 30, 2019

Daak Ghar

Set in early 20th-century rural Bengal, Daak Ghar tells the story of Amal, a young boy with an incurable illness who gets caught up in the world outside of his window.

Carmen

George Bizet’s celebrated operá comique Carmen is performed in a lively, imaginative production by the company of the Gran Teatre del Liceu. Carmen’s controversial portrayal of realism and romanticism caused a stir in 19th-century France and has since established itself as an international opera house favorite.

See Rock City

Victory overseas results in unexpected consequences for May and Raleigh who are confronted with hidden truths, whilst dealing with the challenges of a new, post-war America. The sequel to Arlene Hutton’s Last Train to Nibroc, directed by Katharine Farmer, was captured live by Cinevative at the Rubicon Theatre Company in California.

From Up Here

From Up Here is a new musical exploring what one’s life choices can mean and how we can affect other people without even realizing. This production, captured by Unveil Arts live at the Wilde Theatre, South Hill Park, was directed by Luke Sheppard and developed by Perfect Pitch. Contains strong language.

Baaki Itihaas

A timeless Bengali classic, Baaki Itihaas sees Sharad and Vasanthi question the events surrounding the death of a mutual acquaintance, forcing them to face the truth of their actions.

Adhe Adhure (Halfway House)

Savitri, a middle-aged woman, is dissatisfied with her circumstances and tries to find fulfillment in relationships outside of her marriage, only to realize that men are the same beneath different faces.

The Soap Myth

More than a half century after World War Two, at the desperate urging of a passionate survivor, a young investigative reporter finds herself caught between numerous versions of the same story. Played out against the backdrop of deadline reporting and journalistic integrity, the critically acclaimed The Soap Myth by Jeff Cohen questions who has the right to write history — and what is our responsibility once we know the truth?

The Blue Bird (Bliss)

The third and final part of Boris Yukhananov’s The Blue Bird trilogy sees Tyltyl and Mytyl conclude their search for the Blue Bird of happiness. This production was captured by the Stanislavsky Electrotheatre in Moscow and presented in partnership with Stage Russia HD, and features the reminiscences of Russian actors Vladimir Korenev and Aleftina Konstantinova.

The Blue Bird (Night)

Part two of Boris Yukhananov’s dazzling trilogy sees actors Vladimir Korenev and Aleftina Konstantinova weaving in and out of character as Tyltyl and Mytyl on the search for the Blue Bird of happiness. This production was captured by the Stanislavsky Electrotheatre in Moscow and presented in partnership with Stage Russia HD.

The Blue Bird (Journey)

Two children embark on a whirlwind adventure to find the Blue Bird of happiness in part one of Boris Yukhananov’s epic trilogy, based on Maurice Maeterlinck’s mystical play. This production was captured by the Stanislavsky Electrotheatre in Moscow and presented in partnership with Stage Russia HD, and features the reminiscences of Russian actors Vladimir Korenev and Aleftina Konstantinova.

Boichek

Based on Georg Büchner’s play, Woyzeck, this retelling follows the unfortunate Boichek who, after working tirelessly to earn a living, is pushed to his limits upon hearing rumours of his wife’s infidelity.

The Road to Mecca

When her husband dies, aging Miss Helen begins to fill her home in the remote South African bush with strange sculptures made from beer cans and old headlights. A local clergyman and a young woman visitor try to decide whether Miss Helen’s peculiar art is an outpouring of creativity or an outbreak of madness.

Babydoll

10BY10 is a project developed and produced by Eclipse Theatre – Britain’s leading black-led national touring company.
10 writers. 10 cities. 10 films. A homeless man walks the streets of Sheffield collecting ‘treasures’ amongst the litter.

We’re All Good

We’re All Good was directed by Grzegorz Jarzyna based on the play by Dorota Masłowska, commissioned by TR Warszawa and Berlin’s Schopenhauer am Lehniner Platz.The piece is a masterful exposition of the language of advertisements, glossy magazines, and tabloids; it confronts consumptionist dreams with the reality of a family living below the poverty line. All of this is merely a shell beneath which a more serious question lies: a question about the “us” in the title, about national identity, tradition, and memory.

Macbeth

The Shakespeare’s play, directed by Grzegorz Jarzyna, is set on an American military base in present-day Iraq. Macbeth commands a daring military operation during daily Muslim prayers that ends with him terminating the local rebel leaders. The act, while praised by General Duncan, in just the first in a series of brutal murders that the ambitious military man will commit, incited by his ruthless wife and his evergrowing aspirations.

The televised version of the play was produced in 2006, just a month before the demolition of the Warsaw Waryński Factory complex, which had served as the stage for 2007: Macbeth ever since the play’s premiere. Dynamic close-ups, editing, and additional sound effects improved and focused the intimacy and dynamics of multiple shots, while the pervasively claustrophobic interiors where the increasingly psychotic Macbeth spends his days strongly emphasized the liminal psychological condition of the protagonist.

The Land of Yes and the Land of No

Rafael Bonachela emerged as a leading dancer with Rambert Dance Company during the 1990s and in 2006 founded Bonachela Dance Company. Rafael is now artistic director of Sydney Dance Company. Rafael originally conceived the piece The Land of Yes and the Land of No, an emblematic integration of contemporary and classical dance, for a traditional theatre space. As an exclusive collaboration with HiBROW, Rafael took The Land of Yes and the Land of No outdoors, to the steps of St Paul’s Cathedral.

Things I Know To Be True

In this ambitious international collaboration, Frantic Assembly present Andrew Bovell’s heart-breaking depiction of family life. Captured live by Digital Theatre, Things I Know To Be True is co-produced by Frantic Assembly and State Theatre Company South Australia with Warwick Arts Centre, and in association with Chichester Festival Theatre and the Lyric Hammersmith.

A Disappearing Number

Winner of the 2008 Olivier Award for Best New Play, A Disappearing Number tells the true story of the extraordinary collaboration between Cambridge professor G.H. Hardy and self-taught mathematician Srinivasa Ramanujan. This production was devised by Complicité and directed by Simon McBurney.

(A)pollonia

Krzysztof Warlikowski’s (A)pollonia is based on classical and contemporary texts, primarily, excerpts from Euripides’ Alcestis, the Oresteia by Aeschylus, and Hanna Krall’s Pola. The erudite script also includes fragments of Jonathan Littell’s Les Bienveillantes, J.M Coetzee’s Elizabeth Costello, Rabidranath Tagore’s drama The Post Office, and more. By bringing together these texts, Warlikowski seeks to shed light on the ambiguous and somber history of sacrifice, and self-sacrifice – giving up one’s life for another – in particular. Stories of mythological characters ruled by Fate are complemented and reflected in twentieth-century experience with its helplessness in the face of the Holocaust. In the act of sacrifice, the executioner becomes no less important than the victim.

Dayglo

Developed in partnership with the Association of Medical Research Charities, the University of Ulster, the NHS Sickle Cell & Thalassaemia Screening Programme, and supported by the Wellcome Trust, Dayglo tells the story of two families impacted by illness.

SUBMIT YOUR PROPOSAL

FOR OPEN FRINGE BY MARCH 20, 2019.

INCLUDE:

Project title, artists/company/year of production/country.

Link to the video of the show (YouTube or Vimeo).

120 words description of the show.

Your contact information.

Use the form or email us at iotf@thetheatretimes.com

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