Management Archives - The Theatre Times

Everything In Programming Matters To Cultivate The Spectator`S Free Will

Posted by Ivanka Apostolova Baskar | 7th Apr 2026 | Côte d'Ivoire, Interview, Macedonia, Management

An Interview with Mr. Hassane Kassi Kouyaté, Chair of the International Artistic Committee of MASA...

Marketing, Sales And Production Are Crucial For The Survival And Success Of Any Project

Posted by Ivanka Apostolova Baskar | 16th Mar 2026 | China, Interview, Israel, Management

An Interview with Mr. Meir Bar-Giora (Hungary/Israel/China), theatre and performing arts agent...

Picasso’s “Barber” At The Spanish National Theatre

Posted by Duncan Wheeler | 24th Feb 2026 | Directing, Management, Review, Spain

Balding men are often precious about their hair. Pablo Picasso (1881-1973) was no exception. First...

Unbound Curation – The Freedom Of Programming Without Frames

Posted by Ivanka Apostolova Baskar | 5th Sep 2025 | Belgium, Interview, Management

An Interview with Mr. Guy Coolen, art director, producer, manager, Antwerp, Belgium/Rotterdam,...

Who’s Afraid of the Public? Reports from the Daehangno X Forum on the Shut-Down of TheatreIn

Posted by Soo Ryon Yoon | 4th Aug 2025 | Featured, Management, News, South Korea, Theatre and Gender, Theatre and Politics

“Can we just disband the Seoul Foundation for the Arts and Culture entirely and start over?” A...

Mark St Germain’s “Dancing Lessons” At Boulevard Münster In The Context Of The Ongoing Comedy Theatre Tradition In Germany

Posted by Daniel Meyer-Dinkgräfe | 28th Jul 2025 | Germany, Management, Review

Germany’s theatre landscape is very rich indeed. Many cities have publicly owned and funded...

On Kyoto Experiment’s Curatorial Vision

Posted by Ilinca Todoruţ | 5th Dec 2024 | Festivals, Japan, Kyoto Experiment 2024, Management, News

The interdisciplinary theatre, dance, and performance art festival Kyoto Experiment (KEX) wowed me...

Regional Producing Theatres In England. Leeds Playhouse: A Case Study

Posted by Dave Stannard | 22nd Oct 2024 | Essay, Management, United Kingdom

Back in 2019, I decided to write a book about the Leeds Playhouse. “Why?”, my friends asked me;...

Miangaly Theatre Company: Defining the Stage in Madagascar

Posted by Lalatiana Andréa Rasamoelina | 3rd Jul 2024 | Essay, Madagascar, Management

They say everyone can be an actor. Any location can transform into a theatre stage. Yet finding a...

Between The REMBELIO OF POPOLARI (“Omilies”, Carnevals, Anonymous Poets) And No Stable Funding

Posted by Ivanka Apostolova Baskar | 4th Apr 2024 | Greece, Interview, Management

An Interview with Kostas Kapodistrias – Theatre actor and director, theatre manager/founder of...

The Opening of Barcelona’s Newest Theatre: Àlex Rigola Stages Thomas Bernhard’s “L’home De Teatre”

Posted by Maria Delgado | 21st Dec 2023 | Management, Review, Spain, Theatre and Politics

The relationship between theatre and life has been pervaded the work of dramatists from...

Polish People Deserve Better From Irish Theatre…

Posted by Kasia Lech | 7th Sep 2023 | Essay, Ireland, Management, Poland, Theatre and Politics

In 2004, Ireland, as one of the first countries in the EU, invited Polish people to live and work...

Institutional Logic Of The System: Young Artists Are Excluded From Public Funding. An Interview With Franco Ungaro

Posted by Ivanka Apostolova Baskar | 6th Sep 2023 | Interview, Italy, Management

Franco Ungaro works at the AMA – Accademia Mediterranea dell’Attore in Lecce (Italy), he has...

Registration Now Open: The International Mentorship Program, Workshops for Emerging Theatre Leaders

Posted by The Theatre Times | 16th Nov 2022 | Education, Management, News, Producing, Worldwide

The International Association of Theatre Leaders (IATL) would like to invite you to The...

Girish Karnad Speaks to Arshia Sattar and Anmol Tickoo just a Few Days Before His Death

Posted by Usha Raman | 28th Jul 2022 | India, Interview, Management, Theatre and Film

Karnad spoke about his life as a writer and cultural administrator, his accidental foray into...

“Russia Is My Country, Who Better Than Me to Clean Up the Ruins of Our Humanity:” Interview with Elena Kovalskaya – Part II

Posted by Yana Meerzon | 13th May 2022 | Interview, Management, Russia, Theatre and Politics

This is Part II of the two-part interview. To read Part I, click here. Yana Meerzon: Should we...

“Russia Is My Country, Who Better Than Me to Clean Up the Ruins of Our Humanity”: Interview with Elena Kovalskaya – Part I

Posted by Yana Meerzon | 12th May 2022 | Interview, Management, Russia, Theatre and Politics

Russia is my country, who better than me to clean up the ruins of our humanity. – Elena...

Exit interview: Dubravka Vrgoč

Posted by Christy Romer | 14th Feb 2022 | Croatia, Directing, Interview, Management

Dubravka Vrgoč, General and Artistic Director of the Croatian National Theatre in Zagreb, is set...

Nairobi Hosts Major Performing Arts Conference

Posted by Alexander Nderitu | 13th Feb 2022 | Kenya, Management, News, Theatre and Decolonization

A stellar line-up of speakers, moderators and facilitators is scheduled to grace the event. They include academics, thespians and art critics.

“Peggy For You,” Hampstead Theatre

Posted by Aleks Sierz | 2nd Feb 2022 | Directing, London, Management, Review, United Kingdom

Peggy Ramsay is a theater legend. Around the time of her death in 1991, the Australian-born agent...

Management

Everything In Programming Matters To Cultivate The Spectator`S Free Will

Marketing, Sales And Production Are Crucial For The Survival And Success Of Any Project

Picasso’s “Barber” At The Spanish National Theatre

Unbound Curation – The Freedom Of Programming Without Frames

Who’s Afraid of the Public? Reports from the Daehangno X Forum on the Shut-Down of TheatreIn

Mark St Germain’s “Dancing Lessons” At Boulevard Münster In The Context Of The Ongoing Comedy Theatre Tradition In Germany

On Kyoto Experiment’s Curatorial Vision

Regional Producing Theatres In England. Leeds Playhouse: A Case Study

Miangaly Theatre Company: Defining the Stage in Madagascar

Between The REMBELIO OF POPOLARI (“Omilies”, Carnevals, Anonymous Poets) And No Stable Funding

The Opening of Barcelona’s Newest Theatre: Àlex Rigola Stages Thomas Bernhard’s “L’home De Teatre”

Polish People Deserve Better From Irish Theatre…

Institutional Logic Of The System: Young Artists Are Excluded From Public Funding. An Interview With Franco Ungaro

Registration Now Open: The International Mentorship Program, Workshops for Emerging Theatre Leaders

Girish Karnad Speaks to Arshia Sattar and Anmol Tickoo just a Few Days Before His Death

“Russia Is My Country, Who Better Than Me to Clean Up the Ruins of Our Humanity:” Interview with Elena Kovalskaya – Part II

“Russia Is My Country, Who Better Than Me to Clean Up the Ruins of Our Humanity”: Interview with Elena Kovalskaya – Part I

Exit interview: Dubravka Vrgoč

Nairobi Hosts Major Performing Arts Conference

“Peggy For You,” Hampstead Theatre

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